Information about Character Driven
In fiction, a plot or storyline is the rendering and ordering of the events and actions of a story, particularly towards the achievement of some particular artistic or emotional effect.
The term plot-driven is sometimes used to describe fiction in which a preconceived storyline is the main thrust, with the characters' behavior being moulded by this inevitable sequence of events. Plot-driven is regarded as being the opposite of character-driven, in which the character is the main focus of the work.
Aristotle used the term mythos to denote plot. In literature, mythos is a traditional or recurrent narrative theme or plot structure. The description is deceptively simple, because the actions are performed by particular characters in a work and are the means by which they exhibit their moral and dispositional qualities.
The concept of plot and the associated concept of construction of plot, emplotment, has developed considerably since Aristotle made these insightful observations. The episodic narrative tradition which Aristotle indicates has systematically been subverted over the intervening years, to the extent that the concept of beginning, middle, end are merely regarded as a conventional device when no other is at hand.
This is particularly true in the cinematic tradition, in which the folding and reversal of episodic narrative is now commonplace. Moreover, many writers and film directors, particularly those with a proclivity for the Modernist or other subsequent and derivative movements which emerged during or after the early 20th century, seem more concerned that plot is an encumbrance to their artistic medium than an assistance. Avant-garde novelist and critic Giorgio Manganelli said, "Personally, I'm interested in books that have a theme rather than a plot; which is not possible, or is excessively tough, to summarize." [1]
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Structure of plot
Plot has structure at several levels and forms.Cause and effect
At the smallest level, plot consists of a stimulus and response, also referred to as action and reaction, or cause and effect. (Bickham 1993, pp. 12-22)Scene and sequel
At midlevel, plot is structured in scenes and sequels, with scenes providing drama and sequels providing an aftermath. (Bickham 1993, pp. 12-22)Beginning, middle, and end
The larger structure of plot is often divided into three parts: beginning, middle, and ending.Story arc
Plot is often schematically represented as an arc reflecting the rising action described in the following phases:- Initial situation - the beginning. It is the first incident that makes the story move.
- Conflict or Problem - goal which the main character of the story has to achieve.
- Complication or Rising action- obstacles which the main character has to overcome.
- Climax - highest point of interest of the story.
- Dénouement or Resolution - what happens to the character after overcoming all obstacles/failing to achieve the desired result and reaching/not reaching his goal.
- Conclusion - the end result
Subplot
In addition to the main plot, a story may have one or more subplots. The main plot is sometimes called the A-Plot while a subplot may be referred to as the B-Plot.Suspension of Disbelief
Suspension of disbelief is the reader's temporary acceptance of story elements as believable, regardless of how implausible they may seem in real life.Forms of plot
Plots have been developed in a wide range of genres and forms: tragic, comedy, romance, satire.The term plot-driven is sometimes used to describe fiction in which a preconceived storyline is the main thrust, with the characters' behavior being moulded by this inevitable sequence of events. Plot-driven is regarded as being the opposite of character-driven, in which the character is the main focus of the work.
History of plot
According to Aristotle's Poetics, a plot is "the arrangement of incidents" that (ideally) each follow plausibly from the other. The plot is like the pencil outline that guides the painter's brush (compare sketch), and as such can be distinguished from the story or narrative that is framed by the plot. When a plot is like the pencil outline that guides the painter’s brush, the story is comparable to the finished painting. An example of the type of plot which follows these sorts of lines is the linear plot of development to be discerned within the pages of a Bildungsroman novel. Aristotle notes that a string of unconnected speeches, no matter how well-exhausted, will not have as much emotional impact as a series of tightly connected speeches delivered by perfect speakers.Aristotle used the term mythos to denote plot. In literature, mythos is a traditional or recurrent narrative theme or plot structure. The description is deceptively simple, because the actions are performed by particular characters in a work and are the means by which they exhibit their moral and dispositional qualities.
The concept of plot and the associated concept of construction of plot, emplotment, has developed considerably since Aristotle made these insightful observations. The episodic narrative tradition which Aristotle indicates has systematically been subverted over the intervening years, to the extent that the concept of beginning, middle, end are merely regarded as a conventional device when no other is at hand.
This is particularly true in the cinematic tradition, in which the folding and reversal of episodic narrative is now commonplace. Moreover, many writers and film directors, particularly those with a proclivity for the Modernist or other subsequent and derivative movements which emerged during or after the early 20th century, seem more concerned that plot is an encumbrance to their artistic medium than an assistance. Avant-garde novelist and critic Giorgio Manganelli said, "Personally, I'm interested in books that have a theme rather than a plot; which is not possible, or is excessively tough, to summarize." [1]
The plot of historical events
Epistemological historian Paul Veyne (1971: 46-47; English trans. by Min Moore-Rinvolucri 1984: 32-33) applies the concept to real-life events, defining plot as “the fabric of history”, a system of interconnected historical facts:“Facts do not exist in isolation, in the sense that the fabric of history is what we shall call a plot, a very human and not very ‘scientific’ mixture of material causes, aims, and chances--a slice of life, in short, that the historian cuts as he [sic] wills and in which facts have their objective connections and relative importance...the word plot has the advantage of reminding us that what the historian studies is as human as a play or a novel....then what are the facts worthy of rousing the interest of the historian? All depends on the plot chosen; a fact is interesting or uninteresting...in history as in the theater, to show everything is impossible--not because it would require too many pages, but because there is no elementary historical fact, no event worthy atom. If one ceases to see events in their plots, one is sucked into the abyss of the infinitesimal.”
