Information about Beauty
For beauty as a characteristic of a person's appearance, see Physical attractiveness. For other uses, see Beauty (disambiguation).
Beauty is commonly defined as a characteristic present in a person, place, object or idea that provides a perceptual experience of pleasure, meaning or satisfaction to the mind or to the eyes, arising from sensory manifestations such as a shape, color, personality, sound, design or rhythm.[1] Beauty is studied as part of aesthetics, sociology, social psychology and culture. Beauty, as a cultural creation, is also extremely commercialized.
The subjective experience of "beauty" often involves the interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. "Beauty is in the eye of the beholder" is a common phrase attributed to this concept.[2]
In its most profound sense, beauty may engender a salient experience of positive reflection about the meaning of one's own existence. An "object of beauty" is anything that reveals or resonates with personal meaning. Hence religious and moral teachings often focus on the divinity and virtue of beauty, and to assert natural beauty as an aspect of a spirituality and truth.
Aesthetics
Understanding the nature and meaning of beauty is one of the key themes in the philosophical discipline known as aesthetics. The composer and critic Robert Schumann distinguished between two kinds of beauty, natural and poetic. The former is found in the contemplation of nature, whereas the latter lies in man's conscious, creative intervention into nature. Schumann indicated that in music, or other art, both kinds of beauty appear, but natural beauty is merely sensual delight. Poetic beauty begins where the natural beauty leaves off.A nymph with morning glory flowers by Lefebvre. The image of the young woman is a symbol of human beauty in the West, and a dominant theme in western art.
The philospher Immanuel Kant, whose aesthetic theory has been influential, noted that beauty seems to possess both subjective and objective qualities.[3] Arguing for the subjective nature of beauty, he wrote, "The judgement of taste, therefore, is not a cognitive judgment, and so not logical, but is aesthetic - which means that it is one whose determining ground cannot be other than subjective."[4] Kant also noted, however, that when someone calls an object beautiful, "he judges not merely for himself, but for all men, and then speaks of beauty as if it were a property of things."[5]
A common idea suggests that beauty exists in the appearance of things and people that are good. A good apple will be perceived as more beautiful than a bruised one. Also, most people judge physically attractive human beings to be good, both physically and on a deeper level. Specifically, they are believed to possess a variety of positive traits and personality characteristics.[6]
Further, people's skills can develop and change their sense of beauty. Carpenters may view an out-of-true building as ugly, and many master carpenters can see out-of-true angles as small as half a degree. Many musicians can likewise hear as dissonant a tone that's high or low by as little as two percent of the distance to the next note. Most people have similar aesthetics about the work or hobbies they've mastered.
History of beauty
- See also: Ideal beauty in the classical world
Images of beauty from Hasht-Behesht palace in Iran.
Beauty, throughout history, generally has been associated with that which is good. Likewise, the polar opposite of beauty is generally considered to be ugly and is often associated with evil. Evil witches, for example, are often depicted with unpleasant physical features and personalities. This contrast is epitomized by classic stories such as Sleeping Beauty. Likewise, beauty according to Goethe, from his 1809 Elective Affinities, is “everywhere a welcome guest”. Goethe stated that human beauty “acts with far greater force on both inner and outer senses, so that he who beholds it is exempt from evil and feels in harmony with himself and with the world.”
Symmetry may be important because it is evident that the person grew up in a healthy way, without visible genetic defects. Although style and fashion vary widely, cross-cultural research has found a variety of commonalities in people's perception of beauty. Large eyes and a clear complexion, for example, are considered beautiful in both men and women in all cultures. Some researchers have suggested that neonatal features are inherently attractive and thus likely to be found beautiful. Youthfulness in general is associated with beauty.
There is good evidence that a preference for beautiful faces emerges early in child development, and that the standards of attractiveness are similar across different cultures. Meta-analyses of the empirical research indicate that all three are attractive in both male and female faces and across a variety of cultures.[7] Facial attractiveness may be an adaptation for mate choice because symmetry and the absence of blemishes signal important aspects of mate quality, such as health. It is also possible that these preferences are simply by-products of the way our brains process information.
