Information about Wing Collar

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William Shakespeare in a sheer linen collar of the early 17th century, a direct ancestor of the modern shirt collar.


In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck. A collar may also be a separate or detachable accessory worn around the neck.

Origins

The Oxford English Dictionary traces collar in its modern meaning to c. 1300. Today's shirt collars descend from the ruffle created by the drawstring at the neck of the medieval chemise, through the Elizabethan ruff and its successors, the whisk collar and falling band.

Separate collars have existed along side attached collars since the mid-16th century, usually to allow starching and other fine finishing.

Terminology

  • Band - a strip of fabric that fastens around the neck, perpendicular to the body of the garment, to which a collar proper may be attached.
  • Collar stiffeners, bones or stays - strips of metal, horn, mother of pearl, or plastic, rounded at one end and pointed at the other, inserted into a man's shirt collar to stiffen it and prevent the points from curling up; usually inserted into the underside of the collar through small slits but sometimes permanently sewn in place.
  • Points - the corners of a collar; in a buttoned-down collar, the points are fitted with buttonholes that attach to small buttons on the body of the shirt to hold the collar neatly in place.
  • Spread - the distance between the points of a shirt collar.
  • Stand - the band on a coat or shirt collar that supports the collar itself.

Types of collars

Collars can be categorized as:
  • Standing or stand-up, fitting up around the neck and not lying on the shoulders.
  • Turnover, standing around the neck and then folded or rolled over.
  • Flat or falling, lying flat on the shoulders.
  • AlanCollar - A type of collar that some golf ethusiasts will claim is a real collar when it more closely resembles a polo neck top. It is not a proper collar and can cause arguements over dress code.
Collars may also be stiffened, traditionally with starch; modern wash-and-wear shirt collars may be stiffened with interfacing. Shirt collars which are not stiffened are described as soft.

The shape of collars is also controlled by the shape of the neckline to which they are attached. Most collars are fitted to a jewel neck, a neckline sitting at the base of the neck all around; if the garment opens down the front, the top edges may be folded back to form lapels and a V-shaped opening, and the cut of the collar will be adjusted accordingly.

Collar styles

Names for specific styles of collars vary with the vagaries of fashion. In the 1930s and 1940s, especially, historical styles were adapted by fashion designers; thus the Victorian bertha collar, a cape-like collar fitted to a low scooping neckline, was adapted in the 1940s but generally attached to a V-neckline.