References
- Bickham, Jack M. (1993). Scene & Sequel: How to Construct Fiction with Scene-by-scene Flow, Logic and Readability. Cincinnati, OH: Writer's Digest Books.
See also
External Links
Fiction is the telling of stories which are not entirely based upon facts. More specifically, fiction is an imaginative form of narrative, one of the four basic rhetorical modes.
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Story can mean:
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A sequence of events
- A narrative, more specifically:
- A piece of literature (also known as a tale):
- Novel or specifically, an epistolary novel
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ART is a three-letter acronym that can mean:
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Medicine
- Antiretroviral therapy. It is used in the treatment of HIV infection.
- assisted reproductive technology
Other
- Adaptive resonance theory
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emotion is a "complex reaction pattern, involving experiential, behavioral, and physiological elements, by which the individual attempts to deal with a personally significant matter of event.
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Scene may refer to:
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- Scene (fiction), an element of a larger fictional work such as a play
- Scene (film), a part of action in a single location in a TV or movie, comprised of a series of shots
- Scene (computer graphics), in computer graphics
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A-Plot is a cinema and television term referring to the plotline that drives the story. This doesn't necessarily mean it's the most important, but rather the one that forces most of the action.
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Suspension of disbelief is an aesthetic theory intended to characterize people's relationships to art. It was coined by the poet and aesthetic philosopher Samuel Taylor Coleridge in 1817 to refer to what he called "dramatic truth".
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- For the gay men's lifestyle magazine, see Genre (magazine).
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In a figurative sense a tragedy (from Classical Greek τραγωδία, "song for the goat", see below) is any event with a sad and unfortunate outcome, but the term also applies specifically in Western culture to a form of drama defined by
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In common, present day usage the word comedy almost always refers to the creation or presentation of humor with the intention of provoking laughter. Most comedy contains variations on the elements of surprise, incongruity, conflict, repetitiveness, and the effect of opposite expectations,
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A romance novel is a literary genre developed in Western culture, mainly in English-speaking countries. To be considered a part of the romance genre, a novel should place its primary focus on the relationship and romantic love between two people, and must have an "emotionally
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Satire (from Latin satura, not from the Greek mythological figure satyr[1]) is a literary genre, chiefly literary and dramatic, in which human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision,
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Aristotle (Greek: Ἀριστοτέλης Aristotélēs) (384 BC – 322 BC) was a Greek philosopher, a student of Plato and teacher of Alexander the Great.
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outline is a hierarchical way to display related items of text to graphically depict their relationships.
They are often used by students for research papers. Outlines provide a summary showing the logical flow of a paper.
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They are often used by students for research papers. Outlines provide a summary showing the logical flow of a paper.
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sketch is a rapidly executed freehand drawing that is not intended as a finished work, often consisting of a multitude of overlapping lines. If in oil paint it is called an oil sketch. Sketches usually serve to quickly record ideas for later use.
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A Bildungsroman (IPA: [ˈbɪldʊŋs.roˌmaːn]/, German: "novel of self-cultivation") is a novelistic form which concentrates on the spiritual, moral, psychological, or social development and growth of
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A speech is an oral message delivered in public. Speech is a form of literature that requires the author to express their views not in writing, but orally. Public speaking is also something that many people fear, and it is a fear that must be overcome, as many careers require an ability
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Aristotle (Greek: Ἀριστοτέλης Aristotélēs) (384 BC – 322 BC) was a Greek philosopher, a student of Plato and teacher of Alexander the Great.
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fictional character is any person, persona, identity, or entity whose existence originates from a work of fiction. The process of creating and developing characters in a work of fiction is called characterization.
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Morality (from the Latin moralitas "manner, character, proper behaviour") has three principal meanings. In its first descriptive usage, morality means a code of conduct held to be authoritative in matters of right and wrong,
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In philosophy, physiology, and psychology, a disposition is a habit, a preparation, a state of readiness, or a tendency to act in a specified way.
In philosophy, the terms dispositional belief and occurrent belief refer, in the former case, to a belief that is held in the
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In philosophy, the terms dispositional belief and occurrent belief refer, in the former case, to a belief that is held in the
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Episodic can refer to
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- The nature of television series that are divided into short programs. See Episode
- Episodic memory relates to the types of memory that result from specific incidents in a life time.
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Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
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Modernism describes a series of reforming cultural movements in art and architecture, music, literature and the applied arts which emerged in the three decades before 1914.
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twentieth century of the Common Era began on January 1, 1901 and ended on December 31, 2000, according to the Gregorian calendar. Some historians consider the era from about 1914 to 1991 to be the Short Twentieth Century.
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Avant-garde (pronounced /ɑvɑ̃ gɑʁd/) in French means "front guard", "advance guard", or "vanguard".
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Giorgio Manganelli, (born November 11 1922 in Milan, Italy, died May 28 1990 in Rome) was an Italian Avant-garde novelist and critic. He was one of the leaders of the Avant-garde movement in Italy in the 1960s.
Manganelli translated both Edgar Allan Poe's and T.S.
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Manganelli translated both Edgar Allan Poe's and T.S.
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Epistemology or theory of knowledge is the branch of philosophy that studies the nature, methods, limitations, and validity of knowledge and belief.
The term "epistemology" is based on the Greek words "
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The term "epistemology" is based on the Greek words "
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Paul Veyne, born 13 June 1930 in Aix-en-Provence, is a French archaeologist and historian, and a specialist on Ancient Rome. A former student of the École normale supérieure and member of the École française de Rome, he is now honorary professor at the Collège de France.
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System (from Latin systēma, in turn from Greek σύστημα systēma) is a set of entities, real or abstract, where each entity interacts with, or is related to, at least one other
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