Information about Skiffle
Skiffle is a type of folk music with a jazz and blues influence, usually using homemade or improvised instruments such as the washboard, tea chest bass, kazoo, cigar-box fiddle, musical saw, comb and paper, and so forth, as well as more conventional instruments such as acoustic guitar and banjo. Skiffle and jug band music are closely related. Skiffle was particularly popular in Britain in the 1950s and 1960s.
Skiffle first became popular in the early 1900s in the United States, starting in New Orleans. The Oxford English Dictionary states that skiffle was a slang term for "rent party."
Originally, skiffle groups were referred to as spasm bands. By the 1920s and 1930s, a form of skiffle was being played in Louisville and Memphis. Skiffle's roots are also found in the jazz bands of the 1940s and 1950s.
The first use of the name on records was in 1925 by the otherwise unknown Jimmy O'Bryant and his Chicago Skifflers. In 1948 Dan Burley & His Skiffle Boys, led by barrelhouse piano player and journalist Burley, brought together New Orleans bassist Pops Foster, and guitar-playing brothers Brownie and Stick McGhee. Modern day skiffle legends "Gidge and The Whacky Skifflers" have brought skiffle to the mainstream described as "The Sex Pistols of Skiffle" by the TME (teesside music express)
Lonnie Donegan, the father of British skiffle, had become a professional musician in 1953, and joined the Trad jazz band of Ken Colyer. Between sets, Donegan would entertain the crowd with folk and blues, backed by bass and washboard. Colyer termed it skiffle, and soon it was more popular than the jazz that was being played. When trombonist Chris Barber left to form his own band in 1954, he took Donegan with him, and featured him on the New Orleans Joys LP, recorded in July 1954. Thanks in large part to Donegan’s raucous cover versions of the songs "Rock Island Line" and "John Henry", the ten-inch LP sold an unprecedented 50,000 copies. With skiffle getting airplay, Decca put out "Rock Island Line" as a single in 1956. It spent an astonishing eight months in the Top 20, peaking at #6 (and #8 in the U.S., selling over a million copies worldwide). Donegan appeared on The Perry Como Show in America, alongside Ronald Reagan).
Having been paid just a £50 session fee for the song, however, Donegan quickly signed with the young Pye-Nixa label, and rushed out "Lost John", which hit #2 in June 1956, and was the start of a series of UK hits – 34 of them - which lasted until 1962.
While skiffle is often credited only as a simple forerunner to British rock and roll, a lot of the early skiffle was played by skilled trad jazz musicians. The Vipers Skiffle Group and Chas McDevitt & Nancy Whiskey were examples of this. The Vipers came to prominence around the same time Lonnie Donegan left the Chris Barber Jazz Band to start his lifetime of skiffle.
The Vipers held a residency at London's The 2i's Coffee Bar and during this time musicians such as Tommy Steele, Jet Harris, Bruce Welch and Hank Marvin passed through the line-up. They had, however, a big problem: keeping their material away from Donegan. After Donegan had gained higher chart placings with the Vipers' first two hits, there was no love lost between them. (The Vipers' original version of "Don't You Rock Me Daddy-O" was produced by George Martin, and Donegan's version by Joe Meek.)
The Vipers, however, turned the tables once on Donegan. Donegan made the mistake of performing "Cumberland Gap" on live television, transmitted from a ballroom in Kilburn before he had recorded it. The Vipers went straight into the studio and got their version released before his, costing Donegan's record company 100,000 sales, although Donegan's version when released did eventually reach #1 on the UK chart remaining there for five weeks. By the end of 1957 however, the Vipers were in decline, while Donegan would go on to be acknowledged as "The King of Skiffle".
Chas McDevitt, with Nancy Whiskey on vocals, had a world wide hit with "Freight Train". In July 1957 six years before The Beatles (who had evolved from the unknown skiffle group The Quarrymen), McDevitt appeared on the Ed Sullivan Show the same day as the Everly Brothers first performed Bye Bye Love. The show was seen by an estimated audience of 45,000,000 people. This success was to take them on tour with acts such as Slim Whitman and Frankie Lymon & The Teenagers. They also replaced Jerry Lee Lewis on his ill-fated 1958 tour of the UK.
As the British rock and roll scene was starting to take off, first with Tommy Steele then Marty Wilde and Cliff Richard and The Drifters (later renamed The Shadows), Donegan was still strumming on, oblivious to the fact that the Skiffle craze had long since gone. In the early 60's, Donegan described The Beatles first records as old-fashioned, archaic rock and roll that had stopped his cash flow.
