Information about Walter Pidgeon
| Walter Pidgeon | ||
on the radio show Three Thirds of the Nation | ||
| Birth name | Walter Davis Pidgeon | |
| Born | September 23 1897 Saint John, New Brunswick Canada | |
| Died | September 25 1984 (aged 87) age 87 Santa Monica, California | |
| ||
Walter Davis Pidgeon (September 23, 1897 - September 25, 1984) was a Canadian actor who lived most of his life in the United States, and eventually became a US citizen.
Early life
Born near Saint John, New Brunswick, he attended local public schools followed by the University of New Brunswick, where he studied law and drama. His studies were interrupted by World War I and his enlistment in the 65th Battery of the Canadian Field Artillery. He never saw combat as he was severely injured when crushed between two gun carriages and hospitalized for 17 months. After the war, he moved to Boston, where he worked as a bank runner. His earnings financed his voice studies at the New England Conservatory of Music.[1] He was a classically trained baritone.Career
Discontented with banking, he moved to New York City where he made his entrance as an actor by walking into the office of E. E. Clive and announcing that he could act and sing and was ready to prove it. After working as an actor on stage for a few years, he made his Broadway debut in 1925.Pidgeon made several silent movies in the 1920s. He became a huge star with the arrival of talkies because he was able to sing pleasantly. He starred in a number of extravagant early Technicolor musicals, such as The Bride of the Regiment (1930), Sweet Kitty Bellairs (1930), Kiss Me Again (1930) and Viennese Nights (1930). He quickly became associated with musicals, however, and when the the public grew weary of them late in 1930, his career began to falter. Afterwards, Pidgeon played secondary roles in such films as Saratoga and The Girl of the Golden West.
It was not until he starred in How Green Was My Valley that his popularity rebounded. He starred opposite Greer Garson in Blossoms in the Dust, Mrs. Miniver (for which he was nominated for the Academy Award for Best Actor) and its sequel, The Miniver Story. He was also nominated in 1944 for Madame Curie, again opposite Garson.
Although he continued making films, including Week-End at the Waldorf and Forbidden Planet, based on Shakespeare's The Tempest, Pidgeon returned to work on Broadway in the mid-1950s after a twenty-year absence, and was featured in Take Me Along with Jackie Gleason. He continued making films, playing Admiral Harriman Nelson in the 1961 Voyage to the Bottom of the Sea, and in 1962, in Walt Disney's Big Red and Otto Preminger's Advise and Consent. His role as Florenz Ziegfield in Funny Girl (1965) was well received. He also played Casey, James Coburn's sidekick in Harry in Your Pocket (1973). Pidgeon also guest-starred in many television programs, including Perry Mason, The FBI, and Marcus Welby, M.D..
Pidgeon was active in the Screen Actors Guild and served as president from 1952-1957. As such, he tried to stop the production of the film Salt of the Earth, which was made by a team blacklisted during the Red Scare.
He retired fully in 1973.
Pidgeon has a star on the Hollywood Walk of Fame at 6414 Hollywood Blvd.
Personal life
Pidgeon married twice. In 1919, he married Muriel Pickles. This marriage was short-lived as she died in 1921 at the birth of their daughter, Edna Pidgeon Atkins. Through her, he had two granddaughters, Pat and Pam. In 1931, he married his secretary, Ruth Walker, to whom he remained married until his death. They had no children.He died of stroke in Santa Monica, California, in 1984. In accordance with his wishes, his body was donated to the UCLA Medical School for medical research.
Selected filmography
- Dark Command (1940)
- How Green Was My Valley (1941)
- Mrs. Miniver (1942)
- Madame Curie (1943)
- Mrs. Parkington (1944)
- The Secret Heart (1946)
- Command Decision (1948)
- The Miniver Story (1950)
- Million Dollar Mermaid (1952)
- The Bad and the Beautiful (1952)
- Dream Wife (1953)
- Executive Suite (1954)
- The Last Time I Saw Paris (1954)
- Forbidden Planet (1956)
- Voyage to the Bottom of the Sea (1961)
- Advise and Consent (1962)
See also
References
1. ^ Foster, Charles. The Gentleman from Saint John. www.new-brunswick.net. Retrieved on 2007-10-01.
External links
- Walter Pidgeon at the Internet Movie Database
- Walter Pidgeon at the Internet Broadway Database
- New York Times obituary
| Preceded by Ronald Reagan | President of Screen Actors Guild 1952 – 1957 | Succeeded by Leon Ames |
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actor, actress, or player (see terminology) is a person who acts in a dramatic production and who works in film, television, theatre, or radio in that capacity.
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Born in Monmouthshire, Wales, Clive studied for a medical career before switching his focus to acting at age 22.
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Broadway theatre[1] is the most well known form of professional theatre to the American general public and most lucrative for the performers, technicians and others involved in putting on the shows.
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Story:
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Starring Mel Brooks
Marty Feldman
Dom DeLuise
Bernadette Peters
Sid Caesar
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Ron Clark
Screenplay:
Mel Brooks
Ron Clark
Rudy De Luca
Barry Levinson
Starring Mel Brooks
Marty Feldman
Dom DeLuise
Bernadette Peters
Sid Caesar
Music by John Morris
Cinematography Paul Lohmann
Editing by Stanford C.
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Technicolor is the trademark for a series of color film processes pioneered by Technicolor Motion Picture Corporation (a subsidiary of Technicolor, Inc.), now a division of Thomson.
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The Bride of the Regiment is a 1930 musical operetta film photographed entirely in Technicolor. It was based on the play The Lady In Ermine that opened on Broadway in 1922 and ran 232 performances.
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The Bride of the Regiment is a 1930 musical operetta film photographed entirely in Technicolor. It was based on the play The Lady In Ermine that opened on Broadway in 1922 and ran 232 performances.
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|/ IMDb profile
Sweet Kitty Bellairs is a 1930 musical comedy film photographed entirely in Technicolor. In contrast to usual historical costume dramas, the picture never takes itself seriously and is a delightful satire of the England of 1793 in the city of Bath.
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Sweet Kitty Bellairs is a 1930 musical comedy film photographed entirely in Technicolor. In contrast to usual historical costume dramas, the picture never takes itself seriously and is a delightful satire of the England of 1793 in the city of Bath.
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IMDb profile
Kiss Me Again is a 1931 musical operetta film photographed entirely in Technicolor. It was originally released in the United States as "Toast of the Legion" late in 1930, but was quickly withdrawn when Warner Bros.
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Kiss Me Again is a 1931 musical operetta film photographed entirely in Technicolor. It was originally released in the United States as "Toast of the Legion" late in 1930, but was quickly withdrawn when Warner Bros.
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|/ IMDb profile
Viennese Nights is a 1930 musical operetta film photographed entirely in Technicolor. The movie was filmed in March and April of 1930, before anyone realized the extent of the economic hardships that would arrive with Great Depression, which
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Viennese Nights is a 1930 musical operetta film photographed entirely in Technicolor. The movie was filmed in March and April of 1930, before anyone realized the extent of the economic hardships that would arrive with Great Depression, which
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