The foundations laid by Greek and Roman artists have also supplied the standard for male beauty in western civilization. The ideal Roman was defined as tall, muscular, long-legged, with a full head of thick hair, a high and wide forehead – a sign of intelligence – wide-set eyes, a strong browline, a strong perfect nose and profile, a smaller mouth, and a strong jaw line. This combination of factors would, as it does today, produce an impressive "grand" look of handsome masculinity. With the notable exceptions of body weight and fashion styles, standards of beauty are rather constant over time and place.
Human beauty
The characterization of a person as “beautiful”, whether on an individual basis or by community consensus, is often based on some combination of inner beauty, which includes psychological factors such as personality, intelligence, grace, charm and elegance, and outer beauty, which includes physical factors, such as health, youthfulness, symmetry, averageness, and complexion.A common way to measure outer beauty, as based on community consensus, or general opinion, is to stage a beauty pageant, such as Miss Universe. Inner beauty, however, is more difficult to quantify, though beauty pageants often claim to take this into consideration as well.
A strong indicator of physical beauty is "averageness". When images of human faces are averaged together to form a composite image, they become progressively closer to the "ideal" image and are perceived as more attractive. This was first noticed in 1883, when Francis Galton, cousin of Charles Darwin, overlayed photographic composite images of the faces of vegetarians and criminals to see if there was a typical facial appearance for each. When doing this, he noticed that the composite images were more attractive compared to any of the individual images. Researchers have replicated the result under more controlled conditions and found that the computer generated, mathematical average of a series of faces is rated more favorably than individual faces.[8]
Another feature of beautiful women that has been explored by researchers is a waist-to-hip ratio of approximately 0.70 for women. The concept of waist-to-hip ratio (WHR) was developed by psychologist Devendra Singh of the University of Texas at Austin. Physiologists have shown that this ratio accurately indicates most women's fertility. Traditionally, in premodern ages when food was more scarce, fat people were judged more attractive than slender.
Inner beauty
Inner beauty is a concept used to describe the positive aspects of something that is not physically observable.While most species use physical traits and pheromones to attract mates, humans claim to rely on the inner beauty of their choices. Qualities including kindness, sensitivity, tenderness or compassion, creativity and intelligence have been said to be desirable since antiquity. However new research comparing what humans claim to find attractive to their actual mating habits underlines the superficiality of "inner beauty," underlining the fact that the human animal relies on physical traits and pheromones just like every other animal to find a mate. That said, whether "inner beauty" does or does not measurably affect humans' mating habits, some traits classified as "inner beauty" do give an evolutionary survival advantage to either the individual or mating couple or group or all three.
Effects on society
Beauty presents a standard of comparison, and it can cause resentment and dissatisfaction when not achieved. People who do not fit the "beauty ideal" may be ostracized within their communities. The television sitcom Ugly Betty documents the life of a girl faced with hardships due to society's unwelcoming attitudes toward those they deem unattractive. However, a person may also be targeted for harassment because of their beauty. In Malèna, a strikingly beautiful Italian woman is forced into poverty by the women of the community who refuse to give her work in fear that she may "woo" their husbands.Nevertheless, beauty has inspired humans throughout history, but the quest for beauty via thinness has also led to eating disorders such as bulimia or anorexia. Too much emphasis on superficial beauty can undermine the importance of the inner person. It can become an arbitrary value that leads to social inequity.
Researchers have found that good looking students get higher grades from their teachers than students with an ordinary appearance. Furthermore, attractive patients receive more personalized care from their doctors. Studies have even shown that handsome criminals receive lighter sentences than less attractive convicts. How much money a person earns may also be influenced by physical beauty. One study found that people low in physical attractiveness earn 5 to 10 percent less than ordinary looking people, who in turn earn 3 to 8 percent less than those who are considered good looking.[9] Discrimination against others based on their appearance is known as lookism.
In a different context, the term "beautiful people" is used to refer to those who closely follow trends in fashion, physical appearance, food, wine, automobiles, and real estate, often at a considerable financial cost. Such people often mirror in appearance and consumer choices the characteristics and purchases of wealthy actors and actresses, models, or other celebrities. The term "beautiful people" originally referred to the musicians, actors and celebrities of the California "Flower Power" generation of the 1960s. The Beatles reference the original "beautiful people" in their 1967 song "Baby You're a Rich Man" on the Magical Mystery Tour album. With the close of the 1960s, the concept of beautiful people gradually came to encompass fashionistas and the "hip" people of New York City, expanding to its modern definition. Beautiful people usually enjoy an image-based and/or financially-based prestige which enhances their aura of success, power, and beauty.
