Information about Jean Frederic Waldeck
Jean Frederic Maximilien de Waldeck (June 13, 1766 - April 30, 1875) was a French antiquarian, cartographer, artist and explorer.
Waldeck was undoubtedly a man of talent and accomplishments, but his love of self promotion and refusal to let the truth get in the way of a good story leave some aspects of his life in mystery.
At various times Waldeck said that he was born in Paris, Prague, or Vienna, and at other times claimed to be a German, Austrian and English citizen. He often claimed the title of Count and occasionally that of Duke or Baron.
Waldeck said he had traveled to South Africa at age 19 and thereafter had begun a career in exploration. He returned to France and studied art as a student of Jacques Louis David. He said he had traveled to Egypt with Napoleon's expedition. None of this has been independently verified; indeed most of Waldeck's autobiography before about 1820 (including his given birthdate) is undocumented and his name is absent from records of various early expeditions he claimed to have been on.
Waldeck made two major contributions to society. The first contribution, of which he is known for among scholars of Western art history, is republishing the notorious set of pornographic prints titled I Modi. The second contribution is the exploration of Mexico and the publication of many examples of Maya and Aztec sculpture.
The I Modi prints are highly pornographic and accompanied sonnets by Pietro Aretino. They were allegedly created by Giulio Romano as paintings in the Vatican after a dispute with the pope, and the engraver Marcantonio Raimondi published them. The publication causes a furore in Rome, and the pope ordered that all copies be destroyed. As such, there is no known original printing of I Modi in existence. What has survived is a series of fragments in the British Museum, two copies of a single print, and a woodcut copy from the 16th century. Waldeck claimed to have found a set of tracings of the I Modi prints in a convent near Palenque in Mexico. Although his story is dubious because there is no such convent, he did see, at the least, the fragments now in the British Museum because the fragments can be matched to his drawings.
Waldeck's first contact with the art of ancient Mesoamerica seems to have been when he was hired by Lord Kingsborough to make engravings based on drawings of the city of Palenque. Waldeck's engravings were much more beautiful and artistic than the original drawings he worked from, and gave the monuments a decidedly Egyptian look, in line with his patron's views that the ancient Mesoamerican Native Americans were the Lost Tribes of Israel.
In 1825 he was hired as a hydraulic engineer by an English mining company in Mexico. After this job he explored the Pre-Columbian ruins of the country. Jean Fredric Waldeck is best known for his researching and documenting such Ancient Maya sites as Palenque and Uxmal. Waldeck published numerous lithographs of what he had come across. His last set of prints was published in 1866 when he celebrated his centennial.
He was active up until his death, at the incredible age of 109 years and 45 days. He supposedly died of a heart attack while eying a beautiful woman near the Champs-Élysées in Paris.
Brasseur de Bourbourg, É. C. 1866 Monuments anciens de Mexique: Palenqué et autres ruines de l'anc. civilisation du Mexique, Paris. (Illustrated by Waldeck.)
Brunhouse, Robert L 1973 In Search of the Maya: The First Archaeologists. University of New Mexico Press. Albuqueque. (One chapter on Waldeck.)
Cline, Howard F. 1947 The Apocryphal Early Career of J. F. de Waldeck, Pioneer Americanist. Acta Americana. Tome V, pp. 278-299.
Del Rio, A. 1822 Report of Antonio Del Rio to Don Jose Estacheria, Brigadier, Governor and Commandant General of the Kingdom of Guatemala, Etc. In Description of the ruins of an ancient city, discovered near Palenque, in the kingdom of Guatemala, pp. 1-21. H. Berthoud and Suttaby Evance and Fox, London. (Illustrated by Waldeck.)
Lawner, L. 1988 I Modi: the sixteen pleasures: an erotic album of the Italian Renaissance:Giulio Romano, Marcantonio Raimondi, Pietro Aretino, and Count Jean-Frederic-Maximilien de Waldeck. Northwestern University, Evanston, Ill.
Le Fur, Y. 2006 D'un regard l'autre: histoire des regards européens sur l'Afrique, l'Amérique et l'Océanie. Musée du quai Branly, Paris. (Exhibition catalog that includes paintings by Waldeck.)
Parsons, L. A. and Jay I. Kislak Foundation. 1993 Columbus to Catherwood, 1494-1844 : 350 years of historic book graphics depicting the islands, Indians, and archaeology of the West Indies, Florida, and Mexico. Kislak bibliographic series ; publication 1. Jay I. Kislak Foundation Inc., Miami Lakes, Fla. (Includes book illustrations by Waldeck.)
