Information about Gustave Flaubert

Gustave Flaubert

Gustave Flaubert
Born:	12 November 1821(1821--) Rouen, France
Died:	8 May 1880 Rouen, France
Occupation:	Novelist, playwright
Nationality:	France
Genres:	Fictional prose
Literary movement:	Realism
Influenced:	George Orwell, Jean Paul Sartre

Gustave Flaubert (December 12, 1821 – May 8, 1880) [gystav flobɛʁ]) was a French writer who is counted among the greatest Western novelists. He is known especially for his first published novel, Madame Bovary (1857), and for his scrupulous devotion to his art and style, best exemplified by his endless search for "le mot juste" ("the precise word").

Life

Early life and education

Flaubert was born in December 12, 1821, in Rouen, Seine-Maritime, in the Haute-Normandie Region of France. He was the second child of Achille-Cléophas Flaubert (1784-1846), a surgeon, and Anne Justine (née Fleuriot). He began writing at an early age, as early as eight according to some sources. He was educated in his native city and did not leave it until 1840, when he went to Paris to study law.

In Paris, he was a lackluster student and found the city distasteful. He made a few acquaintances, including Victor Hugo. Towards the close of 1840, he travelled in the Pyrenees and Corsica. In 1846, after an attack of epilepsy, he left Paris and abandoned the study of law.

Personal life

After leaving Paris, Flaubert returned to Croisset, close to Rouen, and lived with his mother. Their home near the Seine became Flaubert's home for the rest of his life. Flaubert never married. From 1846 to 1854, he had an affair with the poet Louise Colet (his letters to her survive). According to his biographer Émile Faguet, his affair with Louise Colet was his only serious romantic relationship. He sometimes visited prostitutes.

With his life-long friend Maxime du Camp, he traveled in Brittany in 1846, and to Greece and Egypt in 1849. After 1850, Flaubert lived in Croisset with occasional visits to Paris and England, where he had a mistress. He visited Carthage in 1858 to conduct research for his novel Salammbô.

Flaubert was a tireless worker and often complained in his letters to friends about the strenuous nature of his work. He was close to his niece, Caroline Commanville, and had a close friendship and correspondence with George Sand. He occasionally visited Parisian acquaintances, including Émile Zola, Alphonse Daudet, Ivan Turgenev, and Edmond and Jules de Goncourt.

The 1870s, however, were difficult. Prussian soldiers occupied his house during the War of 1870, and in 1872, his mother died. After her death, he fell into financial straits. Flaubert suffered from veneral disease most of his life. His health declined and he died at Croisset of a stroke in 1880 at age 58. He was buried in the family vault in the cemetery of Rouen. A monument to him by Henri Chapu was unveiled at the museum of Rouen in 1890.

Writing career

In September 1849, Flaubert completed the first version of a novel, The Temptation of Saint Anthony. He read the novel aloud to Louis Bouilhet and Maxime du Camp over the course of four days, not allowing them to interrupt or give any opinions. At the end of the reading, his friends told him to throw the manuscript in the fire, suggesting instead that he focus on the day to day life of normal (banal) people rather than on fantastic subjects.

In 1850, after returning from Egypt, Flaubert began work on Madame Bovary. The novel, which took five years to write, was serialized in the Revue de Paris in 1856. The government brought an action against the publisher and against the author on the charge of immorality, but both were acquitted. When Madame Bovary appeared in book form, it met with a warm reception.

In 1858, Flaubert traveled to Carthage to gather material for his next novel, Salammbô. The novel was completed in 1862 after four years of work.

Drawing on his childhood experiences, Flaubert next wrote L'Éducation sentimentale (Sentimental Education), an effort that took seven years. L'Éducation sentimentale, his last complete novel, was published in 1869.

He wrote an unsuccessful drama, Le Candidat, and published a reworked version of La Tentation de Saint-Antoine, portions of which had been published as early as 1857. He devoted much of his time to an ongoing project, Les Deux Cloportes (The Two Woodlice), which later became Bouvard et Pécuchet, breaking from the obsessive project only to write the Three Tales in 1877. This book comprised three stories: Un Cœur simple (A Simple Heart), La Légende de Saint-Julien l'Hospitalier (The Legend of St. Julian Hospitator), and Hérodias (Herodias). After the publication of the stories, he spent the remainder of his life toiling on the unfinished Bouvard et Pécuchet, which was posthumously printed in 1881. It was a grand satire on the futility of human knowledge and the ubiquity of mediocrity. He believed the work to be his masterpiece, though the posthumous version received lukewarm reviews. Flaubert was a prolific letter writer, and his letters have been collected in several publications.

Character

In his youth, Flaubert was vigorous, had a certain shy grace, was intensely individual, and apparently lacked ambition.

The personal character of Flaubert offered various peculiarities. He was shy, and yet extremely sensitive and arrogant; he passed from silence to an indignant and noisy flow of language. The same inconsistencies marked his physical nature; he had the build of a guardsman with a Viking head, but his health was uncertain from childhood, and he was neurotic to the last degree. This ruddy giant was secretly gnawed by misanthropy and disgust of life. His hatred of the bourgeois and their bêtise (willful idiocy) began in his childhood and developed into a kind of monomania. He despised his fellow-men, their habits, their lack of intelligence, their contempt for beauty, with a passionate scorn which has been compared to that of an ascetic monk.

Work and legacy

Flaubert's curious modes of composition favored and were emphasized by these peculiarities. He worked in sullen solitude, sometimes occupying a week in the completion of one page, never satisfied with what he had composed, violently tormenting his brain for the best turn of a phrase, the final adjective. His incessant labors were rewarded. His private letters show that he was not one of those to whom easy and correct language came naturally; he gained his extraordinary perfection with the unceasing sweat of his brow. Many critics consider Flaubert's best works to be models of style.

