Information about Reynard
Reynard the Fox, also known as Renard, Renart, Reinard, Reinecke, Reinhardus, Reynardt and by many other spelling variations, is a trickster figure whose tale is told in a number of anthropomorphic tales from medieval Europe.
Reynard appears first in the medieval Latin poem Ysengrimus, a long Latin mock-epic written ca. 1148-1153 by the poet Nivardus in Ghent, that collects a great store of Reynard's adventures. He also puts in an early appearance in a number of Latin sequences by the preacher Odo of Cheriton. Both of these early sources seem to draw on a pre-existing store of popular culture featuring the character. The 13th century saw the light of a Middle Dutch version of the story (Van den vos Reynaerde, About Reynard the Fox), comprised of rhymed verses (scheme AA BB). Very little is known of the author, Willem, other than the description of himself in the first sentences:
Who this Willem was, remains a mystery. Madoc of which he here spoke, probably another one of his works, is also still an unknown text to this day.

Geoffrey Chaucer used Reynard material in the Canterbury Tales; in the "Nonne Preestes Tale", Reynard appears as "Rossel" and an ass as "Brunel". In 1485 William Caxton printed The Historie of Reynart the Foxe, which was translated from a Dutch version of the fables. Hans van Ghetelen, a printer of Incunabula in Lübeck printed an early German version called Reinke de Vos in 1498. It was translated to Latin and other languages, which made the tale poplular across Europe. The character of Tybalt in Shakespeare's Romeo and Juliet is named for the character Tibert/Tybalt the "Prince of Cats" in Reynard the Fox. Goethe, also, dealt with Reynard in his fable Reinecke Fuchs. Reynard is also referenced in the Middle English poem Sir Gawain and the Green Knight during the third hunt.
In Max Brod's German translation of the opera, the Vixen's counterpart introduces himself as "Reineke aus dem Stamm der Herrn von Goldentupf von und zu Tiefengrund", where "Reineke" is of course Reynard, and the rest of the make-believe noble title a reference to the foxes golden hairs ("Goldentupf"), and obscure provenance ("zu Tiefengrund", translated as from Deep Hollow).[2]
The story features a rhinoceros, neushoorn in Dutch (literally : "nose horn"), referring to the perceived typical Jewish nose. His name is Iodocus, which refers to the Dutch word for Jew: jood, pronounced somewhat like the "Iod-" in Iodocus. The story also features a donkey, Boudewijn, occupying the throne. "Boudewijn" happens to be the Dutch name of the contemporary Belgian crown prince. This is a reference to the Belgian Nazi leader Léon Degrelle, leader of the Rex-movement ("Rex" is Latin for "King").
In the story, Iodocus the rhinoceros arrives at the kingdom of the late King Nobel. The kingdom is under a power struggle, because the king's son, Lionel the Lion, is too weak to preserve power. The throne is captured by the donkey, Boudewijn.
Iodocus claims he has been persecuted in other countries because he cultivated a remarkably fine breed of thistles. He wants to stay in the kingdom in some modest place and grow his thistles. Boudewijn lets Iodocus stay.
But soon Iodocus introduces some new ideas - about liberty, equality and fraternity. The animals of the kingdom start believing him, and soon the natural way of live is perverted: the animals start mating with other species and sick combinations of species evolve. Because the animals don't recognise each other, they eat their own children.
Iodocus starts collecting taxes with the help of his relatives, which he has secretly sent for in the east. The country is covered with thistles.
The animals become dissatisfied, and Reynard is called to destroy the rhinoceroses. Reynard rounds them up and kills most of them, including Iodocus. Lionel takes the power back.[3]
Van den vos Reynaerde was also released as a cartoon film by Nederlandfilm in 1943. The film was mostly paid with Nazi German money. It was never presented publicly, possibly because most Jews of Netherland were already transported to the concentration camps. In 1991, parts of the film were found again in the German Bundesarchiv. In 2005, more pieces were found, and the film has been restored. This film, among other war movies, will be shown again during the 2006 Holland Animation Film Festival in Utrecht, the Netherlands.[4]
The documentary film "The Black Fox" (1962) parallels Hitler's rise to power with the Reynard fable.
