Information about Keith Johnstone

Keith Johnstone is a drama instructor who has taught in England and Canada and more recently around the world. His teachings and books have focused on improvisational theatre and have had a major influence on the art of improvisation. [1]

Education

Born February 1933 in Devon, England, he hated his schooling, finding that it blunted his imagination and made him self-conscious and shy. As a play-reader, director and drama teacher at the Royal Court Theatre in London, he chose to reverse all of the things his teachers had told him in an attempt to make his actors more spontaneous. For example, he would instruct them to make faces at each other and to be playfully nasty to each other. In the course of his instruction, he would tell his students, "Don't concentrate," "Don't think," "Be obvious," and "Don't be clever!" His unorthodox techniques opened his students' imagination and spontaneity. Even after leaving the Theatre in 1966, Johnstone continued to develop important principles of acting and drama.

Teaching and writing career

In the 1970s he moved to Calgary, Canada to teach at the University of Calgary. There he co-founded the Loose Moose Theatre and invented Theatresports, which has become a staple of modern improvisational comedy. By a fairly convoluted route, Theatresports eventually gave rise to the popular TV show "Whose Line Is It Anyway?". Keith has subsequently invented further improvisation "formats" including "Gorilla Theatre", "Micetro" or "Maestro" and "Life Game" which has been seen at the National Theatre courtesy of Improbable Theatre and on U.S. cable television.

He has written two books about his work, Impro: Improvisation and the Theatre and Impro For Storytellers. Keith still lives in Calgary and teaches all over the world.

Johnstone's teachings

Whilst he was running the Writer's Group at the Royal Court, he began to teach that drama is about dominance and submission. It is about people being changed by each other, a subject that previously had not been taught in the dramatic arts . He came to this realisation as a result of reading several books by Desmond Morris.

Johnstone was the first theatre professional to introduce the term "status transactions" into modern theatre, believing that an alarmingly high proportion of comedy comes from the infinite and tiny ways that people try to raise their social status and lower the social status of others. His teaching included exercises in which students would practice a low-status role by entering the classroom, and acting as though they were accidentally interrupting a very important meeting. The exercise was then repeated by the student. In Impro: Improvisation and the Theatre, Johnstone reports that the increased shows of deference that students acted out often triggered uproarious laughter in the class. He attributes this to a deep-seated human interest in the acting out and renegotiation of status roles.

One of Johnstone's major interests is the use of masks and costumes which represent different emotional states and social roles to improve students acting. He found these to be powerful learning devices, to the point where several fellow instructors reported that they were afraid to allow students to use them in class because some students got 'too much' into the parts of the masks. In Impro: Improvisation and the Theatre, he speculates that this effect occurs because masks allow students to let go of their day-to-day identity, especially after seeing and acting out their new identify before a mirror.

Bibliography

  • Johnstone, Keith (1979). Impro: Improvisation and the Theatre. New York: Theatre Arts Books. ISBN 0-87830-117-8
  • Johnstone, Keith (1999). Impro for Storytellers. New York: Routledge/Theatre Arts Books. ISBN 0-87830-105-4
  • Reddick,Grant . "Keith Johnstone," Theatre 100. Calgary: Alberta Playwrights Network, 2006
  • "Keith Johnstone" in Contemporary Dramatists, 6th ed. St. James Press, 1999.
  • Berney, K.A. ed. (1994). "Johnstone, Keith". Contemporary British Dramatists. London: St. James Press. p.377.  ISBN 1558622136

References

1. ^ A Short History of Improvisational Theatre. ImprovComedy.org. Retrieved on 2007-10-09.

External links

Improvisational theatre (also known as improv or impro) is a form of theatre in which the actors use improvisational acting techniques to perform spontaneously.
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19th century - 20th century - 21st century
1900s  1910s  1920s  - 1930s -  1940s  1950s  1960s
1930 1931 1932 - 1933 - 1934 1935 1936

Year 1933 (MCMXXXIII
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Devon

Motto: Auxilio divino (Latin: By divine aid)

Geography
Status Ceremonial & (smaller) Non-metropolitan county
Region South West England
Area
- Total
- Admin. council
- Admin.
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Motto
Dieu et mon droit   (French)
"God and my right"
Anthem
No official anthem specific to England — the anthem of the United Kingdom is "God Save the Queen".
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A theatre director is a principal in the theatre field who oversees and orchestrates the mounting of a play by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of a theatrical product.
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Royal Court Theatre

The Royal Court Theatre at dusk on 22 January, 2007
Address
Sloane Square

City
Kensington and Chelsea, London


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London
Canary Wharf is the centre of London's modern office towers
London shown within England
Coordinates:
Sovereign state United Kingdom
Constituent country England
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19th century - 20th century - 21st century
1930s  1940s  1950s  - 1960s -  1970s  1980s  1990s
1963 1964 1965 - 1966 - 1967 1968 1969

Year 1966 (MCMLXVI
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Centuries: 19th century - 20th century - 21st century

1940s 1950s 1960s - 1970s - 1980s 1990s 2000s
1970 1971 1972 1973 1974
1975 1976 1977 1978 1979

- -
- The 1970s decade refers to the years from 1970 to 1979, also called
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City of Calgary
Downtown Calgary.

Flag
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Nickname: Cowtown, The Stampede City , The Heart of the New West
Motto: Onward
Location of Calgary in Alberta
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University of Calgary is a medium to large sized research-intensive public university located in Calgary, Alberta, Canada. The University is composed of approximately 24,000 undergraduate and 5,500 graduate students, totaling approximately 29,500 students
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The Loose Moose Theatre Company (LMTC), was co-founded in 1977, by Keith Johnstone and Mel Token. LMTC has an international reputation for developing the theatrical style of improvisation and specifically the work of Keith Johnstone.
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TheatreSports™ is a form of improvisational theatre which uses the format of a competition for dramatic effect. Opposing teams can perform scenes based on audience suggestions, with ratings by the audience or by a panel of judges (who are usually trained improvisers
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Whose Line Is It Anyway? (sometimes abbreviated to Whose Line? or WLIIA?) is a short-form improvisational comedy show. Originally a British radio programme, it later moved to television as a series made for Britain's Channel 4 before being remade
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Several countries have one or more national theatres. The Comédie-Française in Paris, founded in 1680, is widely considered to be the world's first national theatre.
  • Argentina: Teatro Nacional Cervantes
  • Australia: National Theatre in St Kilda, Melbourne.

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Improbable, often incorrectly called "Improbable Theatre", was founded by Lee Simpson, Phelim McDermott, Julian Crouch and producer Nick Sweeting in the mid 1990's. Although they had all worked together for some time, they were unable to get funding unless they formed an official
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cable television into the house.]]

Cable television is a system of providing cocoy television to consumers via radio frequency signals transmitted to televisions through fixed optical fibers or coaxial cables as opposed to the over-the-air method used in traditional
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Desmond Morris (born 24 January 1928 in the village of Purton, north Wiltshire, UK) is most famous for his work as a zoologist and ethologist. He was educated at Dauntsey's School, a boys' independent school in West Lavington, Wiltshire, and then at the University of Birmingham and
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