Information about Content Type
For the Internet Standard (Multipurpose Internet Mail Extensions), see .
Mime or pantomime is a theatrical medium or performance art, involving the acting out of a story by a mime artist through body motions, without use of speech.
History
The performance of pantomime originates at its earliest in ancient Greece; the name is taken from a single masked dancer called Pantomimus, although performances were not necessarily silent. In Medieval Europe, early forms of mime such as mummer plays and later dumbshows evolved. In early nineteenth century Paris, Jean-Gaspard Deburau solidified the many attributes that we have come to know in modern times — the silent figure in whiteface.Marcel Marceau was perhaps the most well-known modern mime.
In film
Prior to the work of Etienne Decroux there was no major treatise on the art of mime, and so any recreation of mime as performed prior to the twentieth century is largely conjecture, based on interpretation of diverse sources. However, the twentieth century also brought a new medium into widespread usage: the motion picture.The restrictions of early motion picture technology meant that stories had to be told with minimal dialogue which was largely restricted to intertitles. This often demanded a highly stylized form of physical acting largely derived from the stage. Thus, mime played an important role in films prior to advent of talkies. The mimetic style of film acting was used to great effect in German Expressionism film.
Silent film comedians like Charles Chaplin, Harold Lloyd and Buster Keaton learned the craft of mime in the theatre but through film had a profound influence on mimes who work in live theatre even decades after their death. Indeed, Chaplin may be the best documented mime in history.
The famous French comedian, writer and director Jacques Tati achieved his initial popularity working as a mime, and indeed his later films had only minimal dialogue, relying instead on many subtle expertly choreographed visual gags. Tati, like Chaplin before him, would mime out the movements of every single character in his films and ask his actors to repeat them.
In non-Western theatre traditions
While most of this article has treated mime as a constellation of related and historically linked Western theatre genres and performance techniques, analogous performances are evident in the theatrical traditions of other civilizations.Classical Indian musical theatre, although often erroneously labeled a "dance," is a group of theatrical forms in which the performer presents a narrative via stylized gesture, an array of hand positions, and mime illusions to play different characters, actions, and landscapes. Recitation, music, and even percussive footwork sometimes accompany the performance. The Natya Shastra, an ancient treatise on theatre by Bharata Muni, mentions silent performance, or mukhabinaya.
See also
- Mummers Play
- Dumbshow
- Floating (dance)
- Liquid dancing
- Popping (dance)
- Physical theatre
- Corporeal mime
External links
- Classic Mime Artist Characters
- Physical Theatre Live Journal A community containing information of Physical Theatre [and everything similar and connecting to it], Physical Theatre performers, companies, books, schools, reviews, tour information, discussions.
- International corporeal mime school in Barcelona
- Information on Etienne Decroux's Corporeal mime
- The World of Mime Theatre International mime theatre information, including a library, resources, performer contacts, and events calendar.
- The School for Mime Theatre A school for mime located in Gambier, Ohio.
- Suman Mukherjee India's youngest mime legend.
For mime as an art form, see .
Multipurpose Internet Mail Extensions (MIME) is an Internet Standard that extends the format of e-mail to support:
- text in character sets other than US-ASCII;
- non-text attachments;
- multi-part message bodies; and
- header information in non-ASCII character sets.
The content types defined by MIME standards are also of importance outside of e-mail, such as in communication protocols like HTTP for the World Wide Web. HTTP requires that data be transmitted in the context of e-mail-like messages, even though the data may not actually be e-mail.
MIME is specified in six RFCs : RFC 2045, RFC 2046, RFC 2047, RFC 4288, RFC 4289 and RFC 2077.
Introduction
The basic Internet e-mail transmission protocol, SMTP, supports only 7-bit ASCII characters (see also 8BITMIME). This effectively limits Internet e-mail to messages which, when transmitted, include only the characters sufficient for writing a small number of languages, primarily English. Other languages based on the Latin alphabet typically include diacritics not supported in 7-bit ASCII, meaning text in these languages cannot be correctly represented in basic e-mail.MIME defines mechanisms for sending other kinds of information in e-mail, including text in languages other than English using character encodings other than ASCII as well as 8-bit binary content such as files containing images, sounds, movies, and computer programs. MIME is also a fundamental component of communication protocols such as HTTP, which requires that data be transmitted in the context of e-mail-like messages, even though the data might not fit this context. Mapping messages into and out of MIME format is typically done automatically by an e-mail client or by mail servers when sending or receiving Internet (SMTP/MIME) e-mail.