Disney produced an anthropomorphic animated version of Robin Hood in which Robin and Maid Marian were depicted as foxes, and other characters from the tale depicted as other animals (including a wolf as Sheriff of Nottingham and lions as both Prince John and King Richard). This treatment would also appear to owe something to the Reynard trickster fables. In 1985, a French animated series, "Moi Renart" (I Reynard) was created which was loosely based on Reynard's tales. In it, the original animals are anthropomorphic humanoid animals and the action occurs in modern Paris with other anthropomorphic animals in human roles. Reynard is a young mischievous fox with a little monkey pet called Marmouset (an original creation). He sets into Paris in order to discover the city, get a job and visit his grumpy and stingy uncle, Isengrim, who is a deluxe car salesman, and his reasonable yet dreamy she-wolf aunt, Hirsent. Reynard meets Hermeline, a young and charming motorbike-riding vixen journalist. He immediately falls in love with her and tries to win her heart during several of the episodes. As Reynard establishes himself into Paris, he creates a small company at his name where he offers to do any job for anyone, from impersonating female maids to opera singers. To help with this, he is a master of disguise and is a bit of a kleptomaniac, which gets him trouble from police chief Chantecler (a rooster) who often sends to him police cat inspector Tybalt in order to thwart his plans.
In 2005 a Luxemburg based animation studio released an all CGI film titled "Le Roman de Renart", obviously based on the same fable.
A fox called Reynard is a central character in John Crowley's 1976 novel Beasts.
In the 2006 novel, Echo Park, by Michael Connelly, the villain is styled--and named--after Reynard the Fox.
British novelist Michael Moorcock introduced Lord Renyard, a man-sized talking fox, well-versed in 18th Century Encyclopedist philosophy, in his 1986 fantasy "The City in the Autumn Stars".
In the Fables comic book, Reynard the Fox is one of the non-human Fables who lives on "the Farm"---the part of Fabletown reserved for Fables who cannot pass as normal humans, due to its secluded location in upstate New York State. He is opposed to the attempted overthrow of the Fabletown government, and works with Snow White---saving her life while flirting with her mercilessly. Although Snow White offers him no encouragement, he continues to hope for a relationship with her. A later book (9) briefly features Isengrim, the wolf.
Author Robertson Davies, in the Deptford Trilogy, has a magician take on the stage name 'Magnus Eisengrim'. The spelling is different, but there are references to 'eisengrim the wolf.'
In the webcomic Gunnerkrigg Court, a demon-spirit named Reynardine possesses an old toy of Annie's.
In the Swedish children's comic Bamse, a new villain is introduced in Issue 7 (2006): a fox named Reinard, who attempts to impress other ne'er-do-wells with his cunning trickery (including dispatching hero Bamse to a remote region of Sweden so that he can pursue a museum raid without hindrance).
In Friedrich Nietzsche's The Twilight of the Idols, Nietzsche uses Reynard the Fox as an example of a dialectician.
Science Fiction/Fantasy writer Neil Gaiman wrote a story in verse about Reynard in his collection "Smoke and Mirrors".
In the last issue of Grant Morrison's The Invisibles, one of the side characters is named Reynard, in reference to the original folktales.
Scottish indie/country band Country Teasers have a song titled "Reynard The Fox" on their 1999 album, Destroy All Human Life. (Fat Possum Records)
English band Angelica had a song titled "Reynard The Fox" on their 2002 album, The Seven Year Itch.
