Information about Posters

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Poster from the Spanish Revolution
A poster is any large piece of printed paper designed to be attached to a wall or vertical surface. Typically posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly textual. Posters are designed to be both eye-catching and convey information. Posters may be used for many purposes, and they are a frequent tool of advertisers (particularly of events, musicians and films), propagandists, protestors and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works. Another type of poster are educational posters, which may be about a particular subject for educational purposes. Related to these are academic or conference are generally low-cost compared to original artwork. Many people also collect posters, and some famous posters have themselves become quite valuable, collectors and vintage posters are usually framed and matted. The most conventional size for graphical posters tends to be around 24 by 36 inches, though posters may be nearly any size. Much smaller printed advertisements are typically known as handbills or flyers.

Poster history

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“Moulin Rouge - La Goulue.” (1891) Poster by Toulouse-Lautrec.


Posters, in the form of placards and posted bills, have been used for a long time, primarily for advertising and announcements. Purely textual posters have a long history: they advertised the plays of Shakespeare and made citizens aware of government proclamations for centuries. However, the great revolution in posters was the development of printing techniques that allowed for cheap mass production and printing, including notably the technique lithography which was invented in 1796 by the German Alois Senefelder. The invention of lithography was soon followed by chromolithography, which allowed for mass editions of posters illustrated in vibrant colors to be printed.
Vin Mariani, Jules Cheret's 1894 poster for the digestif and tonic wine fortified by coca
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Buenos Aires advertising poster by Lucien-Achille Mauzan (1925).


By the 1890s, the technique had spread throughout Europe. A number of noted artists created poster art in this period, foremost amongst them Henri de Toulouse-Lautrec and Jules Chéret. Chéret is considered to be the "father" of advertisement placards. He was a pencil artist and a scene decorator, who founded a small lithography office in Paris in 1866. He used striking characters, contrast and bright colors, and created over 1000 advertisements, primarily for exhibitions, theatres, and products. The industry soon attracted the service of many aspiring painters who needed a source of revenue to support themselves. Posters soon transformed the thoroughfares of Paris into the "art galleries of the street." Their commercial success was such that some of the artists were in great demand and theatre stars personally selected their own favorite artist to do the poster for an upcoming performance. The popularity of poster art was such that in 1884 a major exhibition was held in Paris. By the 1890s, poster art had widespread usage in other parts of Europe, advertising everything from bicycles to bullfights. By the end of the 19th century, during an era known as the Belle Époque, the standing of the poster as a serious artform was raised even further. Between 1895 and 1900, Jules Chéret created the Maîtres de l'Affiche (Masters of the Poster) series that became not only a commercial success, but is now seen as an important historical publication. Alphonse Mucha and Eugène Grasset were also influential poster designers of this generation, known for their Art Nouveau style and stylized figures, particularly of women. Advertisement posters became a special type of graphic art in the modern age. Poster artists such as Théophile Steinlen, Albert Guillaume, Leonetto Cappiello and others became important figures of their day, their art form transferred to magazines for advertising as well as for social and political commentary.

In the United States, posters did not evolve to the same artistic level. American posters were primarily directed towards basic commercial needs to deliver a written message. However, the advent of the travelling circus brought colorful posters to tell citizens that a carnival was coming to town. But these too were very commercially utilitarian, of average quality, and few saw any real artistic creativity.

Many posters have had great artistic merit and have become extremely collectible. These include the posters advertising World's Fairs and Colonial Exhibitions.

Other times of great turmoil also produced great posters. The 1960s saw the rise of pop art and protest movements throughout the West; both made great use of posters. Perhaps the most acclaimed posters were those produced by French students during the so-called "événements" of May 1968.

Poster printing

Many printing techniques are used to produce posters. While most posters are mass-produced, posters may also be printed by hand or in limited editions. Most posters are printed on one side and left blank on the back, the better for affixing to a wall or other surface. Pin-up sized posters are usually printed on A3 Standard Silk paper in full colour.