The basic format of Internet e-mail is defined in RFC 2822, which is an updated version of RFC 822. These standards specify the familiar formats for text e-mail headers and body and rules pertaining to commonly used header fields such as "To:", "Subject:", "From:", and "Date:". MIME defines a collection of e-mail headers for specifying additional attributes of a message including content type, and defines a set of transfer encodings which can be used to represent 8-bit binary data using characters from the 7-bit ASCII character set. MIME also specifies rules for encoding non-ASCII characters in e-mail message headers, such as "Subject:", allowing these header fields to contain non-English characters.
MIME is extensible. Its definition includes a method to register new content types and other MIME attribute values.
The goals of the MIME definition included requiring no changes to pre-existing e-mail servers, and allowing plain text e-mail to function in both directions with pre-existing clients. These goals are achieved by using additional RFC 822-style headers for all MIME message attributes and by making the MIME headers optional with default values ensuring a non-MIME message is interpreted correctly by a MIME-capable client. In addition, a simple MIME text message is likely to be interpreted correctly by a non-MIME client although it has e-mail headers the non-MIME client won't know how to interpret. Similarly, if the quoted printable transfer encoding (see below) is used, the ASCII part of the message will be intelligible to users with non-MIME clients.
MIME headers
MIME-Version
The presence of this header indicates the message is MIME-formatted. The value is typically "1.0" so this header appears as MIME-Version: 1.0It should be noted that implementers have attempted to change the version number in the past and the change had unforeseen results. It was decided at an IETF meeting to leave the version number as is, even though there have been many updates and versions of MIME.
Content-Type
This header indicates the Internet media type of the message content, consisting of a type and subtype, for example Content-Type: text/plainThrough the use of the multipart type, MIME allows messages to have parts arranged in a tree structure where the leaf nodes are any non-multipart content type and the non-leaf nodes are any of a variety of multipart types. This mechanism supports:
- simple text messages using text/plain (the default value for "Content-type:")
- text plus attachments (multipart/mixed with a text/plain part and other non-text parts). A MIME message including an attached file generally indicates the file's original name with the "Content-disposition:" header, so the type of file is indicated both by the MIME content-type and the (usually OS-specific) filename extension
- reply with original attached (multipart/mixed with a text/plain part and the original message as a message/rfc822 part)
- alternative content, such as a message sent in both plain text and another format such as HTML (multipart/alternative with the same content in text/plain and text/html forms)
- many other message constructs
Content-Transfer-Encoding
In June 1992, MIME (RFC 1341, since obsoleted by RFC 2045) defined a set of methods for representing binary data in ASCII text format. The content-transfer-encoding: MIME header indicates the method that has been used. The RFC and the IANA's list of transfer encodings define the following values, which are not case sensitive:- Suitable for use with normal SMTP:
- 7bit — up to 998 octets per line of the code range 1..127 with CR and LF (codes 13 and 10 respectively) only allowed to appear as part of a CRLF line ending. This is the default value.
- quoted-printable — used to encode arbitrary octet sequences into a form that satisfies the rules of 7bit. Designed to be efficient and mostly human readable when used for text data consisting primarily of US-ASCII characters but also containing a small proportion of bytes with values outside that range.
- base64 — used to encode arbitrary octet sequences into a form that satisfies the rules of 7bit. Has a fixed overhead and is intended for non text data and text that is not ASCII heavy.
- Suitable for use with SMTP servers that support the 8BITMIME SMTP extension:
- 8bit — up to 998 octets per line with CR and LF (codes 13 and 10 respectively) only allowed to appear as part of a CRLF line ending.
- Suitable only for use with SMTP servers that support the BINARYMIME SMTP extension (RFC 3030):
- binary — any sequence of octets.