In medieval European folklore and literature
Reynard seems to have originated in French folklore. An extensive treatment of the character is the Old French Le Roman de Renart written by Perrout de Saint Cloude around 1175, which sets the typical setting. Reynard has been summoned to the court of king Noble, or Leo, the Lion, to answer charges brought against him by Isengrim the Wolf. Other anthropomorphic animals, including Bruin the Bear, Baldwin the Ass, Tibert (Tybalt) the Cat, all attempt one stratagem or another. The stories typically involve satire whose usual butts are the aristocracy and the clergy, making Reynard a peasant-hero character. Reynart's principal castle, Maleperduys, is available to him whenever he needs to hide away from his enemies. Some of the tales feature Reynard's funeral, where his enemies gather to deliver maudlin elegies full of insincere piety, and which features Reynard's posthumous revenge. Reynard's wife Hermeline appears in the stories, but plays little active role, although in some versions she remarries when Reynard is thought dead, thereby becoming one of the people he plans revenge upon.Reynard appears first in the medieval Latin poem Ysengrimus, a long Latin mock-epic written ca. 1148-1153 by the poet Nivardus in Ghent, that collects a great store of Reynard's adventures. He also puts in an early appearance in a number of Latin sequences by the preacher Odo of Cheriton. Both of these early sources seem to draw on a pre-existing store of popular culture featuring the character. The 13th century saw the light of a Middle Dutch version of the story (Van den vos Reynaerde, About Reynard the Fox), comprised of rhymed verses (scheme AA BB). Very little is known of the author, Willem, other than the description of himself in the first sentences:
| This would roughly translate as: | |
|
''Willem, die Madoc maecte, ''Daer hi dicken omme waecte, ''Hem vernoyde so haerde ''Dat die avonture van Reynaerde ''In dietsche onghemaket bleven ''(Die Arnout niet hevet vulscreven) ''Dat hi die vijte van Reynaerde dede soucken ''Ende hise na den walschen boucken In dietsche dus hevet begonnen. |
Willem who has made Madoc, and suffered many a sleepless night in doing so, regretted that the adventures of Reynaert had not been translated in Dutch (because Arnout had not completed his work). So he has researched the facts of Reynard's deeds and in the same way as the French books has he written it in Dutch. |
Who this Willem was, remains a mystery. Madoc of which he here spoke, probably another one of his works, is also still an unknown text to this day.
Illustration from Ghetelen in Reinke de Vos (1498)
Modern treatment
Rénert the Fox
Rénert the Fox was published in 1872 by Michel Rodange, a Luxembourgish author. An epic satirical work, an adaptation of the traditional Dutch fox epic to a setting in Luxembourg, it is known for its insightful analysis of the unique characteristics of the people of Luxembourg, using regional and sub-regional dialects to depict the fox and his companions.Stravinsky's Renard
In 1916 Igor Stravinsky composed Renard (aka The Fox), "histoire burlesque cantée et jouée" (burlesque in song and dance), a one-act chamber opera-ballet. Stravinsky's text was in Russian, and based on Russian folk tales from the collection by Alexander Afanasyev.Vixen Sharpears - The cunning little Vixen
Rudolf TěsnohlÃdek's 1920 Liška Bystrouška ("Vixen Sharpears", a comic in a Brno newspaper) provided a female version of "Reynard". The story was taken up by Leoš Janáček, turning it into an opera, The Cunning Little Vixen (1923). In 2003, the BBC produced and animated film version of Janáček's opera.[1]In Max Brod's German translation of the opera, the Vixen's counterpart introduces himself as "Reineke aus dem Stamm der Herrn von Goldentupf von und zu Tiefengrund", where "Reineke" is of course Reynard, and the rest of the make-believe noble title a reference to the foxes golden hairs ("Goldentupf"), and obscure provenance ("zu Tiefengrund", translated as from Deep Hollow).[2]
Van den vos Reynaerde
Van den vos Reynaerde, (About Reynard the Fox) was an anti-semitic children's story, written by the Dutch-Belgian Robert van Genechten, and named after the mediaeval Dutch poem. It was first published in 1937 in Nieuw-Nederland, a monthly of the Dutch national socialist movement NSB. In 1941 it was published as a book.The story features a rhinoceros, neushoorn in Dutch (literally : "nose horn"), referring to the perceived typical Jewish nose. His name is Iodocus, which refers to the Dutch word for Jew: jood, pronounced somewhat like the "Iod-" in Iodocus. The story also features a donkey, Boudewijn, occupying the throne. "Boudewijn" happens to be the Dutch name of the contemporary Belgian crown prince. This is a reference to the Belgian Nazi leader Léon Degrelle, leader of the Rex-movement ("Rex" is Latin for "King").
