Information about Lou Christie
Lou Christie (born Luigi Alfredo Giovanni Sacco, February 19 1943, in Glenwillard, Pennsylvania) is an American singer-songwriter best known for a string of pop hits in the 1960s.
One of his singles, 1963's "The Gypsy Cried" was released in 1962 on the tiny C&C label and unexpectedly credited to "Lou Christie" without Sacco's permission or consent. Sacco had been working on a list of potential stage names, and he has stated that he hated the name for decades afterwards: "I was pissed off about it for 20 years. I wanted to keep my name and be a one-named performer, just 'Lugee'."[1] "The Gypsy Cried" features the vocal style that would categorize all of Christie's biggest hits: verses sung in his normal register, and then a dramatic shift to his falsetto on the choruses. After the C&C release became a hit in his home town of Pittsburgh, the song was picked up by Roulette Records and charted nationwide, peaking at #24. "The Gypsy Cried" was the first of numerous songs Christie co-wrote with his songwriting partner Twyla Herbert, a self-described eccentric and mystic, who was over twenty years older than Christie, but also shared his love of classical music. The two struck up a working relationship after Christie auditioned for her at the age of 15.
His follow-up single, "Two Faces Have I", was an even bigger hit, peaking at #6, as Christie joined Dick Clark's Caravan of Stars Tour. On that tour, he was reportly linked in an interracial romance with Diana Ross of The Supremes. A third Roulette release, "How Many Teardrops" stalled at #46, as Christie's career was temporarily derailed by his induction into the US Army. He would not have another charting single for two and a half years, a lifetime in 1960s pop music.
Already, Christie was frequently, if unfairly, written off by critics as an imitator of Frankie Valli, as both men possessed similar falsetto vocals, and the ability to change almost effortlessly between it and their normal registers. Later reviewers have been less harsh, noting that Christie was one of the first singer-songwriters of the era, a status later noted by John Lennon. While a stint in the military might have ended the careers of many musicians, Christie's career would quickly be re-established after his discharge from the military, when he signed on with the MGM label.
MGM Records reportedly disliked Christie's first single for the label, with MGM's president reportedly throwing the tape into a wastepaper basket. But Christie's new management promoted the record in California, and when it gained some traction, MGM released it. "Lightnin' Strikes" would go to #1 in the U.S. in early 1966, and also climbed into the U.K. top 20, becoming his first hit in that country. The song's provocative lyrics featured his signature falsetto and included a female chorus (Bernadette Carroll, Denise Ferri, and Peggy Davison) shouting Stop! in counterpoint to the lead vocal:
But Christie's next release would inspire a firestorm of controversy and censorship. Released in the spring of 1966, "Rhapsody In The Rain" featured a haunting melody inspired by Tchaikovsky's "Romeo and Juliet", and told of a teenager's regret over his sexual experience in the back seat of a car during a rainstorm as the windshield wipers made a rhythmic sound of "together, together". Later after the romance ends, the wipers seem to say "never, never". Many radio stations banned the song, and MGM insisted on a re-recorded version that toned down the lyrical content. Despite the edited version, many stations instead played two older songs re-released by other labels Christie had once recorded for: "Outside the Gates of Heaven" (on Co & Ce Records, a successor to C&C) peaked at #45, while "Big Time" (on Colpix Records) managed to hit #95. All three singles hit the U.S. charts within three weeks of one another, in March 1966.
Whether it was the controversial lyrics or competition from the other singles released simultaneously, "Rhapsody" only managed to hit #16 in the U.S. and #37 in the UK. Christie's career seemed to be derailed once again as his followup for MGM, "Painter", which also borrowed a melody from classical music - this time from Puccini's opera Madame Butterfly - stalled at #81. Two further MGM releases (produced by Jack Nitzsche) from 1966 missed the Billboard Hot 100 entirely, even though "If My Car Could Only Talk" (peaking at #118) seemingly revisits the ill-fated lovers from Rhapsody.
