Information about Waverley (novel)

Waverley

Penguin Classics Edition
Author	Sir Walter Scott
Country	Scotland
Language	English, Lowland Scots
Series	Waverley Novels
Genre(s)	Historical novel
Publisher	Archibald Constable
Publication date	1814
Media type	Print (Hardback & Paperback)
ISBN	NA
Followed by	Guy Mannering

Waverley is an 1814 historical novel by Sir Walter Scott. Initially published anonymously in 1814 as Scott's first venture into prose fiction, Waverley is often regarded as the first historical novel. The novel became so popular that Scott's later novels were advertised as being "by the author of Waverley". His series of novels on similar themes written during the same period have become collectively known as the "Waverley Novels".

In 1815, Scott was given the honour of dining with George, Prince Regent, who wanted to meet "the author of Waverley". It is thought that at this meeting Scott persuaded George that as a Stuart prince he could claim to be a Jacobite Highland Chieftain, a claim that would be dramatised when George became King and visited Scotland.^[1]

Waverley Abbey is noted by English Heritage to be Sir Walter Scott inspiration for this novel.^[2] However, this was probably not the case.^[3]

Plot introduction

Waverley is set during the Jacobite Rebellion of 1745, which sought to restore the Stuart dynasty in the person of Charles Edward Stuart (or 'Bonnie Prince Charlie'). It relates the story of a young dreamer and English soldier, Edward Waverley, who was sent to Scotland in 1745. He journeys North from his aristocratic family home, Waverley-Honour, in the south of England, first to the Scottish Lowlands and the home of family friend Baron Bradwardine, then into the Highlands and the heart of the 1745 Jacobite uprising and aftermath.

Plot summary

The English eponymous protagonist, Edward Waverley, has been brought up in the family home by his uncle, Sir Everard Waverley, who maintains the family Tory and Jacobite sympathies, while Edward's Whig father works for the Hanoverian government in nearby London. Edward Waverley is given a commission in the Hanoverian army and is posted to Dundee, then promptly takes leave to visit Baron Bradwardine, a Jacobite friend of his uncle, and meets the Baron's lovely daughter Rose.

When wild Highlanders visit the Baron's castle Waverley is intrigued and goes to the mountain lair of Clan Mac-Ivor, meeting the Chieftain Fergus and his sister Flora who turn out to be active Jacobites preparing for the '45 Rising. Waverley has overstayed his leave and is accused of desertion and treason, then arrested. Highlanders rescue him from his escort and take him to the Jacobite stronghold at Doune castle then on to Holyrood Palace where he meets Bonnie Prince Charlie himself. Encouraged by the beautiful Flora Mac-Ivor, Waverley goes over to the Jacobites and takes part in the Battle of Prestonpans, where he saves the life of a colonel who turns out to be a close friend of his uncle. Thus he escapes retribution and marries the Baron's daughter, Rose Bradwardine (symbolically choosing the moderate, family-oriented Rose over the romantic, politically motivated Flora).

Characters in "Waverley"

• The Clan Mac-Ivor (or MacIvor, M'Ivor)
• Chieftain Fergus Mac-Ivor
• Flora Mac-Ivor, sister of Fergus
• Sir Everard Waverley
• Edward Waverley, protagonist
• Baron Bradwardine
• Rose Bradwardine, daughter of the Baron
• Bonnie Prince Charlie

Major themes

Scott's work shows the influence of the 18th century enlightenment. He believed every human was basically decent regardless of class, religion, politics, or ancestry. Tolerance is a major theme in his historical works. The Waverley Novels express his belief in the need for social progress that does not reject the traditions of the past. He was the first novelist to portray peasant characters sympathetically and realistically, and was equally just to merchants, soldiers, and even kings.^[4]

The Romanticist inquiry into the distinctive natures of different things is considered to explain why particular mental orientations or crucial turns of thought in the literature of the period are frequently marked by some kind of "species" identification. Probably the most dramatic example occurs in Frankenstein, when the title character -- after wavering between opposed truth-possibilities in a manner that recalls Scott's Edward Waverley -- finally finds himself (literally) in identification with his own species.^[5]

As this might suggest, the author, A. Welsh, then goes on to suggest that Scott exhibits similar preoccupations within his own novels.