Encoded-Word
Since RFC 2822, message header names and values are always ASCII characters; values that contain non-ASCII data must use the MIME encoded-word syntax (RFC 2047) instead of a literal string. This syntax uses a string of ASCII characters indicating both the original character encoding (the "charset") and the content-transfer-encoding used to map the bytes of the charset into ASCII characters.The form is: "
=?charset?encoding?encoded text?=".
- charset may be any character set registered with IANA. Typically it would be the same charset as the message body.
- encoding can be either "
Q" denoting Q-encoding that is similar to the quoted-printable encoding, or "B" denoting base64 encoding. - encoded text is the Q-encoded or base64-encoded text.
The ASCII codes for the question mark (?) and equals sign may not be represented directly as they are used to delimit the encoded-word. The ASCII code for space may not be represented directly because it could cause older parsers to split up the encoded word undesirably. To make the encoding smaller and easier to read the underscore is used to represent the ASCII code for space creating the side effect that underscore cannot be represented directly. Use of encoded words in certain parts of headers imposes further restrictions on which characters may be represented directly.
For example,
Subject: =?utf-8?Q?=C2=A1Hola,_se=C3=B1or!?=
is interpreted as "Subject: ¡Hola, señor!".
The encoded-word format is not used for the names of the headers (for example
Subject). These header names are always in English in the raw message. When viewing a message with a non-English e-mail client, the header names are usually translated by the client.
Multipart Messages
A MIME multipart message contains a boundary in the "Content-type:" header; this boundary, which must not occur in any of the parts, is placed between the parts, and at the beginning and end of the body of the message, as follows:-
MIME-version: 1.0
Content-type: multipart/mixed; boundary="frontier"
This is a multi-part message in MIME format. --frontier Content-type: text/plain
This is the body of the message. --frontier Content-type: application/octet-stream Content-transfer-encoding: base64
PGh0bWw+CiAgPGhlYWQ+CiAgPC9oZWFkPgogIDxib2R5PgogICAgPHA+VGhpcyBpcyB0aGUg Ym9keSBvZiB0aGUgbWVzc2FnZS48L3A+CiAgPC9ib2R5Pgo8L2h0bWw+Cg== --frontier--
Each part consists of its own content header (zero or more Content- header fields) and a body. Multipart content can be nested. The content-transfer-encoding of a multipart type must always be "7bit", "8bit" or "binary" to avoid the complications that would be posed by multiple levels of decoding. The multipart block as a whole does not have a charset; non-ASCII characters in the part headers are handled by the Encoded-Word system, and the part bodies can have charsets specified if appropriate for their content-type.
Notes:
- Before the first boundary is an area that is ignored by MIME compliant clients. This area is generally used to put a message to users of old non-MIME clients.
- It is up to the sending mail client to choose a boundary string that doesn't clash with the body text. Typically this is done by inserting a large random string.
Multipart Subtypes
The MIME standard defines various multipart-message subtypes, which specify the nature of the message parts and their relationship to one another. The subtype is specified in the "Content-Type" header of the overall message. For example, a multipart MIME message using the digest subtype would have its Content-Type set as "multipart/digest".The RFC initially defined 4 subtypes: mixed, digest, alternate and parallel. A minimally compliant application must support mixed and digest; other subtypes are optional. Additional subtypes, such as signed and form-data, have since been separately defined in other RFCs.
The following is a list of the most commonly used subtypes; it is not intended to be a comprehensive list.
Mixed
Multipart/mixed is used for sending files with different "Content-Type" headers inline (or as attachments). If sending pictures or other easily readable files, most mail clients will display them inline (unless otherwise specified with the "Content-disposition" header). Otherwise it will offer them as attachments. The default content-type for each part is "text/plain".Defined in RFC 2046, Section 5.1.3
Digest
Multipart/digest is a simple way to send multiple text messages. The default content-type for each part is "message/rfc822".Defined in RFC 2231, Section 5.1.5...
Alternative
The multipart/alternative subtype indicates that each part is an "alternative" version of the same (or similar) content, each in a different format denoted by its "Content-Type" header. The formats are ordered by how faithful they are to the original, with the least faithful first and the most faithful last. Systems can then choose the "best" representation they are capable of processing; in general, this will be the last part that the system can understand, although other factors may affect this.Since a client is unlikely to want to send a version that is less faithful than the plain text version this structure places the plain text version (if present) first. This makes life easier for users of clients that do not understand multipart messages.
