Information about Hop Frog

"Hop-Frog"

Author	Edgar Allan Poe
Original title	"Hop-Frog; Or, the Eight Chained Ourangoutangs"
Country	United States
Language	English
Genre(s)	Horror short story
Publisher	Flag of Our Union
Media type	Print (newspaper)
Publication date	March 1849

"Hop-Frog" (originally "Hop-Frog; Or, the Eight Chained Ourangoutangs") is a short story by American writer Edgar Allan Poe, first published in 1849. The title character is a dwarf taken from his homeland who becomes the jester of a king particularly fond of practical jokes. Taking revenge on the king and his cabinet for striking his friend and fellow dwarf Trippetta, he dresses them as orangutans for a masquerade. In front of the king's guests, Hop-Frog murders them all by setting their costumes on fire before escaping with Trippetta. It has been suggested that Poe wrote the story as a form of literary revenge against a woman named Elizabeth F. Ellet and several others.

Plot summary

The court jester Hop-Frog, "being also a dwarf and a cripple", is the much-abused "fool" of the unnamed king. This king has an insatiable sense of humor; "he seemed to live only for joking." Both Hop-Frog and his best friend, the dancer Trippetta (also small but beautiful and well proportioned), have been stolen from their homeland and are essentially slaves.

Hop-Frog has severe reactions to alcohol and, though the king knows this, he forces Hop-Frog to consume several goblets full. Trippetta begs him to stop and, in front of seven members of his cabinet council, he strikes her and throws another goblet of wine into her face. The powerful men laugh at the expense of their two servants and ask Hop-Frog (who has very suddenly sobered up) for advice on an upcoming masquerade. He suggests some very realistic costumes for the men of orangutans chained together. The men love the idea of scaring their guests and agree to wear tight-fitting shirts and pants, which are then saturated with tar and covered with flax. In full costume, the men are then chained together and led into the "grand saloon" of masqueraders just after midnight.

As predicted, the guests are shocked and many believe the men to be real "beasts of some kind in reality, if not precisely ourang-outangs." Many rush for the doors to escape but Hop-Frog has insisted the doors be locked and the keys given to him. Amidst the chaos, Hop-Frog attaches a chain from the ceiling to the chain linked around the men in costume. The chain then pulls them up via pulley (presumably by Tripetta, who had arranged the room so) far above the crowd. Hop-Frog puts on a spectacle so that the guests presume "the whole matter as a well-contrived pleasantry." He claims he can identify the culprits by looking at them up close. He climbs up to their level, and holds a torch close to the men's faces. They quickly catch fire: "In less than half a minute the whole eight ourang-outangs were blazing fiercely, amid the shrieks of the multitude who gazed at them from below, horror-stricken, and without the power to render them the slightest assistance." Finally, before escaping through a sky-light with Trippetta to their home country, Hop-Frog identifies the men in costume:

Analysis

The story can be categorized as one of Poe's revenge tales, along with "The Cask of Amontillado." Just as in that story, the murderer seems to get away without punishment for his deeds. Ironically, the victim in "The Cask of Amontillado" wears motley whereas in "Hop-Frog," the murderer is wearing it.

Also, just as "The Cask of Amontillado" was Poe's attempt at literary revenge on a personal enemy, "Hop-Frog" may have had similar motivations. As Poe had been pursuing relationships with Sarah Helen Whitman and Nancy Richmond (either romantic or platonic is uncertain), members of the New York City literary circle spread gossip and incited scandal about alleged improprieties. At the center of it was a woman named Elizabeth F. Ellet, whose affections Poe had previously scorned. Ellet may be represented by the king himself, his seven councilors representing Margaret Fuller, Hiram Fuller (no relation), Thomas Dunn English, Anne Lynch Botta, Anna Blackwell, Ermina Jane Locke and her husband.^[1]

The tale, written toward the end of Poe's life, was somewhat autobiographical in other ways. The jester Hop-Frog, like Poe, was "kidnapped from home and presented to the king" (his wealthy foster father John Allan), "bearing a name not given in baptism but 'conferred upon him'... and susceptible to wine... when insulted and forced to drink becomes insane with rage" ^[2].

The story may also have been inspired by a historical event: the Bal des Ardents of 1393, a ball at which Charles VI of France and five other lords made up as chained wild men in pitch and cloth were accidentally set alight by a torch carried by the King's brother. Four of the men died in the fire; Charles was saved.

"The Murders in the Rue Morgue" also concerns an orangutan, although in that story the ape is real.

Publication history

The tale first appeared in the March 17, 1849 edition of Flag of Our Union, a Boston-based newspaper. It originally carried the full title Hop Frog; Or, The Eight Chained Ourangoutangs.

Adaptations

• The earliest film adaptation of "Hop-Frog" was in 1910 by French director Henry Desfontaines.
• A 1926 symphony by Eugene Cools was inspired by and named after Hop-Frog.
• A plot similar to Hop-Frog was used as a side plot in Roger Corman's The Masque of the Red Death (1964) starring Vincent Price as "Prince Prospero". Hop-Frog (called Hop-Toad in the film) is played by a little person, but his wife Tripetta is played by a child overdubbed with an older woman's voice.
• In 1992, Julie Taymor directed a short film entitled Fool's Fire adapted from "Hop-Frog." Michael J. Anderson of Twin Peaks fame starred as "Hop-Frog" and Mireille Mosse as "Tripetta", with Tom Hewitt as "The King". The film aired on PBS's "American Playhouse" and depicts all characters being dressed in masks and costumes (designed by Taymor) while only the faces of Hop-Frog and Tripetta revealed. Poe's poems "The Bells" and "A Dream Within A Dream" are also used as part of the story.
• A reading of the story was performed by Winifred Phillips, with music composed by her, as part of the NPR "Tales by American Masters" series in 1998 and released on DH Audio.
• The story is featured as part of Lou Reed's 2003 double album The Raven. One of the tracks is a song called "Hop-Frog" sung by David Bowie.

