Information about Film Frame

A film frame, or just frame, is one of the many single photographic images in a motion picture. The individual frames are separated by frame lines. Normally, 24 frames are needed for one second of film. In ordinary filming, the frames are photographed automatically, one after the other, in a movie camera. In special effects or animation filming, the frames are often shot one at a time.

The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past.

The size of a film frame varies, depending on the still film format or the motion picture film format. In the smallest 8 mm amateur format for motion pictures film, it is only about 4,8 by 3,5 mm, while an IMAX frame is as large as 69.6 by 48.5 mm. The larger the frame size is in relation to the size of the projection screen, the sharper the image will appear.

The size of the film frame of motion picture film also depends on the location of the holes, the size of the holes, the shape of the holes. and the location and type of sound stripe.

The most common film format, 35 mm, has a frame size of 22 by 16 mm when used in a still 35mm camera where the film moves horizontal but the frame size varies when used for motion picture where the film moves vertically (with the exception of VistaVision where the film moves horizontally).

Video frame

In film, video production, animation, and related fields, a frame is one of the many still images which compose the complete moving picture. Historically, these were recorded on a long strip of photographic film, and each image looked rather like a framed picture when examined individually, hence the name.

When the moving picture is displayed, each frame is flashed on a screen for a short time (nowadays, usually 1/24th, 1/25th or 1/30th of a second) and then immediately replaced by the next one. Persistence of vision blends the frames together, producing the illusion of a moving image.

The video frame is also sometimes used as a unit of time, being variously 1/24, 1/25 or 1/30 of a second, so that a momentary event might be said to last 6 frames.

The frame rate, the rate at which sequential frames are presented, varies according to the video standard in use. In North America and Japan, 30 frames per second is the broadcast standard, with 24 frame/s now common in production for high-definition video. In much of the rest of the world, 25 frame/s is standard.

In film projection, 24 frames/s is the norm, except in some special venue systems, such as IMAX, Showscan and Iwerks 70, where 30, 48 or even 60 frames/s have been used. Silent films and 8 mm amateur movies used 16 or 18 frames/s.

Showing film frames in animation and movies

Some humor in animation is based on the fourth wall aspect of the film frame itself, with some animation showing characters leaving what is assumed to be the edge of the film or the film malfunctioning. This latter one is used often in films as well. This hearkens back to some early cartoons, where characters were aware of the fact they were in a cartoon, specifically the fact they could look at the credits and be aware of something that isn't part of the story as presented. These jokes include -
  • Split frames - Where the fourth wall is broken by two frames, the lower half of the previous frame and the upper part of the next frame, showing at once, with jokes involving them including a character crossing the frame itself.
  • Film Break - A famous form of joke, where the film either snaps or is deliberately broken, with often the fourth wall coming into play during this period when, rightfully, there should be nothing on screen.
  • Exiting the frame - This joke, an extension of the split frames joke, has characters depart from the sides of the frame, sometimes finding themselves falling out of the cartoon entirely.

See also

External links

Photography [fә'tɑgrәfi:],[foʊ'tɑgrәfi:] is the process of recording pictures by means of capturing light on a light-sensitive medium, such as a film or electronic sensor.
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Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
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frame line is the unused space that separates two adjacent images, or "frames", on the reel of a motion picture. They can vary in width; a common "hard matted" 35 mm film print with a 1:1.85 aspect ratio is approximately 8 millimeters (0.
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second (SI symbol: s), sometimes abbreviated sec., is the name of a unit of time, and is the International System of Units (SI) base unit of time.