The heroines of the Waverley series of novels have been divided into two types: the blonde and the brunette, along the lines of fairness and darkness that marks Shakespearean drama, but in a much more moderate form.^[6] It is said that:

"The proper heroine of Scott is a blonde. Her role corresponds to that of the passive hero - whom, indeed, she marries at the end. She is eminently beautiful, and eminently prudent. Like the passive hero, she suffers in the thick of events but seldom moves them. The several dark heroines, no less beautiful, are less restrained from the pressure of their own feelings...They allow their feelings to dictate to their reason, and seem to symbolize passion itself."^[6]

This is evident in Waverley. Rose is eminently marriageable: Flora is eminently passionate. However, we should also note that Welsh is, first, establishing a typology which in part is age-old, but also reinforced throughout the Waverley Novels; second, that Scott, or his narrators, allow the female characters thoughts, feelings and passions which are often ignored or unacknowledged by the heroes, such as Waverley.

A different interpretation of character is provided by Merryn Williams^[7]. Recognising the passivity of the hero, she argues that Scott's women were thoroughly acceptable to the Victorians. They are - usually - morally stronger than men, but they do not defy them, and their self-sacrifice 'to even the appearance of duty' has no limits. Thus, Flora will defy Waverley but not Fergus to any significant extent, and has some room to manouevre, even though limited, only after the latter's death.

Allusions/references to other works

• The division in the Waverley family had been caused by the English Civil War of the mid-seventeenth century. Fear of civil war is ever-present in Waverley not just as subject matter or historical reality, but a primal fear as deep in Scott as in Shakespeare, as manifested by various allusions throughout the novel and by direct references to Henry V and Henry VI in chapter 71.^[8]
• Edward Waverley is like Don Quixote in that his worldview is the result of his reading, an unstructured education consisting of much curious, though ill-arranged and miscellaneous information.^[9] Although Scott himself notes in his instructions to his readers that:

From the minuteness with which I have traced Waverley's pursuits, and the bias which they unavoidably communicated to his imagination, the reader may perhaps anticipate, in the following tale, an imitation of Cervantes. But he will do my prudence injustice in the supposition. My intention is not to follow the steps of that inimitable author, in describing such total perversion of intellect as misconstrues the objects actually presented to the senses, but that more common aberration from sound judgment, which apprehends occurrences indeed in their reality, but communicates to them a tincture of its own romantic tone and coloring.

Literary significance & criticism

Upon publication, Waverley was an astonishing success, the first edition of one thousand copies sold out within two days of publication, and by November a fourth edition was at the presses. The critics too were warm in their praise, particularly Francis Jeffrey in the Edinburgh Review who extolled its truth to nature, fidelity to 'actual experience', force of characterization, and vivid description. Some reviewers, though, notably John Wilson Croker for the Quarterly Review, expressed reservations about the propriety of mixing history and romance.^[10]

Despite Scott's efforts to preserve his anonymity, almost every reviewer guessed that Waverley was his work. Many readers too recognized his hand. One, Jane Austen, wrote: "Walter Scott has no business to write novels, especially good ones. -- It is not fair. He has Fame and Profit enough as a Poet, and should not be taking the bread out of other people's mouths.-- I do not like him, and do not mean to like Waverley if I can help it -- but fear I must".^[11]

The opening five chapters are often thought to be dour and uninteresting, an impression in part due to Scott's own comments on them at the end of chapter five. However, John Buchan thought the novel a 'riot of fun and eccentricity'^[12], seemingly a minority opinion. Scott does, however, attempt to be comic, or at least to follow the conventions of the picaresque novel. The comments on the relay of information via Dyers Weekly Letter, the self-explanatory name of the lawyer, Clippurse, Sir Everard's desire and courting of the youngest sister, Lady Emily, all point in this direction.^[8]