It is possible to use poster creation software to print large posters on standard home or office printers.

Types of posters

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Lord Kitchener recruiting poster, for the British army during world war I
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A famous advertising poster for Guinness from the 1940s.

Propaganda and political posters

During the First and Second World Wars, recruiting posters became extremely common, and many of them have persisted in the national consciousness, such as the "Lord Kitchener Wants You" posters from the United Kingdom, the "Uncle Sam wants you" posters from the United States, or the "Loose Lips Sink Ships" posters[1] that warned of foreign spies. Posters during wartime were also used for propaganda purposes, persuasion, and motivation, such as the famous Rosie the Riveter posters which exhorted women workers during World War II that "We can do it!". The Soviet Union also produced a plethora of propaganda posters, some of which became iconic representations of the Great Patriotic War. During the democratic revolutions of 1989 in Central and Eastern Europe the poster was very important weapon in the hand of the opposition. Brave printed and hand-made political posters appeared on the Berlin Wall, on the statue of St. Wenseslas in Prague and around the unmarked grave of Imre Nagy in Budapest and the role of them was indispensable for the democratic change.

Advertising posters

Many posters, particularly early posters, were used for advertising products. Posters continue to be used for this purpose, with posters advertising films, music (both concerts and recorded albums) and comic books being particularly notable examples.

Film posters

Main article: Movie poster
The film industry quickly discovered that vibrantly coloured posters were an easy way to sell their pictures. Today, posters are produced for most major films, and the collection of movie posters has become a major hobby. The most valuable poster in the world, of which there is only 1 known copy, is the 1931 stone litho Frankenstein 6-sheet.

Comic book posters

The resurgence of comic book popularity in the 1960s led to the mass production of comic book posters in the 1970s and onward. These posters typically feature popular characters in a variety of action poses. The fact that comic books are a niche market means that a given poster usually has a smaller printing run than other genres of poster. Therefore, older posters may be quite sought after by collectors. Promotional posters are usually distributed folded, whereas retail posters intended for home decoration are rolled.
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The Pre-fight poster for the Thrilla in Manila

Event posters

Posters advertising events have become common. Any sort of public event, from a rally to a play, may be advertised with posters; a few types of events have become notable for their poster advertisements.

Boxing posters

Boxing Posters were used in and around the actual venue to advertise the forthcoming fight, date, ticket prices, and usually consisted of pictures of each boxer. Boxing Posters vary in size and vibrancy, but are not usually smaller than 18x22 inches. In the early days few boxing posters survived the actual event and thus they are indeed very collectible and scarce.

Concert posters

Many concerts, particularly rock concerts, have custom-designed posters that are used for advertisement of the event. These often become collectors items as well.

Educational posters

Research posters and "poster sessions"

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A poster session at the EPFL.
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Official poster for the Exposition Universelle of 1905 in Liège
Posters are used in academia to promote and explain research work. They are typically shown during conferences, either as a complement to a talk or scientific paper, or as a publication. They are of lesser importance than actual articles, but they can be a good introduction to a new piece of research before the paper is published. Poster presentations are often not peer-reviewed, but can instead be submitted, meaning that as many as can fit will be accepted.

Classroom posters

Most classrooms in North American schools have posters on the walls. There are several types of these posters: The latter two types are sometimes prepared by students as part of an assignment, but most posters are usually store-bought.

Other

Vintage Poster Restoration/Conservation

The backing of posters with fabric dates back to 19th century France, where posters were occasionally glued to linen for reinforcement. This provided some protection, but with the passage of time the paper continued to become brittle and was frequently torn by stress. Modern backing techniques have eliminated this problem by using an acid free paper between the poster and the fabric. The adhesive used is wheat paste treated to inhibit mold growth.

Why fabric-back a poster? The principal reason is to provide support for the paper. It also enables the conservator to flatten the folds and to more easily make repairs. Fabric backing also eliminates the waviness that can occur when the poster is framed.

