Information about Kitai Gorod

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Iverskiye Gates leading to Red Square are the only extant gates of the Kitai-gorod wall.
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View of St Elijah's Gates to Kitai-gorod in the 19th century. The street in front of the wall formed present-day Kitaisky Lane; the parallel street right behind the wall is now Staraya Square.


Kitai-gorod is a business district within Moscow, Russia, encircled by mostly-reconstructed medieval walls. It is separated from the Moscow Kremlin by Red Square. It does not constitute a district (raion), as there are no resident voters, thus, municipal elections are not possible. Rather, the territory is managed directly by Central Administrative Okrug authorities (since 2003).

Name

The etymology of the name is unclear. Gorod is the Russian for town, whereas Kitai is the Russian for Cathay (i.e., China). Accordingly the popular translation might be Chinatown. Most scholars, however, tend to derive Kitai from an old word for the wooden stakes used in construction of the quarter's walls.

Walls

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Remaining part of the wall in Zaryadye

The walls were erected in 1536-39 by an Italian architect known under the Russified name Petrok Maly and originally featured 13 towers and six gates. They were as thick as they were high, the average being six meters in both dimensions. The last of the towers were demolished in the 1930s, but small portions of the wall still stand. One of two remaining parts of the wall is located in Zaryadye and the other near the exit from the Okhotny Ryad station of Moscow Metro behind the Hotel Metropol.

Recently the Moscow mayor announced plans for a full-scale restoration of the wall. City officials also plan to close Kitai-gorod to automobile traffic. Since 1995, the wall has been extensively rebuilt, and a new tower has been added. Inside the tower are a couple of restaurants and bars.

Squares

Apart from Red Square, the quarter is bordered by the chain of Central Squares of Moscow, notably Theatre Square (in front of Bolshoi Theatre), Lubyanka Square (in front of the KGB headquarters), Slavyanskaya Square. Bourse Square on Ilyinka Street is situated entirely within Kitai-gorod.

Architecture

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St. Nicholas Church on the Ilyinka (1680-89), with its golden-starred blue domes, at one time dominated Kitai-gorod's skyline. It was razed in 1933.


Kitai-gorod, developing as a trading area, was known as the most prestigious business area of Moscow. Its three main streets — Varvarka, Ilyinka, and Nikolskaya — are lined with banks, shops, and storehouses. Two of the most beautiful churches in Moscow, St Nicholas at Nikitniki (1653) and St. Nicholas the Great Cross (1689, destroyed in 1933) at one time dominated the district's skyline.

Nikolskaya Street is famous for being the site of Moscow's first university, the Slavic Greek Latin Academy, housed in extant Zaikonospassky monastery (1660s). Another monastery cathedral, the main church of Epiphany Monastery (1690s), stands in the middle of Kitai-gorod in an eponimous Bogoyavlensky Lane. 18th legacy survives in the exterior walls of otherwise rebuilt Gostiny Dvor (Guest Merchant's Court) by Giacomo Quarenghi.

In the 19th century, the Red Square was lined by a neoclassical domed structure of Upper Trade Rows by Joseph Bove. However, in 1890s it was torn down and replaced with a new, eclectic Upper Trading Rows (by Alexander Pomerantsev and Vladimir Shukhov) and similar Middle Trade Rows (by Roman Klein, scheduled for demolition in 2007). The rest of Kitai-gorod was densely filled with offices, warehouses and hotels, to the point where real estate developers had to build streets, not buildings - like the Tretyakovsky Proyezd project by Pavel Tretyakov and Alexander Kaminsky.

In the same 1890s, developers consolidated large land lots on the perimeter of Kitai-gorod. Savva Mamontov has launched an ambitious civic center, built around an opera hall, which was completed as Metropol Hotel in 1907, the largest early Art Nouveau building in Moscow with artwork by Mikhail Vrubel, Alexander Golovin and Nikolai Andreev. Eastern segment (Staraya Square) was rebuilt by Moscow Merchant Society, with a late Art Nouveau Boyarsky Dvor offices (by Fyodor Schechtel) and neoclassical 4, Staraya Square (by Vladimir Sherwood, Jr., 1912-1914) which later housed Central Committee of the Communist Party.

The present-day offices and clock-tower of Constitutional Court of Russia were financed by Northern Insurance Socity (1910-1912) and built by Ivan Rerberg, Marian Peretiatkovich and Vyacheslav Oltarzhevsky; this project is also notable as the first professional employer of young Ilya Golosov.

Since early 1990s, many historical buildings are being torn down or rebuilt by facadist methodes, tearing down everything beyond the street facade. Apart from the Gostiny Dvor, recent losses include the Tyoplye Trade Rows (Теплые ряды, demolished 1996-1997) and recently reopened block at 10, Nikolskaya Street. Degree of destruction cannot be assessed in full, since many properties are operated by the federal government and closed to general public.

Zaryadye

Main article: Zaryadye
A whole quarter of Kitai-gorod adjacent to the Moskva River and known as Zaryadye, was demolished in three rounds (1930s, late 1940s, 1960s), sparing only those structures that were classified as historic monuments. These include Cathedral of the Sign (1679-84), the Church of All Saints (1680s), St. George Church on Pskov Hill (1657), St. Maksim Church (1698), St. Anna's Church at the Corner (1510s), St. Barbara Church (1796-1804), the Old English Embassy (1550s), and the 16th-century Romanov boyar residence. There is no other such cluster of old edifices left anywhere else in Moscow. The district's main structure, Rossiya Hotel (1967) is being demolished, making way for a new round of development.