That he was one of the greatest writers who ever lived in France is now commonly admitted, and his greatness principally depends upon the extraordinary vigour and exactitude of his style. Less perhaps than any other writer, not of France, but of modern Europe, Flaubert yields admission to the inexact, the abstract, the vaguely inapt expression which is the bane of ordinary methods of composition. He never allowed a cliché to pass him, never indulgently or wearily went on, leaving behind him a phrase which almost expressed his meaning. As a writer, Flaubert was nearly equal parts romantic, realist, and pure stylist. Hence, members of various schools--especially realists and formalists--have traced their origins to his work. The exactitude with which he adapts his expressions to his purpose can be seen in all parts of his work, especially in the portraits he draws of the figures in his principal romances. The degree to which Flaubert's fame has extended since his death presents an interesting chapter of literary history in itself.

The publication of Madame Bovary in 1857 was followed by more scandal than admiration; it was not understood at first that this novel was the beginning of something new: the scrupulously truthful portraiture of life. Gradually, this aspect of his genius was accepted, and it began to crowd out all others. At the time of his death he was famous as a realist, pure and simple. Under this aspect Flaubert exercised an extraordinary influence over Edmond de Goncourt, Alphonse Daudet and Zola. But even after the decline of the realistic school, Flaubert did not lose prestige; other facets of his genius caught the light. It has been perceived that he was not merely realistic, but real; that his clairvoyance was almost boundless; that he saw certain phenomena more clearly than the best of observers had done. Flaubert is a writer who tends to appeal to other writers more than to the world at large because of his deep commitment to aesthetic principles, his devotion to style, and his indefatigable pursuit of the perfect expression.

He can be said to have made cynicism into an art-form, as evinced by this observation from 1846:

To be stupid, and selfish, and to have good health are the three requirements for happiness; though if stupidity is lacking, the others are useless.

His Œuvres Complètes (8 vols., 1885) were printed from the original manuscripts, and included, besides the works mentioned already, the two plays, Le Candidat and Le Château des cœurs. Another edition (10 vols.) appeared in 1873–1885. Flaubert's correspondence with George Sand was published in 1884 with an introduction by Guy de Maupassant.

He has been admired or written about by almost every major literary personality of the 20th century, including philosophers and sociologists such as Pierre Bourdieu and Jean Paul Sartre whose partially psychoanalytic portrait of Flaubert in The Family Idiot was published in 1971. Georges Perec named Sentimental Education as one of his favorite novels. The Peruvian novelist Mario Vargas Llosa is another great admirer of Flaubert. Apart from Perpetual Orgy, which is solely devoted to Flaubert's art, one can find lucid discussions in Vargas Llosa's recently published Letters to a Young Novelist.

Bibliography

Major works

French literature
French literary history
Medieval 16th century - 17th century 19th century -19th century 20th century - Contemporary
French Writers
Chronological list - -
This box:  •  • [ edit]

• Madame Bovary (1857)
• Salammbô (1862)
• L'Éducation sentimentale (1869) (tr. Sentimental Education)
• La Tentation de Saint Antoine (1874) (tr. The Temptation of Saint Anthony)
• Trois contes (1877) (tr. Three Tales)
• Bouvard et Pécuchet (1881, posthumously published)
• Dictionnaire des idées reçues (1911, posthumously published, tr. Dictionary of Received Ideas)
• November (written, 1842)

Correspondence (in English)

• Selections:
• Selected Letters (ed. Francis Steegmuller, 1953, 2001)
• Selected Letters (ed. Geoffrey Wall, 1997)
• Flaubert in Egypt: A Sensibility on Tour (1972)
• Flaubert and Turgenev, a Friendship in Letters: The Complete Correspondence (ed. Barbara Beaumont, 1985)
• Correspondence with George Sand:
• The George Sand-Gustave Flaubert Letters, translated by Aimée G. Leffingwel McKenzie (A.L. McKensie), introduced by Stuart Sherman (1921), available at the Gutenberg website as E-text N° 5115
• Flaubert-Sand: The Correspondence (1993)

Biographical and other related publications

• Brown, Frederick, Flaubert: A Biography, Little, Brown; 2006. ISBN 0-316-11878-8
• Hennequin, Émile, Quelques écrivains français Flaubert, Zola, Hugo, Goncourt, Huysmans, etc., available at the Gutenberg website as E-text N° 12289
• Barnes, Julian, Flaubert's Parrot, ISBN 0-330-28976-4
• Steegmuller, Francis, Flaubert and Madame Bovary: A Double Portrait, Viking Press; 1939.
• Tooke, Adrianne, Flaubert and the Pictorial Arts: From Image to Text, Oxford University Press;

2000. ISBN 0-19-815918-8

• Wall, Geoffrey, Flaubert: A Life, Faber and Faber; 2001. ISBN 0-571-21239-5
• Various authors, The Public vs. M. Gustave Flaubert, available at the Gutenberg website as E-text N° 10666.
• Sartre, Jean-Paul. The Family Idiot: Gustave Flaubert, 1821-1857, Volumes 1-5. University Of Chicago Press, 1987.

External links

Online Texts

• French Audiobook (mp3): La femme du monde (taken from Flaubert's early works)
• Works by Gustave Flaubert at Project Gutenberg
• Flaubert's works: text, concordances and frequency list

More links

• Overview
• site of the Centre Flaubert at Rouen
• Multilingual research links
• Flaubert entry at the Johns Hopkins Guide to Literary Theory and Criticism site
• Bibliomania page
• Long page about Flaubert
• A comprehensive site in French
• Flaubert 'Bookweb' on literary website The Ledge, with suggestions for further reading.