In the 1984 mockumentary This is Spinal Tap, the fictitious rock group Spinal Tap had its beginnings in skiffle, as The Lovely Lads.
Mick Jagger was a member of the Barber-Colyer Skiffle Band but claims he did not really enjoy skiffle music. Nonetheless, it was the popularity of simple skiffle music that opened young Britons' eyes to the idea that they could play music and have hit records. Graham Nash and Alan Clarke of The Hollies began their musical careers in a skiffle band called the Two Teens. The result, several years later, was the musical explosion called the British Invasion (1964-66). Led Zeppelin guitarist Jimmy Page first appeared on British television [1] as a young teen in the late 1950's in a skiffle band. Van Morrison started in a skiffle band as well, known as the Sputniks and released a live-recording in 2000 of a two-night skiffle "session" from 1998.
Skiffle had little impact in the United States beyond Donegan's hits, but some bands have imitated British accents. Only some would go as far as the Strapping Fieldhands and actually exhibit their skiffle roots (even going so far as to have a song named "Lonnie Donegan's Mum's Tea Chest").
The banjo is a stringed instrument developed by enslaved Africans in the United States, adapted from several African instruments.
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Skiffle first became popular in the early 1900s in the United States, starting in New Orleans. The Oxford English Dictionary states that skiffle was a slang term for "rent party."
Originally, skiffle groups were referred to as spasm bands. By the 1920s and 1930s, a form of skiffle was being played in Louisville and Memphis. Skiffle's roots are also found in the jazz bands of the 1940s and 1950s.
The first use of the name on records was in 1925 by the otherwise unknown Jimmy O'Bryant and his Chicago Skifflers. In 1948 Dan Burley & His Skiffle Boys, led by barrelhouse piano player and journalist Burley, brought together New Orleans bassist Pops Foster, and guitar-playing brothers Brownie and Stick McGhee. Modern day skiffle legends "Gidge and The Whacky Skifflers" have brought skiffle to the mainstream described as "The Sex Pistols of Skiffle" by the TME (teesside music express)
Revival in the United Kingdom
Skiffle was a novelty or happenstance musical form in the United States, in the 1920s through the 1940s. It had largely faded from view when, in the late 1950s, skiffle was reborn as a major musical movement in the United Kingdom. Skiffle was the British equivalent of rockabilly, a new form of music, loud and fast, with a direct communication between the band and the audience. Like American rockabilly, British skiffle is one of the direct ancestors of rock and roll. Also, like rockabilly, it provided new opportunities for the more adventurous professional musicians.Lonnie Donegan, the father of British skiffle, had become a professional musician in 1953, and joined the Trad jazz band of Ken Colyer. Between sets, Donegan would entertain the crowd with folk and blues, backed by bass and washboard. Colyer termed it skiffle, and soon it was more popular than the jazz that was being played. When trombonist Chris Barber left to form his own band in 1954, he took Donegan with him, and featured him on the New Orleans Joys LP, recorded in July 1954. Thanks in large part to Donegan’s raucous cover versions of the songs "Rock Island Line" and "John Henry", the ten-inch LP sold an unprecedented 50,000 copies. With skiffle getting airplay, Decca put out "Rock Island Line" as a single in 1956. It spent an astonishing eight months in the Top 20, peaking at #6 (and #8 in the U.S., selling over a million copies worldwide). Donegan appeared on The Perry Como Show in America, alongside Ronald Reagan).
Having been paid just a £50 session fee for the song, however, Donegan quickly signed with the young Pye-Nixa label, and rushed out "Lost John", which hit #2 in June 1956, and was the start of a series of UK hits – 34 of them - which lasted until 1962.
While skiffle is often credited only as a simple forerunner to British rock and roll, a lot of the early skiffle was played by skilled trad jazz musicians. The Vipers Skiffle Group and Chas McDevitt & Nancy Whiskey were examples of this. The Vipers came to prominence around the same time Lonnie Donegan left the Chris Barber Jazz Band to start his lifetime of skiffle.
The Vipers held a residency at London's The 2i's Coffee Bar and during this time musicians such as Tommy Steele, Jet Harris, Bruce Welch and Hank Marvin passed through the line-up. They had, however, a big problem: keeping their material away from Donegan. After Donegan had gained higher chart placings with the Vipers' first two hits, there was no love lost between them. (The Vipers' original version of "Don't You Rock Me Daddy-O" was produced by George Martin, and Donegan's version by Joe Meek.)