Some specific styles of collars include:
  • Ascot collar or stock collar, a very tall standing collar with the points turned up over the chin, to be worn with a cravat.
  • Band collar, a collar with a small standing band, usually buttoned, in the style worn with detachable collars.
  • Barrymore collar, a turnover shirt collar with long points, as worn by the actor John Barrymore. The style reappeared in the 1970s; particularly during that time it was often known as a "tapered collar", and could accompany fashionable wide ties on dress shirts.
  • Bertha collar, a wide, flat, round collar, often of lace or sheer fabric, worn with a low neckline in the Victorian era and resurrected in the 1940s.
  • Buster Brown collar, a wide, flat, round collar, sometimes with a ruffle, usually worn with a floppy bow tie, characteristic of boys' shirts from c. 1880-1920.
  • Butterfly collar, same as wing collar.
  • Button-down collar, a collar with buttonholes on the points to fasten them to the body of the shirt.
  • Cadet collar, same as mandarin collar.
  • Chinese collar, same as mandarin collar.
  • Cape collar, a collar fashioned like a cape and hanging over the shoulders.
  • Chelsea collar, a woman's collar for a low V-neckline, with a stand and long points, popular in the 1960s and 1970s.
  • Clerical collar, band collar worn as part of clerical clothing
  • Convertible collar, a collar designed to be worn with the neck button either fastened or unfastened.
  • Cossack collar a high standing collar opening to one side and frequently trimmed with embroidery; popular under the influence of the 1965 film Doctor Zhivago.
  • Detachable collar or false-collar, a collar made as a separate accessory to be worn with a band-collared shirt.
  • Eton collar, a wide stiff buttoned collar forming part of the uniform of Eton College starting in the late 19th century.
  • Falling band, a collar with rectanglar points falling over the chest, worn in the 17th century and remaining part of Anglican clerical clothing into the 19th century.
  • Fichu collar, a collar styled like an 18th century fichu, a large neckerchief folded into a triangular shape and worn with the point in the back and the front corners tied over the breast.
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Gentleman in a Gladstone-collared shirt and a coat with a velvet collar, 1876.
  • Gladstone collar, a standing collar with the points pressed to stick out horizontally at the side-fronts, worn with a scarf or ascot; popularized by the British Prime Minister William Ewart Gladstone.
  • Grandad collar, same as band collar.
  • Imperial collar
  • Jabot collar, a standing collar with a pleated, ruffled, or lace-trimmed frill down the front.
  • Johnny collar, a women's style with an open, short V-neck and a flat, often knit collar.
  • Lacoste collar, the un-starched, flat, protruding collar of a tennis shirt, invented by René Lacoste.
  • Mandarin collar, a small standing collar, open at the front, based on traditional Chinese garments.
  • Man-tailored collar, a woman's shirt collar made like a man's shirt collar with a stand and stiffened or buttoned-down points.
  • Mao collar, a short, almost straight standing collar folded over, with the points extending only to the base of the band, characteristic of the Mao suit.
  • Medici collar, a flared, fan-shaped collar with a V-opening at the front popular in the 1540s and 1550s, after similar styles seen in portraits of Catherine de' Medici.
  • Middy collar, a sailor collar (from midshipman), popular for women's and children's clothing in the early 20th century
  • Mock or mockneck, a knitted collar similar to a turtleneck but without a turnover
  • Nehru collar, a small standing collar, meeting at the front, based on traditional Indian garments, popular in the 1960s with the Nehru jacket.
  • Peter Pan collar, a small, flat, round-cornered collar without a stand, popular for women's and children's clothing in the mid-20th century.
  • Pierrot collar, a round, flat, limp collar based on the costume worn by the Commedia dell'Arte character Pierrot.
  • Poet collar, a soft shirt collar, often with long points, worn by Romantic poets such as Lord Byron, or a 1970s style reminiscent of this.
  • Prince of Wales collar, a dress-shirt collar style inspired by Edward VIII when he was Prince of Wales. A cutaway collar, like a Windsor collar, but not as wide-set, less stiff, and with longer points.
  • Rolled collar, any collar that is softly rolled where it folds down from the stand (as opposed to a collar with a pressed crease at the fold).
  • Round collar, any collar with rounded points.
  • Ruff collar a high standing pleated collar popular in the renaissance period made of starched linen or lace, or a similar fashion popular late seventeenth century and again in the early nineteenth century.
  • Sailor collar, a collar with a deep V-neck in front, no stand, and a square back, based on traditional sailor's uniforms
  • Shawl collar, a round collar for a V-neckline that is extended to form lapels, often used on cardigan sweaters and women's blouses.
  • Spread collar, a shirt collar with a wide spread between the points, which can accommodate a bulky necktie knot.
  • Swiecicki Collar (U.S.), a popular Polish collar worn by bankers.
  • Tab collar, a shirt collar with a small tab that fastens the points together underneath the knot of the necktie.
  • Turtleneck (U.S.) or polo neck (UK), a knitted collar reaching up to the chin with a turnover.
  • Upturned collar, an otherwise flat, protruding collar of either a shirt (especially a tennis shirt), jacket, or coat that has been turned upward, either for sport use, warmth, or as either a "fashion signal" or a perceived status symbol.
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Van Dyke collar: Triple portrait of Charles I of England by Anthony van Dyck.
  • Van Dyke or vandyke collar, a large collar with deep points standing high on the neck and falling onto the shoulders, usually trimmed with lace or reticella, worn in the second quarter of the 17th century, as seen in portraits by Anthony Van Dyck.
  • Windsor collar, a dress-shirt collar that is slightly stiff, with a wide spread (space between the points) to accommodate a Windsor knot tie. Popularized in the 1930s.
  • Wing collar or wingtip collar, a small standing collar with the points pressed to stick out horizontally, resembling "wings", worn with men's evening dress (white tie or black tie); a descendant of Gladstone collar. Used by barristers in the UK and Canada.
  • Wing or whisk, a stiffened half-circle collar with a tall stand, worn in the early 17th century.

Extended meanings

From the contrast between the starched white shirt collars worn by businessmen in the early 20th century and the blue chambray workshirts worn by laborers comes the use of collar colors in job designation, the "workforce colorwheel". Examples are blue-collar, pink-collar and white-collar.

Medical use

A cervical collar is a orthotic device which is used to externally support the spine of the neck, mostly in humans, in cases of trauma, luxation, torticollis, fracture, etc.

Modern cultural significance

The act of "popping one's collar" is one which turns the collar up from its resting position so it stands on its own around the neck. It is a sign of self-aggrandizement in flirtation. The act is especially cherished in the popular American rock culture of the 1970s and is finding a revival in modern hip hop.

See also

References

  • Oxford English Dictionary
  • Picken, Mary Brooks: The Fashion Dictionary, Funk and Wagnalls, 1957. (1973 edition ISBN 0-308-10052-2)

External links

original research or unverifiable claims.
* It may contain an of published material that conveys ideas not verifiable with the given sources. Please help add reliable sources about the topic "August 2007."
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In American English, shirt can refer to almost any upper-body garment other than coats and bras (the term "top" is sometimes used in ladieswear). In British English, a shirt is more specifically a garment with a collar, cuffs, and a full vertical opening with buttons; what
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This page has been split:
  • Skirt
  • Dress (garment)

See also

  • Dress (disambiguation)

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coat (a term frequently interchangeable with jacket) is an outer garment worn by both men and women, for warmth or fashion. Coats typically have long sleeves and open down the front, closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a
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The word blouse most commonly refers to a woman's shirt, although the term is also used for some men's military uniform jackets.

