Information about Ignaz Pleyel

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Ignace Joseph Pleyel


Ignace Pleyel (June 18, 1757November 14, 1831) was an Austrian-born French composer of the Classical period.

Life

He was born in Ruppersthal in Lower Austria, the son of a schoolmaster named Martin Pleyl. While still young he probably studied with Johann Baptist Vanhal, and from 1772 he became the pupil of Joseph Haydn in Eisenstadt. As with Beethoven, born 13 years later, Pleyel benefited in his study from the sponsorship of aristocracy, in this case Count Ladislaus Erdődy (1746-1786). Pleyel evidently had a close relationship with Haydn, who considered him to be a superb student.

Among Pleyel's apprentice work from this time was a puppet opera Die Fee Urgele, (1776) performed in the marionette theater at the palace of Eszterháza and in Vienna. Pleyel apparently also wrote at least part of the overture of Haydn's opera Das abgebrannte Haus, from about the same time.

Pleyel's first professional position may have been as Kapellmeister for Count Erdődy, although this is not known for certain. Among his early publications was a set of six string quartets, his Opus 1.

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Pleyel Museum and his birthplace, Ruppersthal, Lower Austria


In the early 1780's, Pleyel visited Italy, where he composed an opera (Ifigenia in Aulide) and works commissioned by the King of Naples.

Pleyel moved to Strasbourg in France in 1783, where he henceforth went by the French version of his name, "Ignace". He was first the assistant Kapellmeister at Strasbourg Cathedral under Franz Xaver Richter, then became full Kapellmeister in 1789 on Richter's death. In 1788 Pleyel married Francoise-Gabrielle Lefebvre, the daughter of a Strasbourg carpet weaver. The couple had four children, the oldest being their son Camille, discussed below.

In 1791, the French Revolution abolished musical performances in church as well as public concerts. Seeking alternative employment, Pleyel traveled to London, where he led the "Professional Concerts" organized by Wilhelm Cramer. In this capacity Pleyel inadvertently played the role of his teacher's rival, as Haydn was at the same time leading the concert series organized by Johann Peter Salomon. Although the two composers were rivals professionally, they remained on good terms personally.

Just like Haydn, Pleyel made a fortune from his London visit. On his return to Strasbourg, he bought a large house, the Château d’Itenwiller in nearby St. Pierre.

With the onset of the Reign of Terror in 1793, life in France became dangerous for many. According to some sources, Pleyel's loyalty to his adopted country was brought into question, and he is said to have avoided what could easily have been a fatal outcome by composing works of patriotic music.

Pleyel as businessman

Pleyel moved to Paris in 1795. In 1797 he set up a business as a music publisher ("Maison Pleyel"), which among other works produced a complete edition of Haydn's string quartets (1801), as well as the first miniature scores for study (the Bibliothèque Musicale, "musical library"). The publishing business lasted for 39 years and published about 4000 works during this time, including compositions by Boccherini, Beethoven, Clementi, and Dussek.

Pleyel visited Vienna on business in 1805, meeting his now elderly mentor Haydn for a final time and hearing Beethoven play.

In 1807, Pleyel became a manufacturer of pianos; for more on the Pleyel piano firm, see below.

Pleyel retired in 1824 and moved to the countryside about 50 km outside Paris. He died in 1831, apparently quite aware that his own musical style had been fully displaced by the new Romanticism in music. He was buried in the Père Lachaise cemetery in Paris.

Works

Pleyel is one instance of the phenomenon of a composer (others include Cherubini, Meyerbeer, and Thalberg) who was very famous in his own time but presently obscure. According to some, during the brief period between Joseph Haydn's prime and the rise to fame of Beethoven, Pleyel was the most celebrated composer in Europe.

His fame even reached the then-remote musical regions of America: there was a Pleyel Society on the island of Nantucket off the coast of Massachusetts, and tunes by Pleyel made their way into the then-popular shape note hymnals. (Pleyel is in fact the only classical composer represented in the principal modern descendant of these books, The Sacred Harp.)

Like his teacher Haydn, Pleyel was prolific, composing 41 symphonies, 70 string quartets and several string quintets and operas. Many of these works date from the Strasbourg period; Pleyel's production tailed off after he had become a businessman.

