Information about Charites

Greek deities
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In Greek mythology, a Charis is one of several Charites (Χάριτες; Greek: "Graces"), goddesses of charm, beauty, nature, human creativity and fertility. They ordinarily numbered three, from youngest to oldest: Aglaea ("Beauty"), Euphrosyne ("Mirth"), and Thalia ("Good Cheer"). In Roman mythology they were known as the Gratiae, the "Three Graces."

The Charites were usually considered the daughters of Zeus and Eurynome, though they were also said to be daughters of Dionysus and Aphrodite or of Helios and the naiad Aegle. Homer wrote that they were part of the retinue of Aphrodite. The Charites were also associated with the underworld and the Eleusinian Mysteries.

The river Cephissus near Delphi was sacred to them.

Regional differences

Enlarge picture
"The Three Graces" by Antonio Canova
Although the Graces usually numbered three, according to the Spartans, Cleta, not Thalia, was the third, and other Graces are sometimes mentioned, including Auxo, Charis, Hegemone, Phaenna, and Pasithea.

Pausanias interrupts his Description of Greece (book 9.xxxv.1 - 7) to expand upon the various conceptions of the Graces that had developed in different parts of mainland Greece and Ionia:

"The Boeotians say that Eteocles was the first man to sacrifice to the Graces. Moreover, they are aware that he established three as the number of the Graces, but they have no tradition of the names he gave them. The Lacedaemonians, however, say that the Graces are two, and that they were instituted by Lacedaemon, son of Taygete, who gave them the names of Cleta and Phaenna. These are appropriate names for Graces, as are those given by the Athenians, who from of old have worshipped two Graces, Auxo and Hegemone... It was from Eteocles of Orchomenus that we learned the custom of praying to three Graces. And Angelion and Tectaus, sons of Dionysus, who made the image of Apollo for the Delians, set three Graces in his hand. Again, at Athens, before the entrance to the Acropolis, the Graces are three in number; by their side are celebrated mysteries which must not be divulged to the many. Pamphos was the first we know of to sing about the Graces, but his poetry contains no information either as to their number or about their names. Homer (he too refers to the Graces ) makes one the wife of Hephaestus, giving her the name of Grace. He also says that Sleep was a lover of Pasithea, and in the speech of Sleep there is this verse:--


:Verily that he would give me one of the younger Graces.


"Hence some have suspected that Homer knew of older Graces as well. Hesiod in the Theogony (though the authorship is doubtful, this poem is good evidence ) says that the Graces are daughters of Zeus and Eurynome, giving them the names of Euphrosyne, Aglaia and Thalia. The poem of Onomacritus agrees with this account. Antimachus, while giving neither the number of the Graces nor their names, says that they are daughters of Aegle and the Sun. The elegiac poet Hermesianax disagrees with his predecessors in that he makes Persuasion also one of the Graces."

In art

Enlarge picture
The Graces in a 1st century fresco at Pompeii.
On the representation of the Graces, Pausanias wrote,

"Who it was who first represented the Graces naked, whether in sculpture or in painting, I could not discover. During the earlier period, certainly, sculptors and painters alike represented them draped. At Smyrna, for instance, in the sanctuary of the Nemeses, above the images have been dedicated Graces of gold, the work of Bupalus; and in the Music Hall in the same city there is a portrait of a Grace, painted by Apelles. At Pergamus likewise, in the chamber of Attalus, are other images of Graces made by Bupalus; and near what is called the Pythium there is a portrait of Graces, painted by Pythagoras the Parian. Socrates too, son of Sophroniscus, made images of Graces for the Athenians, which are before the entrance to the Acropolis. Also, Socrates was know to have destroyed his own work as he progressed deeper into his life of philosophy and search of the conscious due to his iconoclastic attitude towards art and the like. All these are alike draped; but later artists, I do not know the reason, have changed the way of portraying them. Certainly to-day sculptors and painters represent Graces naked."


Enlarge picture
The Three Graces, from Sandro Botticelli's painting Primavera in the Uffizi Gallery.
In Renaissance times, the Roman statue group of the three graces in the Piccolomini library in Duomo di Siena inspired most themes. The Charites are depicted together with several other mythological figures in Sandro Botticelli's painting Primavera (above right). Raphael also pictured them in a painting now housed in Chantilly in France. Among other artistic depictions, they are the subject of famous sculptures by Antonio Canova and Bertel Thorvaldsen.

A group of three trees in the Calaveras Big Trees State Park are named "The Three Graces" after the Charites.

List of artwork with images resembling encircled graces

See also

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    The ancient Greeks proposed many different ideas about the primordial gods in their mythology. The many theogonies constructed by Greek poets each give a different account of which gods came first.
    • In Homer, Ocean and Tethys are the parents of all the gods.