After being dropped by MGM and an unfruitful stint with Columbia Records in the late 1960s, Christie teamed up with Buddah Records (a move prompted by his business manager Stan Polley) and bubblegum music record producer Tony Romeo and had a surprise wall-of-sound constant uptempo hit "I'm Gonna Make You Mine" in the early autumn of 1969. The song peaked at #10 in the U.S. but was a smash hit across the Atlantic, climbing to #2 on the UK Singles Chart and thus becoming his biggest hit there. A follow up, "She Sold Me Magic" charted only in the UK, peaking at #25, and was later covered by Elton John. Conversely, "Are You Getting Any Sunshine?" only charted in America, where it reached #73.
Christie spent the early 1970s in London, largely outside of the music industry and battling drug addiction. In 1974, Christie would try another new musical style, going country on his Beyond The Blue Horizon album. The title track, a remake of a hit song from 1930, features one of Christie's strongest non-falsetto vocal performances ever. The song missed the Country charts entirely, and only made #80 on the pop chart, but managed a respectable showing at #12 on the Adult Contemporary chart, showing that his teenaged fans of ten years earlier were still supportive of him as adults. The song has been used in several film soundtracks, most notably in the 1988 film Rain Man. It was a sign of both his up-and-down career, and his professional persistence, that "Blue Horizon" represented Christie's twelfth U.S. chart hit, on his seventh record label.
Christie became active on the oldies circuit starting in the early 1980s, and even scored a final U.S. chart hit, credited as "Summer '81 Medley" by The Cantina Band featuring Lou Christie, in 1981 - and, coincidentally, peaking at #81. On it, Christie performs a of Beach Boys classics. In 1999, Christie recorded his first all-new album since the 1970s.
He remains a popular concert act on the oldies circuit in the U.S. and UK and occasionally releases new material.
Currently, Lou has just recorded a new song entitled "Non So Perche" which he sings in Italian. It's a song he wrote to honor his Italian heritage, he says "it's my way of expressing myself". Lou plans on performing this song at the "Sanremo Music Festival" in Italy in the Spring of 2008. He has also filmed a video for the song, which can be viewed on his official website or on youtube.
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Diane Ross (born March 26 1944) is an American singer, songwriter, and Academy Award nominated actress, whose musical repertoire spans pop, R&B, soul, disco and jazz.
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Life and career
Raised in suburban Pittsburgh, Pennsylvania, Luigi Sacco traveled to New York after graduating from Moon Area High School and found work as a session vocalist. He also recorded a few unsuccessful discs of his own for various record labels in both New York and Pittsburgh.One of his singles, 1963's "The Gypsy Cried" was released in 1962 on the tiny C&C label and unexpectedly credited to "Lou Christie" without Sacco's permission or consent. Sacco had been working on a list of potential stage names, and he has stated that he hated the name for decades afterwards: "I was pissed off about it for 20 years. I wanted to keep my name and be a one-named performer, just 'Lugee'."[1] "The Gypsy Cried" features the vocal style that would categorize all of Christie's biggest hits: verses sung in his normal register, and then a dramatic shift to his falsetto on the choruses. After the C&C release became a hit in his home town of Pittsburgh, the song was picked up by Roulette Records and charted nationwide, peaking at #24. "The Gypsy Cried" was the first of numerous songs Christie co-wrote with his songwriting partner Twyla Herbert, a self-described eccentric and mystic, who was over twenty years older than Christie, but also shared his love of classical music. The two struck up a working relationship after Christie auditioned for her at the age of 15.
His follow-up single, "Two Faces Have I", was an even bigger hit, peaking at #6, as Christie joined Dick Clark's Caravan of Stars Tour. On that tour, he was reportly linked in an interracial romance with Diana Ross of The Supremes. A third Roulette release, "How Many Teardrops" stalled at #46, as Christie's career was temporarily derailed by his induction into the US Army. He would not have another charting single for two and a half years, a lifetime in 1960s pop music.
Already, Christie was frequently, if unfairly, written off by critics as an imitator of Frankie Valli, as both men possessed similar falsetto vocals, and the ability to change almost effortlessly between it and their normal registers. Later reviewers have been less harsh, noting that Christie was one of the first singer-songwriters of the era, a status later noted by John Lennon. While a stint in the military might have ended the careers of many musicians, Christie's career would quickly be re-established after his discharge from the military, when he signed on with the MGM label.