Most commonly multipart/alternative is used for email with two parts, one plain text (text/plain) and one HTML (text/html). The plain text part provides backwards compatibility while the HTML part allows use of formatting and hyperlinks. Most email clients offer a user option to prefer plain text over HTML; this is an example of how local factors may affect how an application chooses which "best" part of the message to display.
While it is intended that each part of the message represent the same content, it is not enforced in any way. At one time, anti-spam filters would only examine the text/plain part of a message, because it is easier to parse than the text/html part. But spammers eventually took advantage of this, creating messages with an innocuous-looking text/plain part and advertising in the text/html part. Anti-spam software eventually caught up on this trick, penalizing messages with very different text in a multipart/alternative message.
Defined in RFC 2046, Section 5.1.4
Related
A multipart/related is used to indicate that message parts should not be considered individually but rather as parts of an aggregate whole. The message consists of a root part (by default, the first) which reference other parts inline, which may in turn reference other parts. Message parts are commonly referenced by the "Content-ID" part header. The syntax of a reference is unspecified and is instead dictated by the encoding or protocol used in the referring part.One common usage of this subtype is to send a web page complete with images in a single message. The root part would contain the HTML document, and use image tags to reference images stored in the latter parts.
Defined in RFC 2387
Report
Multipart/report is a message type that contains data formatted for a mail server to read. It is split between a text/plain (or some other content/type easily readable) and a message/delivery-status, which contains the data formatted for the mail server to read.Defined in RFC 3462
Signed
A multipart/signed message is used to attach a digital signature to a message. It has two parts, a body part and a signature part. The whole of the body part, including mime headers, is used to create the signature part. Many signature types are possible, like application/pgp-signature and application/x-pkcs7-signature.Defined in RFC 1847, Section 2.1
Encrypted
A multipart/encrypted message has two parts. The first part has control information that is needed to decrypt the application/octet-stream second part.Defined in RFC 1847, Section 2.2
Form Data
As its name implies, multipart/form-data is used to express values submitted through a form. Originally defined as part of HTML 4.0, it is most commonly used for submitting files via HTTP.Defined in RFC 2388
Mixed-Replace (Experimental)
The content type multipart/x-mixed-replace was developed as part of a technology to emulate server push and streaming over HTTP.All parts of a mixed-replace message have the same semantic meaning. However, each part invalidates - "replaces" - the previous parts as soon as it is received completely. Clients should process the individual parts as soon as they arrive and should not wait for the whole message to finish.
Originally developed by Netscape, it is still supported by Mozilla, Firefox, Safari (but not in Safari on the iPhone) and Opera, but traditionally ignored by Microsoft.
See also
- SOAP with Attachments
- DIME — a now superseded Microsoft-proposed protocol intended as a streamlined MIME, primarily for use in web services.
- S/MIME
- Mailcap
- Unicode and e-mail
- Internet media type
References
- RFC 1847
- Security Multiparts for MIME: Multipart/Signed and Multipart/Encrypted ; RFC 2045 : MIME Part One: Format of Internet Message Bodies. ; RFC 2046 : MIME Part Two: Media Types. N. Freed, Nathaniel Borenstein. November 1996. ; RFC 2047 : MIME Part Three: Message Header Extensions for Non-ASCII Text. Keith Moore. November 1996. ; RFC 4288 : MIME Part Four: Media Type Specifications and Registration Procedures. ; RFC 4289 : MIME Part Four: Registration Procedures. N. Freed, J. Klensin. December 2005. ; RFC 2049 : MIME Part Five: Conformance Criteria and Examples. N. Freed, N. Borenstein. November 1996. ; RFC 2231 : MIME Parameter Value and Encoded Word Extensions: Character Sets, Languages, and Continuations. N. Freed, K. Moore. November 1997. ; RFC 2387 : The MIME Multipart/Related Content-type ; RFC 1521 : Mechanisms for Specifying and Describing the Format of Internet Message Bodies
External links
- List of IANA registered MIME Media Types
- List of Character Sets
- A more detailed overview of MIME (1993)
- Properly Configuring Server MIME Types
- W3 School's Multimedia MIME Reference
- Open Source C++ Mime Email Parser
Performance art is art in which the actions of an individual or a group at a particular place and in a particular time constitute the work. It can happen anywhere, at any time, or for any length of time.