In the story, Iodocus the rhinoceros arrives at the kingdom of the late King Nobel. The kingdom is under a power struggle, because the king's son, Lionel the Lion, is too weak to preserve power. The throne is captured by the donkey, Boudewijn.
Iodocus claims he has been persecuted in other countries because he cultivated a remarkably fine breed of thistles. He wants to stay in the kingdom in some modest place and grow his thistles. Boudewijn lets Iodocus stay.
But soon Iodocus introduces some new ideas - about liberty, equality and fraternity. The animals of the kingdom start believing him, and soon the natural way of live is perverted: the animals start mating with other species and sick combinations of species evolve. Because the animals don't recognise each other, they eat their own children.
Iodocus starts collecting taxes with the help of his relatives, which he has secretly sent for in the east. The country is covered with thistles.
The animals become dissatisfied, and Reynard is called to destroy the rhinoceroses. Reynard rounds them up and kills most of them, including Iodocus. Lionel takes the power back.[3]
Van den vos Reynaerde was also released as a cartoon film by Nederlandfilm in 1943. The film was mostly paid with Nazi German money. It was never presented publicly, possibly because most Jews of Netherland were already transported to the concentration camps. In 1991, parts of the film were found again in the German Bundesarchiv. In 2005, more pieces were found, and the film has been restored. This film, among other war movies, will be shown again during the 2006 Holland Animation Film Festival in Utrecht, the Netherlands.[4]
Advertising
Bevo, a popular U.S. brand of near beer, advertised with Reynard the Fox in the 1910s and 1920s.Other adaptations, versions and references
In movies and television series
Ladislas Starevich's 1937 puppet-animated feature film, Le Roman de Renard (The Tale of the Fox) featured the Reynard character as the protagonist.The documentary film "The Black Fox" (1962) parallels Hitler's rise to power with the Reynard fable.
Disney produced an anthropomorphic animated version of Robin Hood in which Robin and Maid Marian were depicted as foxes, and other characters from the tale depicted as other animals (including a wolf as Sheriff of Nottingham and lions as both Prince John and King Richard). This treatment would also appear to owe something to the Reynard trickster fables. In 1985, a French animated series, "Moi Renart" (I Reynard) was created which was loosely based on Reynard's tales. In it, the original animals are anthropomorphic humanoid animals and the action occurs in modern Paris with other anthropomorphic animals in human roles. Reynard is a young mischievous fox with a little monkey pet called Marmouset (an original creation). He sets into Paris in order to discover the city, get a job and visit his grumpy and stingy uncle, Isengrim, who is a deluxe car salesman, and his reasonable yet dreamy she-wolf aunt, Hirsent. Reynard meets Hermeline, a young and charming motorbike-riding vixen journalist. He immediately falls in love with her and tries to win her heart during several of the episodes. As Reynard establishes himself into Paris, he creates a small company at his name where he offers to do any job for anyone, from impersonating female maids to opera singers. To help with this, he is a master of disguise and is a bit of a kleptomaniac, which gets him trouble from police chief Chantecler (a rooster) who often sends to him police cat inspector Tybalt in order to thwart his plans.
