Information about Toni Dove

Toni Dove is a New York-based artist working primarily in electronic and interactive media. She is considered one of the pioneers of interactive cinema [1], and has shown work at ZKM, the Banff Centre for the Arts, the Brooklyn Anchorage, and the Whitney Museum of American Art. She has been affiliated with Creative Time and Harvestworks, and a DVD version of scenes from her pieces has been distributed by Cycling'74.

In 2001 Toni Dove received funding from the Daniel Langlois Foundation to produce Spectropia: A Ghost Story on the Infinite Deferral of Desire, the second part in a "trilogy of narrative, interactive installations begun in 1998"[1]. The first installment Artificial Changelings dealt with "the emergence of compulsive consumerism in the 19th century". In this second installment "Dove continues her inquiry into the subconscious at work in the capitalist society of the early 20th century"[2].

Her work blends cinematic tropes typical of Studio-age film noir with contemporary narrative trends in science fiction, cybernetics, and new media. Her pieces are embodied as hybrid of film, installation art, and experimental theater where performers or installation participants interact with an unfolding narrative movie, often using minimally invasive interface technologies such as speech recognition and computer vision to allow users to "perform" their on-screen avatars.

Notable Works

  • Spectropia (2001-present)
  • Artificial Changelings (1995-2000)
  • Casual Workers, Hallucinations and Appropriate Ghosts (1994)
  • Archeology of a Mother Tongue (1993)
  • The Blessed Abyss - A Tale of Unmanageable Ecstasies (1992)
  • Mesmer - Secrets of the Human Frame (1990)

References

1. ^ Vincent Bonin (2004). Spectropia: A Ghost Story on the Infinite Deferral of Desire. Daniel Langlois Foundation. Retrieved on October 4, 2006.
2. ^ Vincent Bonin (2001). Toni Dove. Daniel Langlois Foundation. Retrieved on October 4, 2006.

External links

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Interactive cinema tries to give the audience an active role in the showing of movies. The movie Kino-Automat by Czechoslovakian director Raduz Cincera presented in the Czech Pavilion in Expo '67 in Montreal is considered to be the first cinema-like interactive movie.
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The Banff Centre is an arts, cultural, and educational institution and conference facility located in Banff, Alberta. A part of Alberta's post-secondary educational system, the Centre offers professional career development and creative support in the performing and fine arts,
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Brooklyn (named after the Dutch town Breukelen) is one of the five boroughs of New York City. An independent city until its consolidation into New York in 1898, Brooklyn is New York City's most populous borough, with nearly 2.5 million residents.
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The Whitney Museum of American Art, often referred to simply as "the Whitney", harbors one of the most important collections of 20th century American art. Located in New York City, USA, the Whitney's permanent collection contains more than 12,000 works in a wide variety of media.
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Creative Time is a public arts organization based in New York.

Founded in 1974, the Organization curates several large-scale projects a year. Instrumental in Tribute in Light at the World Trade Center (the twin beams that rose from the site), Creative Time is jointly
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The Daniel Langlois Foundation is a non-profit, philanthropic organization endowed by Daniel Langlois and chartered in 1997 with the mission to support artistic and scientific projects and research dedicated to further general human awareness as well as the understanding of human
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The studio system was a means of film production and distribution dominant in Hollywood from the early 1920s through the early 1950s. The term studio system refers to the practice of large motion picture studios (a) producing movies primarily on their own filmmaking lots
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Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize moral ambiguity and sexual motivation. Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s.
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Science fiction (abbreviated SF or sci-fi
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Cybernetics was defined by Norbert Wiener, in his book of that title, as the study of control and communication in the animal and the machine. Stafford Beer called it the science of effective organization and Gordon Pask extended it to include information flows "in all
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10th January 2000: "AOL and Time Warner merger". Two media giants from different media backgrounds: AOL (internet based) and Time Warner (print, film, television, radio). While Time Warner produced and warehoused content (news, movies, music), AOL's web portal provided the vehicle
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Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
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Installation art uses sculptural materials and other media to modify the way we experience a particular space. Installation art is not necessarily confined to gallery spaces and can be any material intervention in everyday public or private spaces.
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Experimental theatre is a general term for various movements in Western theatre that began in the 20th century as a reaction against the then-dominant conventions governing the writing and production of drama, and against naturalism in particular.
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The user interface (or Human Machine Interface) is the aggregate of means by which people (the users) interact with a particular machine, device, computer program or other complex tool (the system).
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Speech recognition (in many contexts also known as automatic speech recognition, computer speech recognition or erroneously as voice recognition) is the process of converting a speech signal to a sequence of words in the form of digital data, by means of an
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Computer vision is the science and technology of machines that see.

As a scientific discipline, computer vision is concerned with the theory and technology for building artificial systems that obtain information from images.
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The AVATAR protocol (Advanced Video Attribute Terminal Assembler and Recreator) is a system of escape sequences occasionally used on Bulletin Board Systems (BBSes).
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