See also

Москв? (Russian)

Location of Moscow in Europe
Coordinates

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State Party Russian Federation
Type Cultural
Criteria i, ii, iv, vi
Reference 545
Region Europe

Inscription History
Inscription 1990  (14th Session)
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State Party Russian Federation
Type Cultural
Criteria i, ii, iv, vi
Reference 545
Region Europe

Inscription History
Inscription 1990  (14th Session)
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raion (or rayon) (Russian and Ukrainian: райо́н; Belarusian раён; Azeri: rayon, Latvian: rajons, Georgian: რაიონი,
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Central Administrative District, or Tsentralny Administrative Okrug (Russian: Центральный
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Russian}}} 
Writing system: Cyrillic (Russian variant)  
Official status
Official language of:  Abkhazia (Georgia)
 Belarus
 Commonwealth of Independent States (working)
 Crimea (de facto; Ukraine)
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Cathay is an old name for East Asia often assumed to mean China in English. "Catai" was originally the name used for northeastern Asia, including Mongolia and northern China during Marco Polo's time (China proper was not a very distinct concept in Europe at the time.
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This page contains Chinese text.
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China (Traditional Chinese:
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The introduction to this article may be too long. Please help improve the introduction by moving some material from it into the body of the article according to the suggestions at Wikipedia's .
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Petrok Maly, also known as Petrok Maly Fryazin (Russian: Петрок Малый Фрязин, lit. Peter Junior) (? - c.
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Okhotny Ryad (Russian: Охотный ряд, Hunting Row) is a station on the Sokolnicheskaya Line of the Moscow Metro. It is located in the centre of Moscow, near the Kremlin.
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Moscow Metro

Locale City of Moscow, Russia
Transit type(s) Electrified Metro Railway
Began operation 1935
System length 282.4 km / 175.5 miles
No. of lines 12
No. of stations 173
Daily ridership 6.
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Hotel Metropol

Southern facade, 2007
Building Information
Name Hotel Metropol
Location Moscow
Country Russia

Architect William Walcot, Lev Kekushev, Vladimir Shukhov
Client Petersburg Insurance, Savva Mamontov
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Central Squares of Moscow is a chain of squares around the historical Moscow Kremlin and Kitai-gorod areas of central Moscow, Russia. These squares and avenues connecting them form the innermost ring road in Moscow open to regular traffic.
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Theatre Square (Russian: Театральная Площадь, Tetralnaya Ploschad), known as Sverdlov Square
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Bolshoi Theatre (Russian: Большой театр, Bol'shoy Teatr, Large Theater) is an historic theatre in Moscow, Russia, which gives performances of ballet and opera.
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Lubyanka Square (Russian: Лубянская площадь) in Moscow is not far from Red Square.
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Lubyanka is the popular name for the headquarters of the KGB and affiliated prison on Lubyanka Square in Moscow. It is a large building with a facade of yellow brick, designed by Alexander V. Ivanov in 1897 and augmented by Aleksey Shchusev in 1940-1947.
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Slavyanskaya Square (Russian: Славянская площадь
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Slavic Greek Latin Academy (Славяно-греко-латинская академия
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Zaikonospassky monastery (Заиконоспасский монастырь in Russian) was a monastery in Kitai-gorod, Moscow, just one block away from the
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Centuries: 16th century - 17th century - 18th century

1630s 1640s 1650s - 1660s - 1670s 1680s 1690s
1660 1661 1662 1663 1664
1665 1666 1667 1668 1669

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Events and Trends


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The Epiphany Monastery (Bogoyavlensky monastery, Богоявленский монастырь in Russian) is the oldest monastery in Moscow, situated in the
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Centuries: 16th century - 17th century - 18th century

1660s 1670s 1680s - 1690s - 1700s 1710s 1720s
1690 1691 1692 1693 1694
1695 1696 1697 1698 1699

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Events and Trends

  • Thomas Neale designed Seven Dials

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Gostinyi dvor (Russian: Гостиный двор) is a historic Russian term for an indoor market, or shopping centre.
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Giacomo Quarenghi (Russian: Джа́комо Кваре́нги
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Neoclassicism (sometimes rendered as Neo-Classicism or Neo-classicism) is the name given to quite distinct movements in the decorative and visual arts, literature, theatre, music, and architecture that draw upon Western classical art and culture (usually that of
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Joseph (Osip Ivanovich) Bové

Church of Theotokos, Joy of all in sorrow, 1831-1836
Personal information
Name Joseph (Osip Ivanovich) Bové
Nationality Russian
Birth date Novemver 4, 1784
Birth place Saint Petersburg
Date of death June 28, 1834
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Centuries: 18th century - 19th century - 20th century

1860s 1870s 1880s - 1890s - 1900s 1910s 1920s
1890 1891 1892 1893 1894
1895 1896 1897 1898 1899

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- The 1890s
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Eclecticism is a conceptual approach that does not hold rigidly to a single paradigm or set of assumptions, but instead draws upon multiple theories, styles, or ideas to gain complementary insights into a subject, or applies different theories in particular cases.
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