Information about Film Producer
A film producer creates the conditions for making movies. The producer initiates, coordinates, supervises and controls matters such as fundraising, hiring key personnel, and arranging for distributors. The producer is involved throughout all phases of the filmmaking process from development to completion of a project.
In the early 20th century, the producer also tended to wield ultimate creative control on a film project. With the demise of Hollywood's studio system in the 1950s, creative control began to shift into the hands of the director.
Changes in movie distribution and marketing in the 1970s and '80s gave rise to the modern-day phenomenon of the Hollywood blockbuster, which tended to bring power back into the hands of the producer. While marketing and advertising for films accentuates the role of the director, apart from a few well-known film makers it is usually the producer who has the greatest degree of control in the American film industry.
Traditionally, the producer is considered the chief of staff while the director is in charge of the line. This "staff and line" organization mirrors that of most large corporations and the military. Under this arrangement, the producer has overall control of the project and can terminate the director, but the director actually makes the film. The "line producer" is thus a producer who assists with day-to-day financial and production concerns "on the line" as the film is being made.
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Cloverfield
Teaser poster
Directed by Matt Reeves
Produced by J.
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In the early 20th century, the producer also tended to wield ultimate creative control on a film project. With the demise of Hollywood's studio system in the 1950s, creative control began to shift into the hands of the director.
Changes in movie distribution and marketing in the 1970s and '80s gave rise to the modern-day phenomenon of the Hollywood blockbuster, which tended to bring power back into the hands of the producer. While marketing and advertising for films accentuates the role of the director, apart from a few well-known film makers it is usually the producer who has the greatest degree of control in the American film industry.
Traditionally, the producer is considered the chief of staff while the director is in charge of the line. This "staff and line" organization mirrors that of most large corporations and the military. Under this arrangement, the producer has overall control of the project and can terminate the director, but the director actually makes the film. The "line producer" is thus a producer who assists with day-to-day financial and production concerns "on the line" as the film is being made.
Types of producers
- Executive Producer: In major productions, usually a representative or CEO of the film studio, although the title may be given as an honorarium to a major investor. Often oversees the financial, administrative, and creative aspects of production, though not technical aspects. In smaller companies or independent projects, may be synonymous with creator/writer.
- Producer: the "classic" definition of producer who typically has the greatest involvement and oversight among a film's various producers. In smaller companies or independent projects, may be the equivalent of the Executive Producer.
- Co-Producer: A producer who generally reports to the (Executive) Producer and is more involved in the day-to-day production. He or she is the provider of money to finance a project. In independent projects, the title connotes an involvement in the inception of the production.
- Associate Producer: Usually acts as a representative of the Producer, who may share financial, creative, or administrative responsibilities, delegated from that producer. Often, a title granted as a courtesy or to one who made a major financial or creative contribution to the production.
- Production director: A representative of the film company assigned to the set and given the authority to act in behalf of the senior production team members.
- Line Producer: Oversees a film's budget and day-to-day activities
- Production supervisor : Usually performs managerial duties on one aspect of the production. Percieved as a "real producer."
- Production Manager
- Administrative Producer: Reports to the Board of Directors. Freelancers are employed by the Administrative Producer for specific tasks such as press and publicity activities, design, production management, etc.
Some notable film and telefilm producers
- J.J. Abrams - Lost (TV series), Cloverfield, Alias (TV series)
- Moustapha Akkad - the Halloween film series
- Judd Apatow -The Cable Guy, Anchorman, 40 Year Old Virgin, Knocked Up, Superbad, Freaks and Geeks
- Avi Arad, The Spider-Man film series
- Drew Barrymore - Never Been Kissed, Duplex, Music and Lyrics, Charlie's Angels film series.
- Albert R. Broccoli, Michael G. Wilson, and Barbara Broccoli - The James Bond series
- Mel Brooks - The Elephant Man (film), The Fly (1986 film), Frances, 84 Charing Cross Road
- Joe Bonica, The Movie Of The Month, Movie Newsreels, 8MM films, Filmagazine, Hollywood Newsreel Magazines
- Jerry Bruckheimer - Top Gun, Crimson Tide, Con Air, National Treasure, Pirates of the Caribbean films
- Tim Burton - The Nightmare Before Christmas, Cabin Boy, James and the Giant Peach (film), 9 (2008 film)
- Ethan Coen - Blood Simple, Raising Arizona, Barton Fink, Fargo (film)
- Nora Ephron - Michael, You've Got Mail, Bewitched
- Robert Evans - Love Story, The Godfather, Chinatown, The Saint
- Richard N. Gladstein - Finding Neverland, The Bourne Identity, Pulp Fiction, and The Cider House Rules.