Western world

Blouses were rarely part of the fashionable woman's wardrobe until the 1890s.
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The neck is the part of the body on many limbed vertebrates that distinguishes the head from the torso or trunk.

Anatomy of the human neck

Bony anatomy: The cervical spine

The cervical portion of the human spine
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The Oxford English Dictionary (OED) is a dictionary published by the Oxford University Press (OUP), and is the most comprehensive dictionary of the English language.
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ruffle or frill is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, curtain or other textile as a form of trimming.
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The neck is the part of the body on many limbed vertebrates that distinguishes the head from the torso or trunk.

Anatomy of the human neck

Bony anatomy: The cervical spine

The cervical portion of the human spine
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Middle Ages form the middle period in a traditional schematic division of European history into three "ages": the classical civilization of Antiquity, the Middle Ages and Modern Times.
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chemise can refer to the classic smock or shift, or else can refer to certain modern types of women's undergarments and dresses. In the classical usage it is a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the
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Elizabethan Era
1558–1603
Preceded by Tudor period
Followed by Jacobean era
Monarch Queen Elizabeth I
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ruff is an item of clothing worn in Western Europe from the mid-sixteenth century to the mid-seventeenth century.

The ruff evolved from the small fabric ruffle at the drawstring neck of the shirt or chemise.
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Bands[1] are a form of formal neckwear, worn by some clergy and lawyers. They take the form of two oblong pieces of cloth, usually though not invariably white, which are tied to the neck.
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As a means of recording the passage of time, the 16th century was that century which lasted from 1501 through 1600.

See also: 16th century in literature

Events

1500s

  • 1500s: Mississippian culture disappears.

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Starch (CAS# 9005-25-8, chemical formula (C6H10O5)n,[1]) is a mixture of amylose and amylopectin (usually in 20:80 or 30:70 ratios).
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perpendicular (or orthogonal) to each other if they form congruent adjacent angles. The term may be used as a noun or adjective. Thus, referring to Figure 1, the line AB is the perpendicular to CD through the point B.
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Collar stays (sometimes known as collar bones or tabs, and in the UK, collar stiffeners) are shirt accessories.

Collar stays are sleek, rigid strips of metal (such as brass or sterling silver), horn, mother of pearl, or plastic, rounded at one end and pointed at the other,
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The Macro Expansion Template Attribute Language complements TAL, providing macros which allow the reuse of code across template files. Both were created for Zope but are used in other Python projects as well.
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horn is a living, vein and artery filled, pointed projection of the skin of various animals, consisting mainly of keratin as well as other proteins. True horns are found only among the ruminant artiodactyls, in the families Antilocapridae (pronghorn) and Bovidae (cows, buffalo,
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Nacre, also known as mother of pearl, is an organic-inorganic composite material produced by some mollusks. It is strong and resilient, and appears irridescent. Pearls and the inside layers of an oyster shell are made of nacre.
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Plastic is the general term for a wide range of synthetic or semisynthetic polymerization products. They are composed of organic condensation or addition polymers and may contain other substances to improve performance or economics.
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Buttonholes holes in fabric that are paired with functional buttons (as opposed to decorative buttons) that serve as fasteners. Buttonholes may be either made by hand sewing or automated by a sewing machine.
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Starch (CAS# 9005-25-8, chemical formula (C6H10O5)n,[1]) is a mixture of amylose and amylopectin (usually in 20:80 or 30:70 ratios).
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Interfacing is a textile used on the unseen or "wrong" side of fabrics to make an area of a garment more rigid.

Interfacings can be used to:
  • stiffen or add body to fabric, such as the interfacing used in shirt collars

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The neckline is the top edge of a garment that surrounds the neck.

The neckline is primarily a style line, but it can also be a boundary for shaping, e.g., cowls, darts or pleats, similar to the waistline.
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The word lapel can mean:-
  • Jacket lapel, each of the two triangular pieces of cloth on a standard suit jacket, which are folded back below the throat, leaving a triangular opening between them.
  • Lapel, Indiana, a town in the USA.

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Cut in clothing, sewing and tailoring, is the style or shape of a garment as opposed to its fabric or trimmings.

The cut of a coat refers to the way the garment hangs on the body based on the shape of the fabric pieces used to construct it, the position of the
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Fashion is a term that usually applies to a prevailing mode of expression, but quite often applies to a personal mode of expression that may or may not apply to all. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole.
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Centuries: 19th century - 20th century - 21st century

1900s 1910s 1920s - 1930s - 1940s 1950s 1960s
1930 1931 1932 1933 1934
1935 1936 1937 1938 1939

- -
- The 1930s
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