In 2005 a Luxemburg based animation studio released an all CGI film titled "Le Roman de Renart", obviously based on the same fable.
In literature and comic strips
In Ralph Ellison's Invisible Man, there is a character resembling Reynard.A fox called Reynard is a central character in John Crowley's 1976 novel Beasts.
In the 2006 novel, Echo Park, by Michael Connelly, the villain is styled--and named--after Reynard the Fox.
British novelist Michael Moorcock introduced Lord Renyard, a man-sized talking fox, well-versed in 18th Century Encyclopedist philosophy, in his 1986 fantasy "The City in the Autumn Stars".
In the Fables comic book, Reynard the Fox is one of the non-human Fables who lives on "the Farm"---the part of Fabletown reserved for Fables who cannot pass as normal humans, due to its secluded location in upstate New York State. He is opposed to the attempted overthrow of the Fabletown government, and works with Snow White---saving her life while flirting with her mercilessly. Although Snow White offers him no encouragement, he continues to hope for a relationship with her. A later book (9) briefly features Isengrim, the wolf.
Author Robertson Davies, in the Deptford Trilogy, has a magician take on the stage name 'Magnus Eisengrim'. The spelling is different, but there are references to 'eisengrim the wolf.'
In the webcomic Gunnerkrigg Court, a demon-spirit named Reynardine possesses an old toy of Annie's.
In the Swedish children's comic Bamse, a new villain is introduced in Issue 7 (2006): a fox named Reinard, who attempts to impress other ne'er-do-wells with his cunning trickery (including dispatching hero Bamse to a remote region of Sweden so that he can pursue a museum raid without hindrance).
In Friedrich Nietzsche's The Twilight of the Idols, Nietzsche uses Reynard the Fox as an example of a dialectician.
Science Fiction/Fantasy writer Neil Gaiman wrote a story in verse about Reynard in his collection "Smoke and Mirrors".
In the last issue of Grant Morrison's The Invisibles, one of the side characters is named Reynard, in reference to the original folktales.
In music
Julian Cope, a rock musician whose work often incorporates British Isles folklore, titled a song after Reynard on his album Fried.Scottish indie/country band Country Teasers have a song titled "Reynard The Fox" on their 1999 album, Destroy All Human Life. (Fat Possum Records)
English band Angelica had a song titled "Reynard The Fox" on their 2002 album, The Seven Year Itch.
In French
The patrimonial French word for "fox" was goupil from Latin vulpecula. However, mentioning the fox was considered bad luck among farmers. Because of the popularity of the Reynard stories, renard was often used as an euphemism to the point that today renard is the standard French word for "fox" and goupil is now dialectal or archaic.See also
Notes
1. ^ Released on DVD by Opus Arte, OA 0839 D
2. ^ Brod's "translation" wasn't too literal, Janáček's original Czech version of the fox's introduction rather translates as "Goldmane, curly-tufted dogfox from Deep Hollow", so less explicitly tying with the Reynard tales. An account of Brod's tendency to add connotations and symbols in his German versions of Janáček's operas and of Janáček's partial appreciation of such modifications can be found in John Tyrell's Janáček's Operas, 1992, ISBN 0-571-15129-9
3. ^ Reynard the Fox and the Jew Animal by Egbert Barten and Gerard Groeneveld
4. ^ (Dutch) "Animaties over oorlog op filmfestival", ANP.
2. ^ Brod's "translation" wasn't too literal, Janáček's original Czech version of the fox's introduction rather translates as "Goldmane, curly-tufted dogfox from Deep Hollow", so less explicitly tying with the Reynard tales. An account of Brod's tendency to add connotations and symbols in his German versions of Janáček's operas and of Janáček's partial appreciation of such modifications can be found in John Tyrell's Janáček's Operas, 1992, ISBN 0-571-15129-9
3. ^ Reynard the Fox and the Jew Animal by Egbert Barten and Gerard Groeneveld
4. ^ (Dutch) "Animaties over oorlog op filmfestival", ANP.