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A mime artist is someone who uses mime as a theatrical medium or as a performance art.
..... Click the link for more information.
Mimes in film
Silent film comedians like Charles Chaplin, Harold Lloyd and Buster Keaton learned the craft of mime in the theatre but through film had a profound influence on..... Click the link for more information.
Speech refers to a number of topics, usually dealing with interpersonal communication. Specifically, it may refer to:
..... Click the link for more information.
- Speech (public address), a speech given by an orator to an audience
- Public speaking, the process or study of speaking in public
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The term ancient Greece refers to the periods of Greek history in Classical Antiquity, lasting ca. 750 BC[1] (the archaic period) to 146 BC (the Roman conquest). It is generally considered to be the seminal culture which provided the foundation of Western Civilization.
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For the New Year's Day parade in Philadelphia, see .
Mummers' Plays (also known as mumming) are seasonal folk plays performed by troupes of actors known as mummers or guisers (or by local names such as rhymers, pace-eggers,
..... Click the link for more information.
Dumbshow, also dumb show or dumb-show, is a traditional term for pantomime in drama, actions presented by actors onstage without spoken dialogue. The term is most often used in regard to Medieval drama and English Renaissance theatre, though it can apply in other
..... Click the link for more information.
..... Click the link for more information.
Ville de Paris
City flag City coat of arms
Motto: Fluctuat nec mergitur
(Latin: "Tossed by the waves, she does not sink")
The Eiffel Tower in Paris, as seen from the esplanade du Trocadéro.
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City flag City coat of arms
Motto: Fluctuat nec mergitur
(Latin: "Tossed by the waves, she does not sink")
The Eiffel Tower in Paris, as seen from the esplanade du Trocadéro.
..... Click the link for more information.
Jean-Gaspard Deburau (also Debureau) (born Jan Kašpar Dvořák on July 31, 1796 - June 17, 1846) was a Bohemian-French actor and mime.
Born in Kolín, Bohemia (now Czech Republic), he adapted the conventions of Italian commedia dell'arte to Parisian tastes.
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Born in Kolín, Bohemia (now Czech Republic), he adapted the conventions of Italian commedia dell'arte to Parisian tastes.
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Marcel Marceau
Marcel Marceau, as Bip the clown, June 16, 1977
Birth name Marcel Mangel
Born March 22 1923
Strasbourg, France
Died September 22 2007 (aged 84)
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Marcel Marceau, as Bip the clown, June 16, 1977
Birth name Marcel Mangel
Born March 22 1923
Strasbourg, France
Died September 22 2007 (aged 84)
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Étienne Decroux (July 19, 1898 in Paris, France - March 12, 1991 in Billancourt, Somme, Picardie) studied at Jacques Copeau's Ecole du Vieux-Colombier, where he saw the beginnings of what was to become his life's obsession--Corporeal Mime.
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Mass media is a term used to denote a section of the media specifically envisioned and designed to reach a very large audience such as the population of a nation state. It was coined in the 1920s with the advent of nationwide radio networks, mass-circulation newspapers and
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Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
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intertitle (also known as a title card) is a piece of filmed, printed text edited into the midst of (i.e. inter-) the photographed action, at various points, generally to convey character dialogue, or descriptive narrative material related to, but not necessarily covered by,
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sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but it would be decades before reliable synchronization was made
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German Expressionism (also referred to as Expressionism in filmmaking) developed in Germany, especially Berlin, during the 1920s. The Expressionism movement started earlier in about 1905 with the Die Brücke (The Bridge) group, but arose in the filming industry afterward.
..... Click the link for more information.
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silent film is a motion picture with no synchronized recorded sound, especially spoken dialogue.