See also
References
1. ^ Random House Unabridged Dictionary, © Random House, Inc. 2006.
2. ^ [1]
3. ^ Neill, Alex; Aaron Ridley (1995). The Philosphy of Art: Readings Ancient and Modern. McGraw Hill, 269.
4. ^ Kant, Immanuel. Analytic of the Beautiful
5. ^ Kant, Immanuel. Analytic of the Beautiful
6. ^ Dion, K. K., Berscheid, E., & Walster, E. (1972). What is beautiful is good. Journal of Personality and Social Psychology, 24, 285-290.
7. ^ Rhodes, G. (2006). The evolutionary psychology of facial beauty. Annual Review of Psychology, 57, 199-226.
8. ^ Langlois, J. H., Roggman, L. A., & Musselman, L. (1994). What is average and what is not average about attractive faces? Psychological Science, 5, 214-220.
9. ^ Lorenz, K. (2005). "Do pretty people earn more?" CNN News, Time Warner.
2. ^ [1]
3. ^ Neill, Alex; Aaron Ridley (1995). The Philosphy of Art: Readings Ancient and Modern. McGraw Hill, 269.
4. ^ Kant, Immanuel. Analytic of the Beautiful
5. ^ Kant, Immanuel. Analytic of the Beautiful
6. ^ Dion, K. K., Berscheid, E., & Walster, E. (1972). What is beautiful is good. Journal of Personality and Social Psychology, 24, 285-290.
7. ^ Rhodes, G. (2006). The evolutionary psychology of facial beauty. Annual Review of Psychology, 57, 199-226.
8. ^ Langlois, J. H., Roggman, L. A., & Musselman, L. (1994). What is average and what is not average about attractive faces? Psychological Science, 5, 214-220.
9. ^ Lorenz, K. (2005). "Do pretty people earn more?" CNN News, Time Warner.
External links
- BBC Radio 4's In Our Time programme on Beauty (requires RealAudio)
- Dictionary of the History of Ideas: Theories of Beauty to the Mid-Nineteenth Century
Physical attractiveness is the perception of the physical traits of an individual human person as pleasing or beautiful. It can include various implications, such as sexual attractiveness, cuteness, and physique.
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Beauty may refer to:
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- aesthetic Beauty
- the heroine of the children's story Beauty and the Beast
- the bottom quark, a flavour of quark in particle physics
- the name of a book by Brian D'Amato
- the name of a book by Robin McKinley
- the name of a book by Sheri S.
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A place is a location in space.
Place may refer to:
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Place may refer to:
- Place (mathematics), an equivalence relation defined on absolute values of an integral domain or field
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Object may refer to:
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- Object (philosophy), a thing, being or concept
- Physical entity, something that is tangible and within the grasp of the senses
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IDEA may refer to:
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- Electronic Directory of the European Institutions
- IDEA Center
- IDEA League
- Ieros Desmos Ellinon Axiomatikon
- Improvement and Development Agency
- Individuals with Disabilities Education Act
- Indian Distance Education Association
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perception is the process of acquiring, interpreting, selecting, and organizing sensory information. It is a task far more complex than was imagined in the 1950s and 1960s, when it was proclaimed that building perceiving machines would take about a decade, but, needless to say,
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Pleasure is commonly conceptualized as somehow opposed to pain or suffering, though it has received much less scientific attention. Arthur Schopenhauer, 19th Century German philosopher, understood pleasure as a negative sensation, as it negates the usual existential condition, that
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Value is a concept that describes the beliefs of an individual or culture. A set of values may be placed into the notion of a value system. Values are considered subjective and vary across people and cultures.