The Vipers, however, turned the tables once on Donegan. Donegan made the mistake of performing "Cumberland Gap" on live television, transmitted from a ballroom in Kilburn before he had recorded it. The Vipers went straight into the studio and got their version released before his, costing Donegan's record company 100,000 sales, although Donegan's version when released did eventually reach #1 on the UK chart remaining there for five weeks. By the end of 1957 however, the Vipers were in decline, while Donegan would go on to be acknowledged as "The King of Skiffle".
Chas McDevitt, with Nancy Whiskey on vocals, had a world wide hit with "Freight Train". In July 1957 six years before The Beatles (who had evolved from the unknown skiffle group The Quarrymen), McDevitt appeared on the Ed Sullivan Show the same day as the Everly Brothers first performed Bye Bye Love. The show was seen by an estimated audience of 45,000,000 people. This success was to take them on tour with acts such as Slim Whitman and Frankie Lymon & The Teenagers. They also replaced Jerry Lee Lewis on his ill-fated 1958 tour of the UK.
As the British rock and roll scene was starting to take off, first with Tommy Steele then Marty Wilde and Cliff Richard and The Drifters (later renamed The Shadows), Donegan was still strumming on, oblivious to the fact that the Skiffle craze had long since gone. In the early 60's, Donegan described The Beatles first records as old-fashioned, archaic rock and roll that had stopped his cash flow.
In the 1984 mockumentary This is Spinal Tap, the fictitious rock group Spinal Tap had its beginnings in skiffle, as The Lovely Lads.
Mick Jagger was a member of the Barber-Colyer Skiffle Band but claims he did not really enjoy skiffle music. Nonetheless, it was the popularity of simple skiffle music that opened young Britons' eyes to the idea that they could play music and have hit records. Graham Nash and Alan Clarke of The Hollies began their musical careers in a skiffle band called the Two Teens. The result, several years later, was the musical explosion called the British Invasion (1964-66). Led Zeppelin guitarist Jimmy Page first appeared on British television [1] as a young teen in the late 1950's in a skiffle band. Van Morrison started in a skiffle band as well, known as the Sputniks and released a live-recording in 2000 of a two-night skiffle "session" from 1998.
Skiffle had little impact in the United States beyond Donegan's hits, but some bands have imitated British accents. Only some would go as far as the Strapping Fieldhands and actually exhibit their skiffle roots (even going so far as to have a song named "Lonnie Donegan's Mum's Tea Chest").
Folk music can have a number of different meanings, including:
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- Traditional music: The original meaning of the term "folk music" was synonymous with the term "Traditional music", also often including World Music and Roots music; the term "Traditional music" was given
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Jazz is an original American musical art form that originated around the beginning of the 20th century in African American communities in and around New Orleans.
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Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. It emerged in African-American communities of the United States from spirituals, work songs, field hollers, shouts and chants,
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A washboard is a tool designed for hand washing clothing. With mechanized cleaning of clothing becoming more common by the end of the 20th century, the washboard has become better known for its originally subsidiary use as a musical instrument.
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A tea chest bass is a home-made musical instrument that uses a tea chest (a wooden chest of the type once used in the shipment of tea) as the resonator for an upright stringed bass. The instrument is made from a pole, traditionally a broomstick, placed into or alongside the chest.
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kazoo is a simple musical instrument (membranophone) that adds a "buzzing" timbral quality to a player's voice when one hums into it. The kazoo is a type of mirliton - a device which modifies the sound of a person's voice by way of a vibrating membrane.
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A musical saw, also called a singing saw, is the application of a hand saw as a musical instrument. The sound created is an ethereal tone, very similar to the theremin, or a woman's clear voice.
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comb is a device made of solid material, generally flat, always toothed, and is used in hair care for straightening and cleaning hair or other fibers.
The etymology of the English word is ancient, going straight back to Proto-Indo-European roots meaning "tooth", "toothed",
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The etymology of the English word is ancient, going straight back to Proto-Indo-European roots meaning "tooth", "toothed",
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Paper is thin material used for writing upon, printing upon or packaging, produced by the amalgamation of fibres, typically vegetable fibers composed of cellulose, which are subsequently held together by hydrogen bonding.
