Information about Kiowa

For the town, see Kiowa, Colorado.

Kiowa
Total population
12,000[1]
Regions with significant populations
United States (Oklahoma)
Languages
English, Kiowa
Religions
Traditional
Related ethnic groups
other Tanoan peoples

The Kiowa are a nation of Native Americans who lived mostly in north Texas, Oklahoma and eastern New Mexico at the time of the arrival of Europeans. Today the Kiowa Tribe is federally recognized, with about 12,000 members living in southwestern Oklahoma.

History of the Kiowa Nation

According to historic accounts the Kiowa resided in the northern basin of the Missouri River where the migrating Crow Nation first met them in the Pryor Mountains, then the Kiowa migrated easterly to the Black Hills around 1650. Pushed southward by the invading Cheyennes and Sioux who were being pushed out of their lands in the great lakes regions by the Ojibwa tribes, the Kiowa moved down the Platte River basin to the Arkansas River area. There they fought with the Comanches, who already occupied the land.

In the early spring of 1790, at the place that would become Las Vegas, New Mexico, a Kiowa party lead by war leader Guikate made an offer of peace to a Comanche party while both were visiting the home of a friend of both tribes. This led to a later meeting between Guikate and the head chief of the Nokoni Comanches. The two groups made an alliance to share the same hunting grounds, and entered into a mutual defense pact. From that time on, the Comanches and Kiowa hunted, traveled, and made war together. An additional group, the Plains Apache (also called Kiowa-Apache), affiliated with the Kiowa at this time.

The Kiowa lived a typical Plains Indian lifestyle. Mostly nomadic, they survived on buffalo meat and gathered vegetables, lived in lodges, and depended on their horses for hunting and military uses. From their hunting grounds south of the Arkansas River the Kiowa were notorious for long-distance raids as far west as the Grand Canyon region, south into Mexico and Central America, and north into Canada.

Famous Kiowa leaders were Dohasan (Tauhawsin, BIA), Over-Hanging Butte, alias Little Mountain, alias Little Bluff; Guipahgah (Old Chief Lonewolf), alias Guibayhawgu (Rescued From Wolves); sub-leaders Satanta and Satank. In 1871 Satanta and Big Tree were accused, arrested, transported and confined at Fort Richardson, Texas, after being convicted by a "cowboy jury" in Jacksboro, Texas for participating in the Warren Wagon Train Raid. During the transport to Fort Richardson, Texas, old Satank was shot in an escape attempt by accompaning cavalry troops near Fort Sill, Indian Territory.

The Indian Wars

After 1840 the Kiowas, with their former enemies the Cheyennes, as well as their allies the Comanches and the Apaches, fought and raided the Eastern natives then moving into the Indian Territory. The United States military intervened, and in the Treaty of Medicine Lodge of 1867 the Kiowa agreed to settle on a reservation in southwestern Oklahoma. Some bands of Kiowas remained at large until 1875 (see Palo Duro Canyon).

On August 6, 1901 Kiowa land in Oklahoma was opened for white settlement, effectively dissolving the contiguous reservation. While each Kiowa head of household was allotted 160 acres (320,000 m²), the only land remaining in Kiowa tribal ownership today is what was the scattered parcels of 'grass land' which had been leased to the white settlers for grazing before the reservation was opened for settlement.they very good people huted lived long long

Kiowa art

Kiowa artists are well known for a pictographic art form that is now referred to as "Plains Indian ledger art", and its contribution to the development of contemporary Native American art. The earliest of these Kiowa artists were those held in captivity by the US Army at Fort Marion in St. Augustine, Florida at the conclusion of the Southern Plains Indian war. Traditionally the artist's medium for their pictographic images were natural objects and animal skins, but for the Kiowa in captivity the lined pages of the white man's record keeping books became a popular substitute, thus the name "ledger art".

Twentieth century Kiowa artists include the Kiowa Five, a group of artists whom studied at the University of Oklahoma. The "Five" referred to are the male members of the group. The pictographic art form known as "ledger art" was an Indian art form which had historically been dominated by the male members of the plains culture. However, the "Five" actually had a sixth member, a woman named Lois Smokey. Another prolific and significant pre-Kiowa Five artisan during the early twentieth century was Silverhorn. Well known Kiowa artists of the later twentieth century include Bobby Hill (White Buffalo), Robert Redbird, Roland N. Whitehorse, and T. C. Cannon. The pictographic art of contemporary and traditional artist Sherman Chaddlesone has revived the ledger art form that was absent in most of the art of the Second Generation Modernists that had developed since Silverhorn and the Kiowa Five. Chaddlesone studied under Native American masters Allan Houser and Fritz Scholder and is considered a versatile and widely respected artist.

The influence of Kiowa art and the revival of the plains ledger art is also illustrated in the early work of Cherokee-Creek female artist Virginia Stroud and Spokane artist George Flett. While Stroud is of Cherokee-Creek descent, she was raised by a Kiowa family and the traditions of that culture, and the influence of the Kiowa tradition is evident in her early pictographic images.

Kiowa author N. Scott Momaday won the 1969 Pulitzer Prize for his novel House Made of Dawn. Other Kiowa authors include playwright Hanay Geiogamah, poet and film maker Gus Palmer, Jr., Alyce Sadongei, and Tocakut.

Kiowa music is often noted for its hymns that were traditionally accompanied by dance or played on the flute. Traditional performers include Cornel Pewewardy and Phillip "Yogi" Bread. Modern Kiowa musicians such as Tom Mauchahty-Ware.

References

Footnotes

Other works consulted

• Boyd, Maurice (1983). Kiowa Voices: Myths, Legends and Folktales. Texas Christian University Press. ISBN 0-912646-76-4
• Corwin, Hugh (1958). The Kiowa Indians, their history and life stories.
• Hoig, Stan (2000). The Kiowas and the Legend of Kicking Bird. Boulder: The University Press of Colorado. ISBN 0-87081-564-4
• Mishkin, Bernard (1988). Rank and Warfare Among The Plains Indians. AMS Press. ISBN 0-404-62903-2
• Richardson, Jane (1988). Law & Status Among the Kiowa Indians (American Ethnological Society Monographs; No 1). AMS Press. ISBN 0-404-62901-6
• Nye, Colonel W.S. (1983). Carbine and Lance: The Story of Old Fort Sill. Norman: University of Oklahoma Press. ISBN 0-8061-1856-3
• Momaday, N. Scott (1977). The Way to Rainy Mountain. University of New Mexico Press. ISBN 0-8263-0436-2

See also

• Kiowa County

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• Kiowa language

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• Commanche

External links

• Kiowa Comanche Apache Indian Territory Project
• Kiowa Collection: Selections from the Papers of Hugh Lenox Scott
• Photographs of Kiowa Indians hosted by the Portal to Texas History
• The Handbook of Texas Online: Kiowa Indians
• Sketch of a Chief of the Kiowas from A pictorial history of Texas, from the earliest visits of European adventurers, to AD 1879, hosted by the Portal to Texas History.
• Kiowa ledger drawing in the Smithsonian.
• The Kiowa Five.
• "]". Catholic Encyclopedia. (1913). New York: Robert Appleton Company.