MGM Records reportedly disliked Christie's first single for the label, with MGM's president reportedly throwing the tape into a wastepaper basket. But Christie's new management promoted the record in California, and when it gained some traction, MGM released it. "Lightnin' Strikes" would go to #1 in the U.S. in early 1966, and also climbed into the U.K. top 20, becoming his first hit in that country. The song's provocative lyrics featured his signature falsetto and included a female chorus (Bernadette Carroll, Denise Ferri, and Peggy Davison) shouting Stop! in counterpoint to the lead vocal:
- ''When I see lips begging to be kissed (Stop!)
- ''I can't stop, (Stop!) no I can't stop myself! (Stop! Stop!)
But Christie's next release would inspire a firestorm of controversy and censorship. Released in the spring of 1966, "Rhapsody In The Rain" featured a haunting melody inspired by Tchaikovsky's "Romeo and Juliet", and told of a teenager's regret over his sexual experience in the back seat of a car during a rainstorm as the windshield wipers made a rhythmic sound of "together, together". Later after the romance ends, the wipers seem to say "never, never". Many radio stations banned the song, and MGM insisted on a re-recorded version that toned down the lyrical content. Despite the edited version, many stations instead played two older songs re-released by other labels Christie had once recorded for: "Outside the Gates of Heaven" (on Co & Ce Records, a successor to C&C) peaked at #45, while "Big Time" (on Colpix Records) managed to hit #95. All three singles hit the U.S. charts within three weeks of one another, in March 1966.
Whether it was the controversial lyrics or competition from the other singles released simultaneously, "Rhapsody" only managed to hit #16 in the U.S. and #37 in the UK. Christie's career seemed to be derailed once again as his followup for MGM, "Painter", which also borrowed a melody from classical music - this time from Puccini's opera Madame Butterfly - stalled at #81. Two further MGM releases (produced by Jack Nitzsche) from 1966 missed the Billboard Hot 100 entirely, even though "If My Car Could Only Talk" (peaking at #118) seemingly revisits the ill-fated lovers from Rhapsody.
After being dropped by MGM and an unfruitful stint with Columbia Records in the late 1960s, Christie teamed up with Buddah Records (a move prompted by his business manager Stan Polley) and bubblegum music record producer Tony Romeo and had a surprise wall-of-sound constant uptempo hit "I'm Gonna Make You Mine" in the early autumn of 1969. The song peaked at #10 in the U.S. but was a smash hit across the Atlantic, climbing to #2 on the UK Singles Chart and thus becoming his biggest hit there. A follow up, "She Sold Me Magic" charted only in the UK, peaking at #25, and was later covered by Elton John. Conversely, "Are You Getting Any Sunshine?" only charted in America, where it reached #73.
Christie spent the early 1970s in London, largely outside of the music industry and battling drug addiction. In 1974, Christie would try another new musical style, going country on his Beyond The Blue Horizon album. The title track, a remake of a hit song from 1930, features one of Christie's strongest non-falsetto vocal performances ever. The song missed the Country charts entirely, and only made #80 on the pop chart, but managed a respectable showing at #12 on the Adult Contemporary chart, showing that his teenaged fans of ten years earlier were still supportive of him as adults. The song has been used in several film soundtracks, most notably in the 1988 film Rain Man. It was a sign of both his up-and-down career, and his professional persistence, that "Blue Horizon" represented Christie's twelfth U.S. chart hit, on his seventh record label.
Christie became active on the oldies circuit starting in the early 1980s, and even scored a final U.S. chart hit, credited as "Summer '81 Medley" by The Cantina Band featuring Lou Christie, in 1981 - and, coincidentally, peaking at #81. On it, Christie performs a of Beach Boys classics. In 1999, Christie recorded his first all-new album since the 1970s.
He remains a popular concert act on the oldies circuit in the U.S. and UK and occasionally releases new material.
Currently, Lou has just recorded a new song entitled "Non So Perche" which he sings in Italian. It's a song he wrote to honor his Italian heritage, he says "it's my way of expressing myself". Lou plans on performing this song at the "Sanremo Music Festival" in Italy in the Spring of 2008. He has also filmed a video for the song, which can be viewed on his official website or on youtube.