Reversibility is a concept that is important in all conservation work, because today's curators and collectors are only temporary custodians of a cultural object (the poster) that will have continuing and timeless interest for future collectors. We strive to make certain that materials and techniques that are applied to the poster are not harmful over time and are reversible to bring it back to the state in which we found it.

Restoration can dramatically improve the appearance of a poster. Damage caused by clear adhesive tape, residual stains, water marks and dirt can be easily repaired; combining this with the replacement of lost paper can bring the poster back to virtually its original state.

Cheesecake posters

Cheesecake posters, or "pinups," are pictures of attractive women designed to be displayed, first coming to popularity in the 1920s. The popularity of sexy Pin-up girl posters has been erratic in recent decades. Pin-ups such as Betty Grable and Jane Russell were highly popular with soldiers during World War II but much less so during the Vietnam War. The late 1970s and into the beginning of the 1980s were boom years for large posters of television actresses, especially Farrah Fawcett and Cheryl Tiegs.

Fanposter

The goal of creating a Fanposter is to show all or a large portion of devoted fans on one poster which will be presented and can be seen in a place where many other fans or members have access (hallway of a club house, fanzine, fan webpage, public place).

Affirmation posters

This refers to decorative posters that are meant to be motivational and inspirational. One popular series has a black background, a scene from nature, and a word like "Leadership" or "Opportunity." One version (usually framed and matted) uses a two-image hologram which changes as the viewer walks past.

Band/Music posters

Posters that showcase a person's favorite artist or music group are popular in teenager's bedrooms, as well as in college dorm rooms and apartments. Many posters have pictures of popular rock bands and artists.

Notable poster artists

Contemporary poster artists

See also

Further reading

  • Gosling, Peter. (1999). Scientist's Guide to Poster Presentations. New York: Kluwer. ISBN 0-306-46076-9.
  • King, Emily. (2003). A Century of Movie Posters: From Silent to Art House. Barron's. ISBN 0-7641-5599-7.
  • Noble, Ian. (2002). Up Against the Wall: International Poster Design. Mies, Switzerland: RotoVision. ISBN 2-88046-561-3.
  • Timmers, Margaret. (2003). Power of the Poster. Victoria and Albert Museum. ISBN 0-8109-6615-8.

External links

General Political Academic Other
Plaque or placque may refer to:
  • Commemorative plaque, a flat ornamental plate or tablet fixed to a wall, used to mark a significant event, person, etc.
  • Plaque (cooking), a solid, flat heating element often found in French kitchens.

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plack (Scottish Gaelic: plang) was an ancient Scottish coin of the value of one twelfth of an English penny. It appears in the old song:

A’ that e’er my Jeanie had,
My Jeanie had, my Jeanie had,

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Paper is thin material used for writing upon, printing upon or packaging, produced by the amalgamation of fibres, typically vegetable fibers composed of cellulose, which are subsequently held together by hydrogen bonding.
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Typography is the art and techniques of type design, modifying type glyphs, and arranging type. Type glyphs (characters) are created and modified using a variety of illustration techniques.
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Graphics (from Greek ; see -graphy) are visual presentations on some surface, such as a wall, canvas, computer screen, paper, or stone to brand, inform, illustrate, or entertain.
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Advertising is paid, one-way communication through a medium in which the sponsor is identified and the message is controlled by the sponsor. Variations include publicity, public relations, etc..
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Propaganda [from modern Latin: 'propagare', literally "extending forth"] is a concerted set of messages aimed at influencing the opinions or behaviour of large numbers of people.
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ART is a three-letter acronym that can mean:

Medicine

  • Antiretroviral therapy. It is used in the treatment of HIV infection.
  • assisted reproductive technology

Other

  • Adaptive resonance theory

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flyer (or flier[1]) is a single page leaflet advertising a nightclub, event, service, or other activity. Flyers are typically used by individuals or small business and are a form of small scale, community communication.
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William Shakespeare