E. M. Forster^[13] is renowned as one of Scott's fiercest and unkindest critics. His critique has received fierce opposition from Scott scholars who believe his attack is a symptom of his ignorance, perhaps of literature, but more certainly of all things Scottish. This hostility reaches academic circles, as is made evident by Alan Massie's lecture The Appeal of Scott to the Practising Novel, the inaugural lecture at the 1991 Scott conference. Defence of Scott subsumes a defence of a national culture against the attacks of Englishness. Others have, however, suggested that this misrepresents Forster's case.^[8]

Georg Lukács has been responsible for re-establishing Scott as a serious novelist.^[14] Lukács is most adamant in his belief that Waverley is the first major historical novel of modern times. This is clear from the distinction he draws between the eighteenth-century novel of manners, where social realities are described with little attention to diachronic change, and the eruption of history in the lives of communities, as occurs in historical novels. Furthermore, that Waverley marks an important watershed is firmly stated in Lukács' opening sentence, that "The historical novel arose at the beginning of the nineteenth century at about the time of Napoleon's collapse."

Allusions/references from other works

There are no overt allusions to Scott and his work in Perkin Warbeck but the novel is indebted to him both for its conception and its style. The thesis that Mary Shelley resorted to Scott when writing Perkin Warbeck is supported by a letter she sent to the Scottish novelist on 25 May 1829, in which she asked him for any information on any works or manuscripts he may know on the historical Perkin Warbeck.^[15]

Allusions/references to actual history, geography and current science

• Waverley is set during the Jacobite rising of 1745, which sought to restore the Stuart dynasty in the person of Charles Edward Stuart (or 'Bonnie Prince Charlie').
• The opening paragraph of chapter viii is frequently considered one of the major attempts at describing the specifically Scottish landscape in some detail.^[8]
• The description of Adullam as the resort of "every one that was in distress," or "in debt," or "discontented," has often been humorously alluded to, notably by Sir Walter Scott, who puts the expression into the mouth of the Baron of Bradwardine in Waverley, chap. lvii.^[16]
• The character of "Fergus Mac-Ivor" in Waverley was drawn from the flamboyant Chieftain Alasdair Ranaldson MacDonell of Glengarry. During the King's visit to Scotland, Glengarry made several dramatic unplanned intrusions on the pageantry.^[1]

Trivia

• The proposition, Scott is the author of Waverley, is one of the examples whose meaning Bertrand Russell studied in his paper On Denoting.^[17]
• Waverley Station in Edinburgh takes its name from the novel, as does the paddle steamer Waverley. The Scott Monument is near the station.

Release details

Waverley; or 'Tis Sixty Years Since. In Three Volumes. Edinburgh: Printed by James Ballantyne and Co. For Archibald Constable and Co. Edinburgh; And Longman, Hurst, Rees, Orme, and Brown, London, 1814.

References

• Scott, Sir Walter (1814). Waverley. Archibald Constable. 

External links

• Online Edition at eBooks@Adelaide
• Waverley, available at Project Gutenberg.
• The Waverley Novels. Old and Sold Antiques Digest. (Originally Published 1912).
• The Edinburgh Sir Walter Scott Club

See also

• Doune castle

Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832) was a prolific Scottish historical novelist and poet popular throughout Europe during his time.
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In political geography and international politics, a country is a political division of a geographical entity, a sovereign territory, most commonly associated with the notions of state or nation and government.
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Motto
Nemo me impune lacessit   (Latin)
"No one provokes me with impunity"
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See Language (journal) for the linguistics journal.