Hit singles
| Chart debut | Title | Chart Positions | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| US Charts | UK charts | ||||||||||
| Jan. 1963 | "The Gypsy Cried" | #24 | |||||||||
| Mar. 1963 | "Two Faces Have I" | #6 | |||||||||
| Jul. 1963 | "How Many Teardrops" | #46 | |||||||||
| Dec. 1965 | "Lightnin' Strikes" | #1 | #11 | ||||||||
| Mar. 1966 | "Outside the Gates of Heaven" | #45 | |||||||||
| Mar. 1966 | "Big Time" | #95 | |||||||||
| Mar. 1966 | "Rhapsody in the Rain" | #16 | #37 | ||||||||
| Jun. 1966 | "Painter" | #81 | |||||||||
| Apr. 1967 | "Shake Hands and Walk Away Cryin'" | #95 | |||||||||
| Aug. 1969 | "I'm Gonna Make You Mine" | #10 | #2 | ||||||||
| Dec. 1969 | "Are You Getting Any Sunshine?" | #73 | |||||||||
| Dec. 1969 | "She Sold Me Magic" | #25 | |||||||||
| Feb. 1974 | "Beyond the Blue Horizon" | #80 | |||||||||
References
External links
- Official website
- Lou Christie Fan Club
- Lou Christie & The Tammys Egyptian Shumba Home Page
- Bio at Yahoo! Music
- Bio at ClassicBands.com
- Fan page, with lyrics to several of Christie's biggest hits
February 19 is the 1st day of the year (2nd in leap years) in the Gregorian calendar. There are 0 days remaining.
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Crescent Township is a township in Allegheny County, Pennsylvania, United States and is part of the Pittsburgh Metro Area. The population was 2,314 at the 2000 census.
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Singer-songwriter is a term that refers to performers who write, compose, and sing their own material including lyrics, melodies, often providing the sole accompaniment to an entire composition or song.
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Session musicians are musicians available for hire, as opposed to musicians who are either permanent members of a musical outfit or who have acquired fame in their own right.
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A singer is a musician who uses their voice to produce music. Often the singer is accompanied by musicians and instruments. While many people sing for pleasure, vocal skill is usually a combination of innate talent and professional training.
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In the music industry, a record label is a brand and a trademark associated with the marketing of music recordings and music videos. In everyday usage, a record label is also a company that manages such brands and trademarks; coordinates the production, manufacture, distribution,
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In music, a single is a short recording of one or more separate tracks. This can be released for sale to the public in a variety of different formats.
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human voice consists of sound made by a human using the vocal folds for talking, singing, laughing, crying, screaming etc. The vocal folds, in combination with the lips, the tongue, the lower jaw, and the palate, are capable of producing highly intricate arrays of sound.
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In popular music, a chart-topper is an extremely popular recording, identified by its inclusion in a ranked list—a chart—of top selling or otherwise judged most popular releases. Chart-topper and related terms like No.
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Falsetto (Italian diminutive of falso, false) is a singing technique that produces sounds that are pitched higher than the singer's normal range, in the treble range.
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A refrain (from the Old French refraindre "to repeat," likely from Vulgar Latin refringere) is the line or lines that are repeated in music or in verse; the "chorus" of a song.
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A song is a relatively short musical composition. Songs contain vocal parts that are performed with the human voice and generally feature words (lyrics), commonly accompanied by other musical instruments (exceptions would be a cappella and scat songs).
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Roulette Records is a record label which was started in late 1956 by George Goldner, Joe Kolsky, Morris Levy and Phil Khals, but the label was soon sold to Hugo Peretti and Luigi Creatore. Levy was appointed as director.
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A songwriter is someone who writes the lyrics to songs, the musical composition or melody to songs, or both. That is to say, a songwriter is a lyricist, a composer, or both.
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Richard Wagstaff "Dick" Clark (born November 30, 1929) is an Emmy Award-winning American television, radio personality, game show host and businessman, he served as chairman and CEO of Dick Clark Productions, which he has sold part of in recent years.
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Diane Ross (born March 26 1944) is an American singer, songwriter, and Academy Award nominated actress, whose musical repertoire spans pop, R&B, soul, disco and jazz.
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The Supremes were a Motown all-female singing group. Active as The Supremes from 1961 until 1977, the Supremes performed, at various times, doo-wop, pop, soul, Broadway show tunes, and disco.
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