The idea of combining motion pictures with recorded sound is nearly as old as the motion picture itself, but because of the technical challenges involved, most films were silent
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The idea of combining motion pictures with recorded sound is nearly as old as the motion picture itself, but because of the technical challenges involved, most films were silent
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Sir Charles Chaplin
Birth name Charles Spencer Chaplin, Jr.
Born 16 March 1889
Walworth, London, England
Died 25 November 1977 (aged 88)
Vevey, Switzerland
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Birth name Charles Spencer Chaplin, Jr.
Born 16 March 1889
Walworth, London, England
Died 25 November 1977 (aged 88)
Vevey, Switzerland
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Harold Clayton Lloyd
Born March 20 1893
Burchard, Nebraska
Died March 8 1971 (aged 79)
Beverly Hills
Spouse(s) Mildred Davis
Awards
..... Click the link for more information.
Born March 20 1893
Burchard, Nebraska
Died March 8 1971 (aged 79)
Beverly Hills
Spouse(s) Mildred Davis
Awards
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Buster Keaton
Birth name Joseph Frank Keaton
Born September 4 1895
Piqua, Kansas, U.S.
Died January 1 1966 (aged 72)
Woodland Hills, California, U.S.
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Birth name Joseph Frank Keaton
Born September 4 1895
Piqua, Kansas, U.S.
Died January 1 1966 (aged 72)
Woodland Hills, California, U.S.
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Theatre (or theater, see spelling differences) (from French "théâtre", from Greek "theatron", θέατρον, meaning "place of seeing") is the branch of the performing arts defined as simply as what "occurs when one or more
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Jacques Tati (October 9 1907 – November 5 1982) was a noted French comedic filmmaker. He was born Jacques Tatischeff, the son of Russian father Georges-Emmanuel Tatischeff and Dutch mother Marcelle Claire Van Hoof, in Le Pecq, Yvelines, and died in Paris.
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Western world, the West or the Occident (Latin occidens -sunset, -west, as distinct from the Orient) [1] can have multiple meanings dependent on its context (e.g., the time period, or the social situation).
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This article is written like a personal reflection or and may require .
Please [ improve this article] by rewriting this article in an . (, talk)
Please [ improve this article] by rewriting this article in an . (, talk)
Classical Indian musical theatre is a sacred art of the Hindu temple culture.
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The Nātya Shastra (Nātyaśāstra नाट्य शास्त्र) of Bharata is the principal work of dramatic theory, encompassing dance and music, in classical India.
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Bharata was an ancient Indian musicologist who authored the Natya Shastra, a theoretical treatise on ancient Indian dramaturgy and histrionics, dated to between roughly 400 BC and 200 AD. Indian dance and music find their root in the Natyashastra.
..... Click the link for more information.
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For the New Year's Day parade in Philadelphia, see .
Mummers' Plays (also known as mumming) are seasonal folk plays performed by troupes of actors known as mummers or guisers (or by local names such as rhymers, pace-eggers,
..... Click the link for more information.
Dumbshow, also dumb show or dumb-show, is a traditional term for pantomime in drama, actions presented by actors onstage without spoken dialogue. The term is most often used in regard to Medieval drama and English Renaissance theatre, though it can apply in other
..... Click the link for more information.
..... Click the link for more information.
Popping
Integrated styles
See also
Floating, gliding
..... Click the link for more information.
Integrated styles
- Electric boogaloo
- Floating
- Liquid dancing
- Robot
- Strobing
- Tutting
- Waving
See also
- Funk styles
- Locking
- Street dance
Floating, gliding
..... Click the link for more information.
Popping
Integrated styles
See also
Liquid dancing (or
..... Click the link for more information.
Integrated styles
- Electric boogaloo
- Floating
- Liquid dancing
- Robot
- Strobing
- Tutting
- Waving
See also
- Funk styles
- Locking
- Street dance
Liquid dancing (or
..... Click the link for more information.
Popping
Integrated styles
See also
Popping
..... Click the link for more information.
Integrated styles
- Electric boogaloo
- Floating
- Liquid dancing
- Robot
- Strobing
- Tutting
- Waving
See also
- Funk styles
- Locking
- Street dance
Popping
..... Click the link for more information.
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