- Brian Grazer - Splash (film), Parenthood, Apollo 13 (film), The Grinch (film), A Beautiful Mind (film), The Da Vinci Code (film)
- Matt Groening - The Simpsons, Futurama, The Simpsons Movie
- Howard Kazanjian - Raiders of the Lost Ark, Return of the Jedi, Demolition Man
- Kathleen Kennedy - The Sixth Sense, Always, Munich, Jurassic Park I, III, and IV, The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum.
- Alexander Korda - Things to Come, The Four Feathers (1939), The Thief of Bagdad (1940)
- Gary Kurtz - the Star Wars trilogy
- Dino De Laurentiis - Waterloo, Death Wish, U-571, Hannibal
- George Lucas - Star Wars & Indiana Jones anthologies.
- Branko Lustig - Schindler's List, Gladiator
- Frank Marshall - The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum, Back to the Future trilogy, Jurassic Park I to IV, The Sixth Sense.
- Sandeep Marwah - producer of 1000 short films
- Rick McCallum - the Star Wars prequel trilogy
- Walter Mirisch - West Side Story, The Sound of Music
- Hayao Miyazaki - Whisper of the Heart
- Tyler Perry - Diary of a Mad Black Woman, Madea's Family Reunion
- Jon Peters
- Julia Phillips- The Sting,Taxi Driver,Close Encounters of the Third Kind
- Hal Roach - the Our Gang series
- Scott Rudin - School of Rock, The Royal Tenenbaums, Clueless
- Harry Saltzman - The James Bond series, Battle of Britain, The IPCRESS File
- David O. Selznick - King Kong, Gone with the Wind
- Joel Silver - The Matrix series, Lethal Weapon series, Predator
- Sam Spiegel - The African Queen, Bridge on the River Kwai, Lawrence of Arabia
- Steven Spielberg - Goonies, E.T., Poltergeist
- Irving Thalberg - Mutiny on the Bounty, The Hunchback of Notre Dame, Grand Hotel, A Night at the Opera
- Fran Walsh - The Lord of the Rings film trilogy, King Kong (2005 film), The Lovely Bones (film), Halo (film)
- Hal B. Wallis - The Maltese Falcon, Casablanca, Elvis Presley films
- Harvey Weinstein
- Ralph Winter - Star Trek V, Star Trek VI, X-Men, Fantastic Four,
- Andrew G. Vajna - Rambo series, , and .
- Saul Zaentz - One Flew Over the Cuckoo's Nest, Amadeus, The English Patient
- Robert Zemeckis - The Frighteners, Matchstick Men, Monster House
- Darryl F. Zanuck - many Shirley Temple movies, The Grapes of Wrath, All About Eve, The Longest Day
See also
- List of Hollywood movie studios
- List of movie-related topics
- Producers Guild of America
- Television producer
- Contrast with Film director
- Filmmaking
- Film production
References
- The Producer's Business Handbook by John J. Lee, Jr., Focal Press (2000)
- From Reel to Deal by Dov S-S Simens, Warner Books (2003)
External links
Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
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Filmmaking is the process of making a film, from an initial story idea or commission through scriptwriting, shooting, editing and finally distribution to an audience. Typically it involves a large number of people and can take anywhere between a few months and several years to
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twentieth century of the Common Era began on January 1, 1901 and ended on December 31, 2000, according to the Gregorian calendar. Some historians consider the era from about 1914 to 1991 to be the Short Twentieth Century.
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Hollywood is a district in Los Angeles, California, situated west-northwest of Downtown Los Angeles. Due to its fame and cultural identity as the historical center of movie studios and movie stars, the word "Hollywood" is often used as a metonym for the Cinema of the United States.
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A film studio is a controlled environment for the making of a film. This environment may be interior (sound stage), exterior (backlot), or both. In general parlance, the term is synonymous with "major film production company," due largely to the fact that the leading production
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worldwide view.
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Centuries: 19th century - 20th century - 21st century
1920s 1930s 1940s - 1950s - 1960s 1970s 1980s
1950 1951 1952 1953 1954
1955 1956 1957 1958 1959
- -
- The 1950s
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film director is a person who directs the making of a film.[1] A film director visualizes the script, controlling a film's artistic and dramatic aspects, while guiding the technical crew and actors in the fulfillment of his or her vision.