External links
- The History of Reynard The Fox by Henry Morley, 1889.
- http://www.1911encyclopedia.org/Reynard_The_Fox, article from the 1911 edition of Encyclopædia Britannica
- Full text of the Middle Dutch poem
- Full text of the Middle Saxon poem
Vulpini
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This article is about the animal. For other uses, see Fox (disambiguation).
"Fox" is a general term applied to any one of roughly 27 species of small to medium-sized canids in the tribe vulpini..... Click the link for more information.
trickster is a god, goddess, spirit, human, or anthropomorphic animal who plays pranks or otherwise disobeys normal rules and norms of behaviour.
While the trickster crosses various cultural traditions, there are significant differences between tricksters in the traditions
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"Liberty, Equality, Fraternity"
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Liberté, Égalité, Fraternité
"Liberty, Equality, Fraternity"
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Folklore is the body of expressive culture, including tales, music, dance, legends, oral history, proverbs, jokes, popular beliefs, customs, and so forth within a particular population comprising the traditions (including oral traditions) of that culture, subculture, or group.
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Synonyms
Felis leo
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Binomial name
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Distribution of lions in Africa
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Isengrin is the name of the wolf which typifies the feudal baron in the epic tale of Reynard the Fox, as the fox does the Church.
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Ursidae
G. Fischer de Waldheim, 1817
Genera
Ailuropoda
Helarctos
Melursus
Ursavus "true bear"
Ursus
Tremarctos
Agriarctos (extinct)
Amphicticeps (extinct)
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G. Fischer de Waldheim, 1817
Genera
Ailuropoda
Helarctos
Melursus
Ursavus "true bear"
Ursus
Tremarctos
Agriarctos (extinct)
Amphicticeps (extinct)
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F. s. catus
Trinomial name
Felis silvestris catus
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Felis lybica invalid junior synonym
Felis catus invalid junior synonym[2]
The cat (
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Trinomial name
Felis silvestris catus
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Felis lybica invalid junior synonym
Felis catus invalid junior synonym[2]
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Satire (from Latin satura, not from the Greek mythological figure satyr[1]) is a literary genre, chiefly literary and dramatic, in which human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision,
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Maleperduys is Reynard the Fox's principal hideaway in the medieval tales of this figure of legend.
Labyrinthine Maleperduys is full of holes, crooked and long, with multiple exits, which Reynard can open and shut to elude his enemies.
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Labyrinthine Maleperduys is full of holes, crooked and long, with multiple exits, which Reynard can open and shut to elude his enemies.
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Latin}}}
Official status
Official language of: Vatican City
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Roman Catholic Church
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Official status
Official language of: Vatican City
Used for official purposes, but not spoken in everyday speech
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Roman Catholic Church
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Ysengrimus is a Latin fabliau and mock epic, an anthropomorphic series of fables written in 1148 or 1149 by the poet Nivardus. Its chief character is Ysengrimus the Wolf, and it describes how his various schemes are overcome by the trickster figure Reinardus the Fox.
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Country Belgium
Community Flemish Community
Region
Province East Flanders
Arrondissement Ghent
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Community Flemish Community
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Province East Flanders
Arrondissement Ghent
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sequence (Latin: sequentia) is a chant sung or recited during the Roman Catholic Mass, before the proclamation of the Gospel. By the time of the Council of Trent (1543-1563) there were sequences for many feasts in the Church's year.
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Odo of Cheriton was a Roman Catholic preacher and fabulist.
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Biography
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The Nun's Priest's Tale is one of The Canterbury Tales by the 14th century Middle English poet Geoffrey Chaucer. The 625-line tale of Chanticleer and the Fox
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William Caxton (c. 1415~1422 – c. March 1492) was an English merchant, diplomat, writer and printer. He was the first English person to work as a printer and the first person to introduce a printing press into England.
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