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Released June 12, 2002
Format 12" vinyl, CD single, digital download
Genre Electro House/Electroclash
Length 4:45/6:31
Label Energy Production
Writer(s) Benny Benassi
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Format 12" vinyl, CD single, digital download
Genre Electro House/Electroclash
Length 4:45/6:31
Label Energy Production
Writer(s) Benny Benassi
Producer(s) Benny Benassi
Peak chart positions
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Sensory may refer to:
In biology:
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In biology:
- Sensory system, part of the nervous system
- Sensory neuron, nerve cell responsible for transmitting information about external stimuli
- Sensory receptor, a structure that recognizes external stimuli
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Aesthetics (also spelled esthetics) is a branch of philosophy, a species of value theory or axiology, which is the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste. Aesthetics is closely associated with the philosophy of art.
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Sociology (from Latin: socitus, "companion"; and the suffix -ology, "the study of", from Greek λόγος, lógos, "knowledge") is the systematic and scientific study of society and societal behavior.
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Social psychology is the study of how social conditions affect human beings. Scholars in this field are generally either psychologists or sociologists, though all social psychologists employ both the individual and the group as their units of analysis.
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Culture (from the Latin cultura stemming from colere, meaning "to cultivate,") generally refers to patterns of human activity and the symbolic structures that give such activity significant importance.
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Commercialism, in its original meaning, is the practices, methods, aims, and spirit of commerce or business. Today, however, it is mainly used as a critical term, referring to the tendency within capitalism to try to turn everything in life into objects and services that are sold
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Subjective may refer to:
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- Subject (philosophy), a being which has subjective experiences or a relationship with another entity (or "object")
- Subjectivity - a property of perceptions, arguments, and language (opposed to objectivity).
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harmony is the use and study of pitch simultaneity, and therefore chords, actual or implied, in music. The study of harmony may often refer to the study of harmonic progressions, the movement from one pitch simultaneity to another, and the structural principles that govern such
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Nature, in the broadest sense, is equivalent to the natural world, physical universe, material world or material universe. "Nature" refers to the phenomena of the physical world, and also to life in general.
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The salience (also called saliency) of an item - be it an object, a person, a pixel, etc. - is its state or quality of standing out relative to neighboring items. Saliency detection is considered to be a key attentional mechanism that facilitates learning and survival by
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being, being is anything that can be said to be, either transcendentally or immanently.
The nature of being varies by philosophy, giving different interpretations in the frameworks of Aristotle, materialism, idealism, existentialism, Islam, and Marxism.
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The nature of being varies by philosophy, giving different interpretations in the frameworks of Aristotle, materialism, idealism, existentialism, Islam, and Marxism.
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object is a thing, an entity, or a being. This may be taken in several senses.
In its weakest sense, the word object is the most all-purpose of nouns, and can replace a noun in any sentence at all.
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In its weakest sense, the word object is the most all-purpose of nouns, and can replace a noun in any sentence at all.
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religion is a set of common beliefs and practices generally held by a group of people, often codified as prayer, ritual, and religious law. Religion also encompasses ancestral or cultural traditions, writings, history, and mythology, as well as personal faith and mystic experience.
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Divinity and divine (sometimes 'the Divinity' or 'the Divine'), are broadly applied but loosely defined terms, used variously within different faiths and belief systems — and even by different individuals within a given faith — to refer to some transcendent or
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Virtue (Latin virtus; Greek ἀρετή) is moral excellence of a person. A virtue is a trait valued as being good. The conceptual opposite of virtue is vice.
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Spirituality, in a narrow sense, concerns itself with matters of the spirit. The spiritual, involving (as it may) perceived non-physical eternal verities (or even abilities) involving humankind's ultimate nature, often contrasts with the earthly, with the material, or with the
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truth extends from honesty, good faith, and sincerity in general, to agreement with fact or reality in particular.[1] The term has no single definition about which the majority of professional philosophers and scholars agree.
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Aesthetics (also spelled esthetics) is a branch of philosophy, a species of value theory or axiology, which is the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste. Aesthetics is closely associated with the philosophy of art.
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Robert Alexander Schumann (June 8, 1810 – July 29, 1856) was a German composer and pianist and the husband of Clara Schumann. He was one of the most famous Romantic composers of the nineteenth century, as well as a famous music critic.
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Immanuel Kant (22 April, 1724 – 12 February, 1804) was a philosopher from Königsberg in the Kingdom of Prussia (now Kaliningrad, Russia). He is regarded as one of the most influential thinkers of modern Europe and the closing period of the Enlightenment.
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