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steel-string acoustic guitar, is a modern form of guitar descended from the classical guitar, but strung with steel strings for a brighter, louder sound. Strictly speaking, the terms steel-stringed guitar, classical guitar, and folk guitar
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- For other uses, see Banjo (disambiguation)
The banjo is a stringed instrument developed by enslaved Africans in the United States, adapted from several African instruments.
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A jug band is a band employing a jug player and a mix of traditional and home-made instruments. These home-made instruments are ordinary objects adapted to or modified for making of sound, like the washtub bass, washboard, spoons, stovepipe and comb & tissue paper (kazoo).
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Motto
"In God We Trust" (since 1956)
"E Pluribus Unum" ("From Many, One"; Latin, traditional)
Anthem
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"In God We Trust" (since 1956)
"E Pluribus Unum" ("From Many, One"; Latin, traditional)
Anthem
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City of New Orleans
Ville de La Nouvelle-Orléans
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Ville de La Nouvelle-Orléans
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The Oxford English Dictionary (OED) is a dictionary published by the Oxford University Press (OUP), and is the most comprehensive dictionary of the English language.
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Slang is the use of highly informal words and expressions that are not considered standard in the speaker's dialect or language. Slang is often highly regional, specific to a particular territory.
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A rent party (sometimes called a house party) is a social occasion where tenants hire a musician or band to play and pass the hat to raise money to pay their rent. The rent party played a major role in the development of jazz and blues music.
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A jug band is a band employing a jug player and a mix of traditional and home-made instruments. These home-made instruments are ordinary objects adapted to or modified for making of sound, like the washtub bass, washboard, spoons, stovepipe and comb & tissue paper (kazoo).
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Louisville, Kentucky
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Nickname: Derby City, River City, Gateway to the South, Falls City, The 'Ville[1]
Location in the Commonwealth of Kentucky
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Nickname: Derby City, River City, Gateway to the South, Falls City, The 'Ville[1]
Location in the Commonwealth of Kentucky
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Memphis, Tennessee
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Nickname: The River City, The Bluff City
Location in Shelby County and the state of Tennessee
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Nickname: The River City, The Bluff City
Location in Shelby County and the state of Tennessee
Coordinates:
Country
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Boogie-woogie is a style of piano-based blues that became very popular in the late 1930s and early 1940s, and was extended from piano, to three pianos at once, guitar, big band, and country and western music, and even gospel.
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Topics in journalism
Professional issues
Ethics & objectivity
Sources & attribution
News & news values
Reporting & writing
Fourth estate • Libel law
Education & books
Other topics
Fields
Advocacy journalism
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Professional issues
Ethics & objectivity
Sources & attribution
News & news values
Reporting & writing
Fourth estate • Libel law
Education & books
Other topics
Fields
Advocacy journalism
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City of New Orleans
Ville de La Nouvelle-Orléans
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Nickname:
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Ville de La Nouvelle-Orléans
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Nickname:
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double bass (also known as the contrabass, string bass, upright bass, bull fiddle, or simply bass) is the largest and lowest pitched bowed string instrument used in the modern symphony orchestra.
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George Murphy "Pops" Foster (May 19, 1892 - October 29, 1969) was a jazz musician best known for his vigorous playing of the string bass. He also played the tuba and trumpet professionally.
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The guitar is a musical instrument with ancient roots that is used in a wide variety of musical styles. It typically has six strings, but four, seven, eight, ten, and twelve string guitars also exist.
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Walter "Brownie" McGhee (November 30 1915 - February 16 1996) was a folk-blues singer and guitarist, best known for his collaborations with the harmonica player Sonny Terry.
He grew up in Kingsport, Tennessee and suffered from polio as a child, which incapacitated his leg.
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He grew up in Kingsport, Tennessee and suffered from polio as a child, which incapacitated his leg.
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Motto
"In God We Trust" (since 1956)
"E Pluribus Unum" ("From Many, One"; Latin, traditional)
Anthem
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"In God We Trust" (since 1956)
"E Pluribus Unum" ("From Many, One"; Latin, traditional)
Anthem
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Motto
"Dieu et mon droit" [2] (French)
"God and my right"
Anthem
"God Save the Queen" [3]
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"Dieu et mon droit" [2] (French)
"God and my right"
Anthem
"God Save the Queen" [3]
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Rockabilly is one of the earliest styles of rock and roll music, and emerged in the early-1950's.
The term "rockabilly" is a portmanteau of "rock," from rock and roll, and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s
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The term "rockabilly" is a portmanteau of "rock," from rock and roll, and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s
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