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A film distributor is an independent company, a subsidiary company or occasionally an individual, which acts as the final agent between a film production company or some intermediary agent, and a film exhibitor, to the end of securing placement of the producer's film on the
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Marketing is a social process which satisfies consumers' wants. The term includes advertising, distribution and selling of a product or service. It is also concerned with anticipating the customers' future needs and wants, often through market research.
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Centuries: 19th century - 20th century - 21st century
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1970 1971 1972 1973 1974
1975 1976 1977 1978 1979
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- The 1970s decade refers to the years from 1970 to 1979, also called
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1940s 1950s 1960s - 1970s - 1980s 1990s 2000s
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Blockbuster, as applied to film or theater, denotes a very popular and/or successful production. The term was originally derived from theater slang referring to a particularly successful play but is now used primarily by the film industry.
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A line producer is a key member of the production team for a motion picture. Typically, a line producer manages the budget of a motion picture. Alternatively, or in addition, they may manage the day to day physical aspects of the film production, serving a role similar to the unit
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Executive producer is a major role in the entertainment industry but one that is ambiguous and often difficult to define clearly. Executive producers vary in involvement, responsibility and power.
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Chief Executive Officer (CEO), or chief executive, is the highest-ranking corporate officer, administrator, corporate administrator, executive, or executive officer, in charge of total management of a corporation, company, organization or agency.
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A film studio is a controlled environment for the making of a film. This environment may be interior (sound stage), exterior (backlot), or both. In general parlance, the term is synonymous with "major film production company," due largely to the fact that the leading production
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A line producer is a key member of the production team for a motion picture. Typically, a line producer manages the budget of a motion picture. Alternatively, or in addition, they may manage the day to day physical aspects of the film production, serving a role similar to the unit
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Theatrical production management is a sub-division of stagecraft. The production management team (consisting of a production manager and any number of assistants) is responsible for realizing the visions of the Producer and the Director or Choreographer within constraints of
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J.J. Abrams
J.J. Abrams speaking at Wondercon in February 2006. Photo by Neil Motteram
Birth name Jeffrey Abrams
Jeffrey Abrams (also credited as J.J.
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J.J. Abrams speaking at Wondercon in February 2006. Photo by Neil Motteram
Birth name Jeffrey Abrams
Jeffrey Abrams (also credited as J.J.
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- 1-18-08, 1/18/08, and 01-18-08 (the release date of this film), redirect here. For general information about this date, please see January 18.
Cloverfield
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Alias is an American "Spy-fi" television series created by J. J. Abrams which was broadcast on ABC from September 30, 2001 to May 22, 2006, spanning five seasons. It starred Jennifer Garner as Sydney Bristow, a CIA agent, who was usually seen wearing a colorful new disguise
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Moustapha Akkad (Arabic: مصطفى العقاد) (July 1 1930 – November 11, 2005) was a Syrian-American film producer and director, best known for producing the series of Halloween films and directing
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Theatrical Cut:
91 min.
Extended Cut:
101 min.
Country United States
Language English
Budget $325,000 US (est.)
Followed by Halloween II
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Halloween
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91 min.
Extended Cut:
101 min.
Country United States
Language English
Budget $325,000 US (est.)
Followed by Halloween II
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Halloween
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Judd Apatow (born December 6, 1967, in Syosset, New York)[] is an Emmy-winning American screenwriter, director, and producer. He is best known for writing and directing successful comedy films The 40-Year-Old Virgin and Knocked Up.
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- For the comedian, see Larry the Cable Guy.
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Theatrical cut
116 min.
Unrated cut
133 min.
Language English
Budget $26 million
Gross revenue $109,243,478
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The 40-Year-Old Virgin
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116 min.
Unrated cut
133 min.
Language English
Budget $26 million
Gross revenue $109,243,478
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The 40-Year-Old Virgin
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This article documents a recently released work of fiction.
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Knocked Up
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Directed by Judd Apatow
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It may contain detailed information on the characters, plot, and ending of the work of fiction it describes.
Knocked Up
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Directed by Judd Apatow
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Theatrical cut:
113 min.
Unrated cut:
119 min.
Language English
Budget $20 million[1]
Gross revenue $126,622,978
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Superbad
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113 min.
Unrated cut:
119 min.
Language English
Budget $20 million[1]
Gross revenue $126,622,978
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Freaks and Geeks is an American television series, created by Paul Feig and produced by Judd Apatow, that aired on NBC during the 1999–2000 TV season. Although the show, considered a comedy-drama, garnered much critical acclaim and a devoted cult following, repeated
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