Recent scholarship has suggested that the theme for the Variations on a Theme by Joseph Haydn, by Johannes Brahms, opus 56a, was probably composed not by Haydn but by Ignaz Pleyel.

Pleyel continues to be known today as a composer of didactic music: generations of beginning violin and flute students, for example, learn to play the numerous duets he wrote for those instruments.

Pleyel pianos

The piano firm Pleyel et Cie was founded by Ignace Pleyel and continued by Pleyel's son Camille (1788-1855), a piano virtuoso who became his father's business partner as of 1815. The firm provided pianos used by Frédéric Chopin, and also ran a concert hall, the Salle Pleyel, in which Chopin performed his first — and also his last — Paris concerts. Toward the end of the 19th century, the Pleyel firm produced the first chromatic harp. In the early 20th century, at the behest of Wanda Landowska, it helped to revive the harpsichord. Pleyel continues to manufacture pianos today, under the corporate auspices of the Manufacture Française de Pianos company.

Pronunciation

"Pleyel" is pronounced in German as, approximately, "plile". In French it is (again roughly) "play-yell". English speakers generally follow the French pronunciation.

Book

External links

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composer is a person who writes music. The term refers particularly to someone who writes music in some type of musical notation, thus allowing others to perform the music. This distinguishes the composer from a musician who improvises or plays a musical instrument.
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The Classical period in Western music occurred from about 1750 to 1820, despite considerable overlap at both ends with preceding and following periods, as is true for all musical eras.
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Johann Baptist Vanhal (Jan Křtitel Vaňhal) also spelled Wanhal or Wanhall (May 12,1739 - August 20, 1813) was an important classical music composer.
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Franz Joseph Haydn[1][2] (March 31 1732 – May 31 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
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Ludwig van Beethoven (English IPA: /ˈlʊdvɪg væn ˈbeɪtoʊvən/; German IPA:
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A puppet is a representational object manipulated by a puppeteer. It is usually but not always a depiction of a human character and is used in (a) play or a presentation. The puppet undergoes a process of transformation through being animated, and is normally manipulated by one, or
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Esterhazy may refer to:
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Kapellmeister (IPA: [kəpɛlˌmaɪstər]) is a German word designating a person in charge of music-making.
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string quartet is a musical ensemble of four string instruments—usually two violins, a viola and cello—or a piece written to be performed by such a group. The string quartet is one of the most prominent chamber ensembles in classical music.
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František Xaver Richter (December 1, 1709 – September 12, 1789) was a Czech composer, born at Holleschau in Moravia. He was one of the most important of the Mannheim symphonists. He joined the Mannheim Orchestra in 1747.
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The French Revolution (1789–1799) was a period of political and social upheaval in the political history of France and Europe as a whole, during which the French governmental structure, previously an absolute monarchy with feudal
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Johann Peter Salomon (baptized February 20, 1745, died November 28, 1815) was a German violinist, composer, conductor and musical impresario.

He was born in Bonn, and played the violin in the court orchestra there before becoming concert master of the orchestra of Prince
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The Reign of Terror (5 September 1793 – 28 July 1794) or simply The Terror (French: la Terreur) was a period of about 10 months during the French Revolution when struggles between rival factions led to mutual radicalization which took on a violent character
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Luigi Rodolfo Boccherini (February 19, 1743 – May 28, 1805) was a classical era composer and cellist from Italy, whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers.
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Ludwig van Beethoven (English IPA: /ˈlʊdvɪg væn ˈbeɪtoʊvən/; German IPA:
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Muzio Clementi (23 January 1752 – 10 March 1832) was a classical composer, and acknowledged as the first to write specifically for the piano. He is best known for his piano sonatas and his collection of piano studies, Gradus ad Parnassum.
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Jan Ladislav Dussek (more properly Jan Václav Dusík [1]) (February 12 1760 in Čáslav March 20 1812 in St.-Germain-en-Laye) was a Czech composer and pianist.
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misleading. Please see the discussion on the talk page.


The era of Romantic music is defined as the period of European classical music that runs roughly from 1820 to 1900, as well as music written according to the norms and styles of that period.
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Père-Lachaise Cemetery (French: Cimetière du Père-Lachaise) (officially, cimetière de l'Est “eastern cemetery”) is the largest cemetery in the city of Paris, France at 118 acres[1]
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