Thompson, John Eric 1927 The Elephant Heads in the Waldeck Manuscripts. Scientific Monthly, No. 25, pp. 392-398. New York.
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Waldeck was undoubtedly a man of talent and accomplishments, but his love of self promotion and refusal to let the truth get in the way of a good story leave some aspects of his life in mystery.
At various times Waldeck said that he was born in Paris, Prague, or Vienna, and at other times claimed to be a German, Austrian and English citizen. He often claimed the title of Count and occasionally that of Duke or Baron.
Waldeck said he had traveled to South Africa at age 19 and thereafter had begun a career in exploration. He returned to France and studied art as a student of Jacques Louis David. He said he had traveled to Egypt with Napoleon's expedition. None of this has been independently verified; indeed most of Waldeck's autobiography before about 1820 (including his given birthdate) is undocumented and his name is absent from records of various early expeditions he claimed to have been on.
Waldeck made two major contributions to society. The first contribution, of which he is known for among scholars of Western art history, is republishing the notorious set of pornographic prints titled I Modi. The second contribution is the exploration of Mexico and the publication of many examples of Maya and Aztec sculpture.
The I Modi prints are highly pornographic and accompanied sonnets by Pietro Aretino. They were allegedly created by Giulio Romano as paintings in the Vatican after a dispute with the pope, and the engraver Marcantonio Raimondi published them. The publication causes a furore in Rome, and the pope ordered that all copies be destroyed. As such, there is no known original printing of I Modi in existence. What has survived is a series of fragments in the British Museum, two copies of a single print, and a woodcut copy from the 16th century. Waldeck claimed to have found a set of tracings of the I Modi prints in a convent near Palenque in Mexico. Although his story is dubious because there is no such convent, he did see, at the least, the fragments now in the British Museum because the fragments can be matched to his drawings.
Waldeck's first contact with the art of ancient Mesoamerica seems to have been when he was hired by Lord Kingsborough to make engravings based on drawings of the city of Palenque. Waldeck's engravings were much more beautiful and artistic than the original drawings he worked from, and gave the monuments a decidedly Egyptian look, in line with his patron's views that the ancient Mesoamerican Native Americans were the Lost Tribes of Israel.
In 1825 he was hired as a hydraulic engineer by an English mining company in Mexico. After this job he explored the Pre-Columbian ruins of the country. Jean Fredric Waldeck is best known for his researching and documenting such Ancient Maya sites as Palenque and Uxmal. Waldeck published numerous lithographs of what he had come across. His last set of prints was published in 1866 when he celebrated his centennial.
He was active up until his death, at the incredible age of 109 years and 45 days. He supposedly died of a heart attack while eying a beautiful woman near the Champs-Élysées in Paris.
Further reading
Baudez, C. F. 1993 Jean-Frédéric Waldeck, peintre: le premier explorateur des ruines mayas. Hazan, Paris.Brasseur de Bourbourg, É. C. 1866 Monuments anciens de Mexique: Palenqué et autres ruines de l'anc. civilisation du Mexique, Paris. (Illustrated by Waldeck.)
Brunhouse, Robert L 1973 In Search of the Maya: The First Archaeologists. University of New Mexico Press. Albuqueque. (One chapter on Waldeck.)
Cline, Howard F. 1947 The Apocryphal Early Career of J. F. de Waldeck, Pioneer Americanist. Acta Americana. Tome V, pp. 278-299.
Del Rio, A. 1822 Report of Antonio Del Rio to Don Jose Estacheria, Brigadier, Governor and Commandant General of the Kingdom of Guatemala, Etc. In Description of the ruins of an ancient city, discovered near Palenque, in the kingdom of Guatemala, pp. 1-21. H. Berthoud and Suttaby Evance and Fox, London. (Illustrated by Waldeck.)
Lawner, L. 1988 I Modi: the sixteen pleasures: an erotic album of the Italian Renaissance:Giulio Romano, Marcantonio Raimondi, Pietro Aretino, and Count Jean-Frederic-Maximilien de Waldeck. Northwestern University, Evanston, Ill.
Le Fur, Y. 2006 D'un regard l'autre: histoire des regards européens sur l'Afrique, l'Amérique et l'Océanie. Musée du quai Branly, Paris. (Exhibition catalog that includes paintings by Waldeck.)