References

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Poems
Poetry (1824) • O, Tempora! O, Mores! (1825) • Song (1827) • Imitation (1827) • Spirits of the Dead (1827) • A Dream (1827) • Stanzas" (1827) (1827) • Tamerlane (1827) • The Lake (1827) • Evening Star (1827) • A Dream (1827) • To Margaret (1827) • The Happiest Day (1827) • To The River —— (1828) • Romance (1829) • Fairy-Land (1829) • To Science (1829) • To Isaac Lea (1829) • Al Aaraaf (1829) • An Acrostic (1829) • Elizabeth (1829) • To Helen (1831) • A Paean (1831) • The Sleeper (1831) • The City in the Sea (1831) • The Valley of Unrest (1831) • Israfel (1831) • The Coliseum (1833) • Enigma (1833) • Fanny (1833) • Serenade (1833) • Song of Triumph from Epimanes (1833) • Latin Hymn (1833) • To One in Paradise (1833) • Hymn (1835) • Politician (1835) • May Queen Ode (1836) • Spiritual Song (1836) • Bridal Ballad (1837) • To Zante (1837) • The Haunted Palace (1839) • Silence, a Sonnet (1839) • Lines on Joe Locke (1843) • The Conqueror Worm (1843) • Lenore (1843) • Eulalie (1843) • A Campaign Song (1844) • Dream-Land (1844) • Impromptu. To Kate Carol (1845) • To Frances (1845) • The Divine Right of Kings (1845) • Epigram for Wall Street (1845) • The Raven (1845) • A Valentine (1846) • Beloved Physician (1847) • An Enigma (1847) • Deep in Earth (1847) • Ulalume (1847) • Lines on Ale (1848) • To Marie Louise (1848) • Evangeline (1848) • A Dream Within A Dream (1849) • Eldorado (1849) • For Annie (1849) • The Bells (1849) • Annabel Lee (1849) • Alone (1875)
Metzengerstein (1832) • The Duc De L'Omelette (1832) • A Tale of Jerusalem (1832) • Loss of Breath (1832) • Bon-Bon (1832) • MS. Found in a Bottle (1833) • The Assignation (1834) • Berenice (1835) • Morella (1835) • Lionizing (1835) • The Unparalleled Adventure of One Hans Pfaall (1835) • King Pest (1835) • Shadow - A Parable (1835) • Four Beasts in One - The Homo-Cameleopard (1836) • Mystification (1837) • Silence - A Fable (1837) • Ligeia (1838) • How to Write a Blackwood Article (1838) • A Predicament (1838) • The Devil in the Belfry (1839) • The Man That Was Used Up (1839) • The Fall of the House of Usher (1839) • William Wilson (1839) • The Conversation of Eiros and Charmion (1839) • Why the Little Frenchman Wears His Hand in a Sling (1840) • The Business Man (1840) • The Man of the Crowd (1840) • The Murders in the Rue Morgue (1841) • A Descent into the Maelstrm (1841) • The Island of the Fay (1841) • The Colloquy of Monos and Una (1841) • Never Bet the Devil Your Head (1841) • Eleonora (1841) • Three Sundays in a Week (1841) • The Oval Portrait (1842) • The Masque of the Red Death (1842) • The Landscape Garden (1842) • The Mystery of Marie Roget (1842) • The Pit and the Pendulum (1842) • The Tell-Tale Heart (1843) • The Gold-Bug (1843) • The Black Cat (1843) • Diddling (1843) • The Spectacles (1844) • A Tale of the Ragged Mountains (1844) • The Premature Burial (1844) • Mesmeric Revelation (1844) • The Oblong Box (1844) • The Angel of the Odd (1844) • Thou Art the Man (1844) • The Literary Life of Thingum Bob, Esq. (1844) • The Purloined Letter (1844) • The Thousand-and-Second Tale of Scheherazade (1845) • Some Words with a Mummy (1845) • The Power of Words (1845) • The Imp of the Perverse (1845) • The System of Doctor Tarr and Professor Fether (1845) • The Facts in the Case of M. Valdemar (1845) • The Sphinx (1846) • The Cask of Amontillado (1846) • The Domain of Arnheim (1847) • Mellonta Tauta (1849) • Hop-Frog (1849) • Von Kempelen and His Discovery (1849) • X-ing a Paragrab (1849) • Landor's Cottage (1849)
Other works
Essays: Maelzel's Chess Player (1836) • The Daguerreotype (1840) • The Philosophy of Furniture (1840) • A Few Words on Secret Writing (1841) • The Rationale of Verse (1843) • Morning on the Wissahiccon (1844) • Old English Poetry (1845) • The Philosophy of Composition (1846) • The Poetic Principle (1846) • Eureka (1848) Hoaxes: • The Balloon-Hoax (1844) Novels: The Narrative of Arthur Gordon Pym of Nantucket (1837) • The Journal of Julius Rodman (1840) Plays: Scenes From 'Politian' (1835) Other: The Conchologist's First Book (1839) • The Light-House (1849)