The Chandos portrait, artist and authenticity unconfirmed. National Portrait Gallery, London.
Born: April 1564 (exact date unknown)
Stratford-upon-Avon, Warwickshire, England
Died: 23 March 1616
Stratford-upon-Avon, Warwickshire, England
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lithography is a method for printing on a smooth surface. It can be used to print text or artwork onto paper or another suitable material. It can also refer to photolithography, a microfabrication technique used to make integrated circuits and microelectromechanical systems.
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Johann Alois Senefelder (6 November 1771, Prague – 26 February 1834, Munich) was an Austrian actor and playwright who invented the printing technique of lithography in 1796.
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Chromolithography is a method for making multi-color prints. This type of color printing stemmed from the process of lithography, and it includes all types of lithography that are printed in color.
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Centuries: 18th century - 19th century - 20th century

1860s 1870s 1880s - 1890s - 1900s 1910s 1920s
1890 1891 1892 1893 1894
1895 1896 1897 1898 1899

- -
- The 1890s
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poster is any large piece of printed paper designed to be attached to a wall or vertical surface. Typically posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly textual.
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Henri de Toulouse-Lautrec

Henri de Toulouse-Lautrec.
Birth name Henri Marie Raymond de Toulouse-Lautrec Monfa
November 24 1864(1864--)
Albi, Tarn, France
September 9 1901 (aged 38)
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Jules Chéret (May 31 1836 – September 23 1932) was a French painter and lithographer who became a master of poster art. Often called the father of the modern poster.
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18th century - 19th century - 20th century
1830s  1840s  1850s  - 1860s -  1870s  1880s  1890s
1863 1864 1865 - 1866 - 1867 1868 1869

:
Subjects:     Archaeology - Architecture -
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18th century - 19th century - 20th century
1850s  1860s  1870s  - 1880s -  1890s  1900s  1910s
1881 1882 1883 - 1884 - 1885 1886 1887

:
Subjects:     Archaeology - Architecture -
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Belle Époque (French for "Beautiful Era") was a period in European history that began during the late 19th century and lasted until World War I. Occurring during the time of the French Third Republic and the German Empire, the Belle Époque was considered a "golden age" as peace
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Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create a very significant art publication during the Belle Époque in Paris, France.
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Alfons Mucha

Alfons Mucha
Birth name Alfons Maria Mucha
1860-07-24
Ivančice, Moravia, Austrian Empire
1939-07-14
Prague, Czechoslovakia
Czechoslovakia
Painting, Illustration, Decorative art
Munich Academy of Fine Arts
Académie Julian
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Eugène Grasset (May 25, 1845 - October 23, 1917) was a Swiss decorative artist who worked in Paris, France in a variety of creative design fields during the Belle Epoque. He is considered a pioneer in Art Nouveau design.
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Art Nouveau ([aʁ nu vo], anglicised /ˈɑːt nuːvəu/
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Théophile Alexandre Steinlen, frequently referred to as just Steinlen (November 10, 1859 – December 13, 1923), was a Swiss-born French Art Nouveau painter and printmaker.
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Albert Guillaume, born February 14, 1873 - died 1942, was a French painter and caricaturist.

Born in Paris, France, Albert Guillaume became a leading caricaturist during the Belle Époque.
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Leonetto Cappiello (b. 1875 in Livorno, Italy; d. 1942 in Cannes, France) was an Italian poster art designer who lived in Paris.[1] He is now often called "the father of modern advertising."because of his innovation in poster design.
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Motto
"In God We Trust"   (since 1956)
"E Pluribus Unum"   ("From Many, One"; Latin, traditional)
Anthem
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Artistic merit is an English language term that is used in relation to cultural products when referring to the judgment of their perceived quality or value as works of art.

Artistic merit is a crucial term, as pertains to visual art.
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Expo (also known as World Fair and World's Fair) is the name of various large public exhibitions held since the mid-19th century. The official sanctioning body is the Bureau International des Expositions (BIE), translated in English as the
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