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    Titans (Greek: Τιτάν Titan; plural: Τιτάνες Titanes
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    Twelve Olympians, also known as the Dodekatheon (Greek: Δωδεκάθεον
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      The ancient Greeks had a large number of sea gods. The philosopher Plato once remarked that the Greek people were like frogs sitting around a pond -- their many cities hugging close to the Mediterranean coastline from the Hellenic homeland to Asia Minor, Libya, Sicily and
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      Chthonic (from Greek χθόνιος-khthonios, of the earth, from khthōn, earth; pertaining to the Earth; earthy) designates, or pertains to, gods or spirits of the underworld, especially in relation to Greek religion.
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      Asclepius (Greek Ἀσκληπιός, transliterated Asklēpiós; Latin Aesculapius) is the demigod of medicine and healing in ancient Greek mythology.
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      MusE is a MIDI/Audio sequencer with recording and editing capabilities written by Werner Schweer. MusE aims to be a complete multitrack virtual studio for Linux: it currently has no support under other platforms, due to its reliance on JACK and ALSA.
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      Personified concepts
      • Muses
      • Nemesis
      • Moirae
      • Cratos
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      • Nike
      • Metis
      • Charites
      • Oneiroi
      • Adrasteia
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      • Bia
      • Eros
      • Apate
      • Themis
      • Eris
      • Thanatos
      • Hypnos


      Nemesis (in Greek,
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      Personified concepts
      • Muses
      • Nemesis
      • Moirae
      • Cratos
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      • Nike
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      • Oneiroi
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      • Bia
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      Personified concepts
      • Muses
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      • Cratos
      • Zelus
      • Nike
      • Metis
      • Charites
      • Oneiroi
      • Adrasteia
      • Horae
      • Bia
      • Eros
      • Apate
      • Themis
      • Eris
      • Thanatos
      • Hypnos
      In Greek mythology, Cratos
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      Personified concepts
      • Muses
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      This Zelos

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      Personified concepts
      • Muses
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      • Zelus
      • Nike
      • Metis
      • Charites
      • Oneiroi
      • Adrasteia
      • Horae
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      • Themis
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      In Greek mythology, Nike
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        In Greek mythology, Metis was of the Titan generation and, like several primordial figures, an Oceanid, in the sense that Metis was born of Oceanus and Tethys, of an earlier age than Zeus and his siblings.
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        Personified concepts
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        • Oneiroi
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        • Bia
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        • Themis
        • Eris
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        • Hypnos
        In Greek mythology, the Oneiroi
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        Personified concepts
        • Muses
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        In Greek mythology, Adrasteia
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        Personified concepts
        • Muses
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        In Greek mythology, the Horae
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        Personified concepts
        • Muses
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        In Greek mythology, Bia
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        Personified concepts
        • Muses
        • Nemesis
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        • Cratos
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        • Oneiroi
        • Adrasteia
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        • Bia
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        • Apate
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        • Hypnos
        In Greek mythology, Eros
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        Personified concepts
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        • Nemesis
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        • Oneiroi
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        Apate
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        Themis (Greek: Θέμις) among the six sons and six daughters of Gaia and Uranus, that is, of Earth with Sky. Among these Titans of primordial myth, few were venerated at specific sanctuaries in classical times, and Themis was so ancient that the followers of
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        Personified concepts
        • Muses
        • Nemesis
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        • Metis
        • Charites
        • Oneiroi
        • Adrasteia
        • Horae
        • Bia
        • Eros
        • Apate
        • Themis
        • Eris
        • Thanatos
        • Hypnos
        Eris (Greek
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        Personified concepts
        • Muses
        • Nemesis
        • Moirae
        • Cratos
        • Zelus
        • Nike
        • Metis
        • Charites
        • Oneiroi
        • Adrasteia
        • Horae
        • Bia
        • Eros
        • Apate
        • Themis
        • Eris
        • Thanatos
        • Hypnos
        In Greek mythology, Thanatos
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        Personified concepts
        • Muses
        • Nemesis
        • Moirae
        • Cratos
        • Zelus
        • Nike
        • Metis
        • Charites
        • Oneiroi
        • Adrasteia
        • Horae
        • Bia
        • Eros
        • Apate
        • Themis
        • Eris
        • Thanatos
        • Hypnos
        In Greek mythology, Hypnos
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        Riodinidae
        Grote, 1895

        Subfamilies

        Euselasiinae
        Riodininae
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        Synonyms

        Nemeobiidae

        The Riodinidae (or metalmarks) are a family of butterflies.
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        Greek mythology is the body of stories belonging to the Ancient Greeks concerning their gods and heroes, the nature of the world and the origins and significance of their own cult and ritual practices.
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        Ancient Greek refers to the second stage in the history of the Greek language[1] as it existed during the Archaic (9th–6th centuries BC) and Classical (5th–4th centuries BC) periods in Greece.
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        Aglaea is the name of five figures in Greek mythology

        Aglaea, the Charis

        The youngest of the Charites, Aglaea or Aglaia ("splendor, brilliant, shining one") was Hephaestus' wife and Asclepius' daughter in Greek mythology.
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        Euphrosyne (IPA pronunciation: [ju'frɒzəni]) was one of the Charites, known in English also as the "Three Graces".
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        Thalia, or Thaleia (θαλεια, from θάλλεω, “blooming”, pronounced /θə'laɪə/ in English) can refer to four distinct entities in Greek mythology, two of whom were
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