SI prefixes are frequently combined with the word second to denote subdivisions of the second, e.g.
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movie camera is a type of photographic camera which takes a rapid sequence of photographs on strips of film. In contrast to a still camera, which captures a single snapshot at a time, the movie camera takes a series of images, each called a "frame".
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special effects (a.k.a. SFX or SPFX). In modern films, special effects are usually used to alter previously-filmed elements by adding, removing or enhancing objects within the scene.
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Animation is the rapid display of a sequence of images of 2-D artwork or model positions in order to create an illusion of movement. It is an optical illusion of motion due to the phenomenon of persistence of vision, and can be created and demonstrated in a number of ways.
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A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film, for either stills or movies. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape.
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This list of film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
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8mm film is a motion picture film format in which the filmstrip is eight millimeters wide. It exists in two main versions: regular, normal, or standard 8mm (also known as Double 8 Film) (the subject of this article) and Super 8.
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1 millimetre =
SI units
010−3 m 0 cm
US customary / Imperial units
010−3 ft 010−3 in
The millimetre (American spelling: millimeter, symbol mm
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IMAX (short for Image Maximum) is a film format created by Canada's IMAX Corporation that has the capacity to display images of far greater size and resolution than conventional film display systems. A standard IMAX screen is 22m wide and 16.1m high (72.6ft x 52.
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Projection screens are installations consisting of blank surface and a support structure used for displaying a projected image for the view of an audience. Projection screens may be permanently installed as in a movie theater, painted on the wall [1]
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This list of film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
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35 mm film is the basic film gauge most commonly used for both still photography and motion pictures, and remains relatively unchanged since its introduction in 1892 by William Dickson and Thomas Edison, using film stock supplied by George Eastman.
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Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
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Video (Latin for "I see", first person singular present, indicative of videre, "to see") is the technology of electronically capturing, recording, processing, storing, transmitting, and reconstructing a sequence of still images representing scenes in motion.
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Animation is the rapid display of a sequence of images of 2-D artwork or model positions in order to create an illusion of movement. It is an optical illusion of motion due to the phenomenon of persistence of vision, and can be created and demonstrated in a number of ways.
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Photographic film is a sheet of plastic (polyester, nitrocellulose or cellulose acetate) coated with an emulsion containing light-sensitive silver halide salts (bonded by gelatin) with variable crystal sizes that determine the sensitivity, contrast and resolution of the film.
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persistence of vision, the perceptual processes of the retina of the human eye retains an image for a brief moment. Persistence of vision is said to account for the illusion of motion which results when a series of film images are displayed in quick succession, rather than the
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optical illusion is always characterized by visually perceived images that, at least in common sense terms, are deceptive or misleading. Therefore, the information gathered by the eye is processed by the brain to give, on the face of it, a percept that does not tally with a
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Frame rate, or frame frequency, is the measurement of the frequency (rate) at which an imaging device produces unique consecutive images called frames. The term applies equally well to computer graphics, video cameras, film cameras, and motion capture systems.
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IMAX (short for Image Maximum) is a film format created by Canada's IMAX Corporation that has the capacity to display images of far greater size and resolution than conventional film display systems. A standard IMAX screen is 22m wide and 16.1m high (72.6ft x 52.
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Showscan is a cinema process developed by Douglas Trumbull. Like some other spectacular wide-screen processes, it utilizes 70mm film, but Showscan films and projects at a frame rate of 60 fps, 2.5 times as fast as standard cinema (the same fluidity possible by video).
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8mm film is a motion picture film format in which the filmstrip is eight millimeters wide. It exists in two main versions: regular, normal, or standard 8mm (also known as Double 8 Film) (the subject of this article) and Super 8.
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The fourth wall is the imaginary invisible wall at the front of the stage in a proscenium theater, through which the audience sees the action in the world of the play. The concept is generally presumed to have originated in nineteenth century theatre with the advent of theatrical
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The aspect ratio of an image is its displayed width divided by its height (usually expressed as "x:y" or "x×y," with the joining colon or multiplication symbol articulated as the preposition "by" or sometimes "to").
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Frame rate, or frame frequency, is the measurement of the frequency (rate) at which an imaging device produces unique consecutive images called frames. The term applies equally well to computer graphics, video cameras, film cameras, and motion capture systems.
..... Click the link for more information.
This list of film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
..... Click the link for more information.
widescreen image is a film, computer, or television image with a wider aspect ratio than the standard Academy frame developed during the classical Hollywood cinema era. Silent film was projected at a ratio of four units wide to three units tall, often expressed as 4:3 or 1.33:1.
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