Parsons, L. A. and Jay I. Kislak Foundation. 1993 Columbus to Catherwood, 1494-1844 : 350 years of historic book graphics depicting the islands, Indians, and archaeology of the West Indies, Florida, and Mexico. Kislak bibliographic series ; publication 1. Jay I. Kislak Foundation Inc., Miami Lakes, Fla. (Includes book illustrations by Waldeck.)
Thompson, John Eric 1927 The Elephant Heads in the Waldeck Manuscripts. Scientific Monthly, No. 25, pp. 392-398. New York.
External links
- Waldeck biography from Appleton's Cyclopedia of American Biography with portrait
- Waldeck on emuseum.mnsu.edu
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| NAME | Waldeck, Jean-Frédéric de]] | ALTERNATIVE NAMES=Waldeck, Johann Friedrich Graf von;Waldeck, Jean Frédéric de (Comte);Waldeck, Friedrich;Waldeck, Johann Friedrich Maximilian (Graf);Waldeck, Jean Frederick Maximilien | SHORT DESCRIPTION=french antiquarian, explorer, artist | DATE OF BIRTH=June 13, 1766 | PLACE OF BIRTH=Prague | DATE OF DEATH=April 30, 1875 | PLACE OF DEATH=Paris |
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| SHORT DESCRIPTION | |||||||
| DATE OF BIRTH | |||||||
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Liberté, Égalité, Fraternité
"Liberty, Equality, Fraternity"
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Liberté, Égalité, Fraternité
"Liberty, Equality, Fraternity"
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An antiquarian or antiquary is one concerned with antiquities or things of the past. Also, and most often in modern usage, an antiquarian is a person who deals with or collects rare and ancient "antiquarian books".
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Cartography or mapmaking (in Greek chartis = map and graphein = write) is the study and practice of making representations of the Earth on a flat surface.
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Ville de Paris
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"God and my right"
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Dieu et mon droit (French)
"God and my right"
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count is a nobleman in most European countries, equivalent in rank to a British earl (whose wife is also a "countess", for lack of an Anglo-Saxon term). The word count comes from French comte, itself from Latin comes—in its accusative
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Baron is a specific title of nobility. The word baron comes from Spanish barón, itself from Frankish baro meaning "freeman, warrior"; it merged with cognate Old English beorn meaning "nobleman.
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Jacques-Louis David
Self portrait of Jacques-Louis David, 1794, Musée du Louvre
Birth name Jacques-Louis David
July 30 1748
Paris, France
November 29 1825 (aged 77)
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Self portrait of Jacques-Louis David, 1794, Musée du Louvre
Birth name Jacques-Louis David
July 30 1748
Paris, France
November 29 1825 (aged 77)
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Napoleon in His Study by Jacques-Louis David (1812)
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I Modi (The Ways, also known as The 16 Pleasures) is a famous, essentially lost erotic book of the Italian Renaissance.
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Original edition
- See also: History of erotic depictions#Printing
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Pietro Aretino (April 20, 1492 – October 21, 1556) was an Italian author, playwright, poet and satirist who wielded immense influence on contemporary art and politics and invented modern literate pornography.
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Giulio Romano (c. 1499? – November 1, 1546) was an Italian painter and architect. A prominent pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th century style known as Mannerism.
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Hymn and Pontifical March
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Marcantonio Raimondi, also simply Marcantonio, (c. 1480 – c. 1534) was an Italian engraver, known for being the first important printmaker whose body of work consists mainly of prints copying paintings. He is therefore a key figure in the rise of the reproductive print.
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The British Museum
Established 1754
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Established 1754
Location Great Russell Street, London WC1, England
Collection size 13+ million objects
Museum area 13.5 acres/ 588,000 ft²/ 94 Galleries[1]
Visitor figures 4,600,000 (2005–2006)[2]
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State Party Mexico
Type Cultural
Criteria i, ii, iii, iv
Reference 411
Region Latin America and the Caribbean
Inscription History
Inscription 1987 (11th Session)
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Type Cultural
Criteria i, ii, iii, iv
Reference 411
Region Latin America and the Caribbean
Inscription History
Inscription 1987 (11th Session)
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Himno Nacional Mexicano
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(and largest city) Mexico City
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Mesoamerica or Meso-America (Spanish: Mesoamérica) is a region in the mid-latitudes of the Americas, namely the culture area within which a number of pre-Columbian societies flourished before the Spanish colonization of the
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