A language is a system of symbols and the rules used to manipulate them. Language can also refer to the use of such systems as a general phenomenon.
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English}}} 
Writing system: Latin (English variant) 
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Official language of: 53 countries
Regulated by: no official regulation
Language codes
ISO 639-1: en
ISO 639-2: eng
ISO 639-3: eng  
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Scots refers to the Anglic varieties derived from early northern Middle English spoken in parts of Scotland. In Scotland it is sometimes called Lowland Scots or its contraction Lallans
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The Waverley Novels are a long series of books by Sir Walter Scott. Because he did not publicly acknowledge authorship until 1827, they take their name from Waverley (1814), which was the first.
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A historical novel a novel in which the story is set among historical events, or more generally, in which the time of the action predates the lifetime of the author. As such, the historical novel is distinguished from the alternate-history genre.
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Publishing is the process of production and dissemination of literature or information – the activity of making information available for public view. In some cases, authors may be their own publishers.
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Archibald Constable (February 24, 1774 - July 21, 1827), was a Scottish publisher.

He was born at Carnbee, Fife, as the son of the land steward to the Earl of Kellie.
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A hardcover (or hardback or hardbound) is a book bound with rigid protective covers (typically of cardboard covered with cloth, heavy paper, or sometimes leather).
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International Standard Book Number, ISBN, is a unique^[1] commercial book identifier barcode. The ISBN system was created in the United Kingdom, in 1966, by the booksellers and stationers W.H. Smith.
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Guy Mannering or The Astrologer
Author Sir Walter Scott
Country Scotland
Language English, Lowland Scots
Series Waverley Novels
Genre(s) Historical novel
Publisher
Publication date 1815
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18th century - 19th century - 20th century
1780s  1790s  1800s  - 1810s -  1820s  1830s  1840s
1811 1812 1813 - 1814 - 1815 1816 1817

:
Subjects:     Archaeology - Architecture -
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Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832) was a prolific Scottish historical novelist and poet popular throughout Europe during his time.
..... Click the link for more information.

Prose is writing distinguished from poetry by its greater variety of rhythm and its closer resemblance to the patterns of everyday speech. The word prose comes from the Latin prosa, meaning straightforward, hence the term "prosaic," which is often seen as pejorative.
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Fiction is the telling of stories which are not entirely based upon facts. More specifically, fiction is an imaginative form of narrative, one of the four basic rhetorical modes.
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A historical novel a novel in which the story is set among historical events, or more generally, in which the time of the action predates the lifetime of the author. As such, the historical novel is distinguished from the alternate-history genre.
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The Waverley Novels are a long series of books by Sir Walter Scott. Because he did not publicly acknowledge authorship until 1827, they take their name from Waverley (1814), which was the first.
..... Click the link for more information.

18th century - 19th century - 20th century
1780s  1790s  1800s  - 1810s -  1820s  1830s  1840s
1812 1813 1814 - 1815 - 1816 1817 1818

:
Subjects:     Archaeology - Architecture -
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George IV (George Augustus Frederick; 12 August 1762 – 26 June 1830) was king of the United Kingdom of Great Britain and Ireland and Hanover from 29 January 1820 until his death.
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Jacobitism was (and, to a very limited extent, remains) the political movement dedicated to the restoration of the Stuart kings to the thrones of England and Scotland. The movement took its name from the Latin form Jacobus of the name of King James II and VII.
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Scottish Highlands (A' Ghàidhealtachd in Gaelic) include the rugged and mountainous regions of Scotland north and west of the Highland Boundary Fault. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands.
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visit of King George IV to Scotland was the first visit of a reigning monarch to Scotland since 1650. Government ministers had pressed the King to bring forward a proposed visit to Scotland, to divert him from diplomatic intrigue at the Congress of Verona.
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Waverley Abbey was the first Cistercian abbey in England, founded in 1128 by William Giffard, Bishop of Winchester. It is situated about one mile south of Farnham, Surrey, in a bend of the River Wey.
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English Heritage is a non-departmental public body of the United Kingdom government (Department for Culture, Media and Sport) with a broad remit of managing the historic environment of England. It was set up under the terms of the National Heritage Act 1983.
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Motto
Dieu et mon droit   (French)
"God and my right"
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No official anthem specific to England — the anthem of the United Kingdom is "God Save the Queen".
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